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Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium Second Edition 2018 [Mīkstie vāki]

  • Formāts: Paperback / softback, 384 pages, height x width: 235x155 mm, weight: 623 g, 169 Illustrations, color; 19 Illustrations, black and white; XXII, 384 p. 188 illus., 169 illus. in color., 1 Paperback / softback
  • Sērija : Springer Series on Cultural Computing
  • Izdošanas datums: 30-Jan-2019
  • Izdevniecība: Springer Nature Switzerland AG
  • ISBN-10: 3030099210
  • ISBN-13: 9783030099213
  • Mīkstie vāki
  • Cena: 127,23 €*
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  • Formāts: Paperback / softback, 384 pages, height x width: 235x155 mm, weight: 623 g, 169 Illustrations, color; 19 Illustrations, black and white; XXII, 384 p. 188 illus., 169 illus. in color., 1 Paperback / softback
  • Sērija : Springer Series on Cultural Computing
  • Izdošanas datums: 30-Jan-2019
  • Izdevniecība: Springer Nature Switzerland AG
  • ISBN-10: 3030099210
  • ISBN-13: 9783030099213

This is the second edition of the first ever book to explore the exciting new field of augmented reality art and its enabling technologies. The new edition has been thoroughly revised and updated, and contains 5 new chapters. As well as investigating augmented reality as a novel artistic medium the book covers cultural, social, spatial and cognitive facets of augmented reality art. 

Intended as a starting point for exploring this new fascinating area of research and creative practice it will be essential reading not only for artists, researchers and technology developers, but also for students (graduates and undergraduates) and all those interested in emerging augmented reality technology and its current and future applications in art.

Part I Emerging Augmented Reality Technology and the Birth of Augmented Reality Art
1 Augmented Reality Activism
3(38)
Mark Skwarek
2 Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials
41(32)
Tamiko Thiel
3 ART for Art: Augmented Reality Taxonomy for Art and Cultural Heritage
73(22)
Klen Copic Pucihar
Matjaz Kljun
4 Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Being
95(20)
Gregory L. Ulmer
John Craig Freeman
5 Augmented Interventions: Redefining Urban Interventions with AR and Open Data
115(18)
Conor McGarrigle
Part II Augmented Reality as an Artistic Medium
6 The Aesthetics of Liminality: Augmentation as an Art Form
133(30)
Patrick Lichty
7 Augmented Reality in Art: Aesthetics and Material for Expression
163(10)
Geoffrey Alan Rhodes
8 Digital Borders and the Virtual Gallery
173(10)
Jacob Garbe
9 Immersive Art in Augmented Reality
183(12)
Todd Margolis
10 Skin to Skin: Performing Augmented Reality
195(16)
Kim Vines
Alison Bennett
John McCormick
Jordan Beth Vincent
Stephanie Hutchison
11 Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Sale
211(16)
Vladimir Geroimenko
12 Augmented Reality Graffiti and Street Art
227(12)
Ian Gwilt
Part III Cultural, Social, Spatial and Cognitive Facets of Augmented Reality Art
13 Why We Might Augment Reality: Art's Role in the Development of Cognition
239(16)
Judson Wright
14 Augmenting Wilderness: Points of Interest in Pre-connected Worlds
255(22)
Nathan Shafer
15 An Emotional Compass: Emotions on Social Networks and a New Experience of Cities
277(20)
Salvatore Iaconesi
Oriana Persico
16 A Fractal Augmentation of the Archaeological Record: The Time Maps Project
297(20)
Drago? Gheorghiu
Livia Stefan
17 Wearable Apocalypses: Enabling Technologies for Aspiring Destroyers of Worlds
317(12)
Damon Loren Baker
Part IV Living, Acting and Expressing Yourself in Augmented Worlds
18 User Engagement Continuum: Art Engagement and Exploration with Augmented Reality
329(14)
Matjaz Kljun
Klen Copil Pucihar
Paul Coulton
19 Living and Acting in Augmented Words: How to Be Your Own Robot?
343(14)
Sander Veenhof
20 Post-human Narrativity and Expressive Sites: Mobile ARt as Software Assemblage
357(14)
Rewa Wright
21 Really Fake or Faking Reality? The Riot Grrrls Project
371(12)
Claudia Hart
Rose Marie May
Concluding Remarks: Today's Vision of an Art Form of the Future 383
Vladimir Geroimenko