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E-grāmata: Audiovisual Archives: Digital Text and Discourse Analysis

  • Formāts: EPUB+DRM
  • Izdošanas datums: 01-Mar-2013
  • Izdevniecība: ISTE Ltd and John Wiley & Sons Inc
  • Valoda: eng
  • ISBN-13: 9781118614099
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 01-Mar-2013
  • Izdevniecība: ISTE Ltd and John Wiley & Sons Inc
  • Valoda: eng
  • ISBN-13: 9781118614099
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Today, audiovisual archives and libraries have become very popular especially in the field of collecting, preserving and transmitting cultural heritage. However, the data in these archives or libraries - videos, images, soundtracks, etc. - constitute as such only potential cognitive resources for a given public (or target community). One of the most crucial issues of digital audiovisual libraries is indeed to enable users to actively appropriate audiovisual resources for their own concern (in research, education or any other professional or non-professional context). This means, an adaptation of the audiovisual data to the specific needs of a user or user group can be represented by small and closed "communities" as well as by networks of open communities around the globe. "Active appropriation" is, basically speaking, the use of existing digital audiovisual resources by users or user communities according to their expectations, needs, interests or desires. This process presupposes: 1) the definition and development of models or "scenarios" of cognitive processing of videos by the user; 2) the availability of tools necessary for defining, developing, reusing and sharing meta-linguistic resources such as thesauruses, ontologies or description models by users or user communities. Both aspects are central to the so-called semiotic turn in dealing with digital (audiovisual) texts, corpora of texts or again entire (audiovisual) archives and libraries. They demonstrate practically and theoretically the well-known from data to metadata or from (simple) information to (relevant) knowledge problem, which obviously directly influences the effective use, social impact and relevancy, and therefore also the future, of digital knowledge archives. This book offers a systematic, comprehensive approach to these questions from a theoretical as well as practical point of view.

Contents

Part 1. The Practical, Technical and Theoretical Context 1. Analysis of an Audiovisual Resource. 2. The Audiovisual Semiotic Workshop (ASW) Studio A Brief Presentation. 3. A Concrete Example of a Model for Describing Audiovisual Content. 4. Model of Description and Task of Analysis. Part 2. Tasks in Analyzing an Audiovisual Corpus 5. The Analytical Task of Describing the Knowledge Object. 6. The Analytical Task of Contextualizing the Domain of Knowledge. 7. The Analytical Task of Analyzing the Discourse Production around a Subject. Part 3. Procedures of Description 8. Definition of the Domain of Knowledge and Configuration of the Topical Structure. 9. The Procedure of Free Description of an Audiovisual Corpus. 10. The Procedure of Controlled Description of an Audiovisual Corpus. Part 4. The ASW System of Metalinguistic Resources 11. An Overview of the ASW Metalinguistic Resources. 12. The Meta-lexicon Representing the ASW Universe of Discourse.
Preface xi
Part 1 The Practical, Technical And Theoretical Context
1(64)
Chapter 1 Analysis of an Audiovisual Resource
3(20)
1.1 Introduction
3(1)
1.2 Functionally different corpora
4(6)
1.3 Descriptive models
10(2)
1.4 On the activity of analysis of audiovisual corpora
12(2)
1.5 On the activity of indexation
14(1)
1.6 Some reflections on the subject of the theoretical reference framework
15(8)
Chapter 2 The Audiovisual Semiotic Workshop (ASW) Studio - A Brief Presentation
23(16)
2.1 A working environment for analyzing corpora of audiovisual texts
23(4)
2.2 Brief presentation of the ASW Description Workshop
27(6)
2.3 Four approaches to analyzing an audiovisual text
33(3)
2.4 Models of description and interactive working forms
36(3)
Chapter 3 A Concrete Example of a Model for Describing Audiovisual Content
39(12)
3.1 Introduction
39(1)
3.2 Selecting the appropriate model from the library of descriptive models of description of audiovisual content
40(3)
3.3 The sequences in a model of content description
43(3)
3.4 Field of description and sequential organization of an analytical form
46(2)
3.5 The level of schemas of definition and procedures of description
48(3)
Chapter 4 Model of Description and Task of Analysis
51(14)
4.1 Introduction
51(1)
4.2 The structural organization of a model of audiovisual content description
52(2)
4.3 The canonic syntagmatic order of a form of description
54(4)
4.4 Types of analysis, analytical tasks, procedures of description and activities of description
58(3)
4.5 Particular tasks in analyzing the content of an audiovisual corpus
61(2)
4.6 Concluding remarks
63(2)
Part 2 Tasks In Analyzing An Audiovisual Corpus
65(58)
Chapter 5 The Analytical Task of "Describing the Knowledge Object"
67(14)
5.1 Introduction
67(1)
5.2 A simple example of referential description
68(2)
5.3 Thematic structure, topical structure and referential objects
70(3)
5.4 A library of sequences for referential description
73(3)
5.5 Alternative functional architectures to define sequences of referential description
76(5)
Chapter 6 The Analytical Task of "Contextualizing the Domain of Knowledge"
81(26)
6.1 Introduction
81(1)
6.2 Contextualization by spatial location
82(2)
6.3 Location and contextualization by country
84(4)
6.4 Geographical-physical location and contextualization
88(5)
6.5 Contextualization by temporal location
93(3)
6.6 Contextualization by historical era
96(5)
6.7 Historical contextualization and periodization
101(1)
6.8 Thematic contextualization
102(5)
Chapter 7 The Analytical Task of "Analyzing the Discourse Production around a Subject"
107(16)
7.1 Introduction
107(1)
7.2 Procedures of discourse production
108(5)
7.3 Anatomy of the description of discourse production around a subject
113(3)
7.4 Examples illustrating analysis of discourse production
116(4)
7.5 Textual and discursive assessment
120(3)
Part 3 Procedures Of Description
123(44)
Chapter 8 Definition of the Domain of Knowledge and Configuration of the Topical Structure
125(14)
8.1 Introduction
125(1)
8.2 Some reminders and specifications
126(4)
8.3 (Re-)configuring and adapting an existing topical structure
130(3)
8.4 (Re-)configuring more complex topical structures
133(6)
Chapter 9 The Procedure of Free Description of an Audiovisual Corpus
139(16)
9.1 Introduction
139(1)
9.2 Organization of the so-called "free description" procedure
140(3)
9.3 The descriptive activity [ Minimal designation]
143(3)
9.4 The descriptive activity [ Contextualized designation]
146(3)
9.5 The activities of [ Drafting of a summary presentation] and [ Designation of the referent in the original language]
149(1)
9.6 The descriptive activity [ Designation of the referent by keywords]
150(3)
9.7 Pragmatic and onomasiological variants of the activity of [ Minimal designation]
153(2)
Chapter 10 The Procedure of Controlled Description of an Audiovisual Corpus
155(12)
10.1 Introduction
155(1)
10.2 Organization of the procedure called controlled description
156(3)
10.3 Working with several micro-thesauruses
159(2)
10.4 Selecting, classifying and ranking terms using a micro-thesaurus
161(2)
10.5 An approach combining controlled and free description
163(4)
Part 4 The ASW System Of Metalinguistic Resources
167(130)
Chapter 11 An Overview of the ASW Metalinguistic Resources
169(28)
11.1 Introduction
169(1)
11.2 General overview of the ASW system of metalinguistic resources
170(4)
11.3 The ASW meta-lexicon of conceptual terms
174(3)
11.4 The ASW thesaurus
177(3)
11.5 The schemas of definition
180(4)
11.6 The sequences of description
184(3)
11.7 Resources external to the ASW system
187(3)
11.8 ASW Modeling Workshop
190(7)
Chapter 12 The Meta-lexicon Representing the ASW Universe of Discourse
197(20)
12.1 Introduction
197(1)
12.2 "Conceptual term" and "theme" - a few explanations
198(2)
12.3 The definitional structure of a topic
200(2)
12.4 The ASW universe of discourse
202(4)
12.5 The general organization of the vocabulary relating to analytical objects in the ASW universe of discourse
206(4)
12.6 Questions relating to the organization of the ASW vocabulary of conceptual terms representing analytical objects
210(4)
12.7 The process of developing the ASW vocabulary of conceptual terms defining analytical objects
214(3)
Chapter 13 Detailed Presentation of the Conceptual Vocabulary [ Object of analysis]
217(34)
13.1 Introduction
217(1)
13.2 The two branches [ Natural object] and [ Object of value]
218(3)
13.3 Questions of organization of the ASW meta-lexicon
221(5)
13.4 How are we to take account of different classifications?
226(3)
13.5 The conceptual domain represented by the term [ Functional material object]
229(4)
13.6 The conceptual domain represented by the term [ Social object]
233(2)
13.7 The conceptual domain represented by the term [ Cultural object]
235(3)
13.8 Taxonomic domains belonging to the branch [ Primary symbolic object]
238(4)
13.9 Taxonomic domains belonging to the branch [ Secondary symbolic object]
242(3)
13.10 The taxonomic domains of the branch [ Object "Perdurant"]
245(3)
13.11 The taxonomic domains of the branch [ Object "Region"]
248(3)
Chapter 14 The Meta-lexicon of Activities Involved in Analyzing the Textual Object
251(22)
14.1 Introduction
251(1)
14.2 Four categories of textual analysis activities
252(3)
14.3 The class of activities [ Procedure of structural analysis of the textual object]
255(4)
14.4 The class of activities [ Procedure of analysis of the textual object using the ASW thesaurus]
259(1)
14.5 The class of activities [ Procedure of analysis using an ASW external reference]
260(4)
14.6 The class of activities [ Procedure of pragmatic analysis of the textual object]
264(1)
14.7 Activity of analysis and schemas of indexation
265(3)
14.8 The library of schemas of indexing
268(5)
Chapter 15 The ASW Thesaurus
273(8)
15.1 Introduction
273(1)
15.2 General presentation of the ASW thesaurus
274(3)
15.3 Facets and lists of standardized expressions
277(4)
Chapter 16 The Configurational Building Blocks of Models of Description
281(16)
16.1 Introduction
281(1)
16.2 Analysis of an audiovisual text and models of description
282(2)
16.3 The library of sequences making up the model of thematic description
284(5)
16.4 Definition and insertion of a sequence into a model of description
289(3)
16.5 Summary presentation of a library of schemas of definition
292(5)
Conclusion and Perspectives 297(4)
Bibliography 301(6)
Glossary of Specialized Terms 307(30)
Glossary of Acronyms 337(12)
Index 349
Peter Stockinger is full Professor at the National Institute of Oriental Languages and Civilisations (INALCO) in Paris; and Research Director of ESCoM (Cognitive Semiotics and New Media Research Lab) of the Fondation Maison des Sciences de l'Homme (FMSH) in Paris, France.