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E-grāmata: Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium

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This is the first ever book on augmented reality art. It is written by a team of world-leading artists, researchers and practitioners, pioneering in the use of augmented reality technology as a novel artistic medium. The book explores a wide range of major aspects of augmented reality art and its enabling technology. It is intended to be a starting point and essential reading not only for artists, researchers and technology developers, but also for students (both graduates and undergraduates) and everyone who is interested in emerging augmented reality technology and its current and future applications in art.

Augmented Reality Activism.- Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials.- Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Being.- Augmented Interventions: Redefining Urban Interventions with AR and Open Data.- The Aesthetics of Liminality: Augmentation as an Art Form.- Augmented Reality in Art: Aesthetics and Material for Expression.- Translocated Boundaries.- Immersive Art in Augmented Reality.- Skin to Skin: Performing Augmented Reality.- Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Sale.- Why We Might Augment Reality: Art s Role in the Development of Cognition.- Augmenting Wilderness: Points of Interest in Pre-Connected Worlds.- An Emotional Compass: Emotions on Social Networks and a New Experience of Cities.- Augmenting the Archaeological Record with Art: The Time Maps Project.- Spatial Narratives in Art.- Perceptions - Shifting Realities.- Wear

able Apocalypses: Enabling Technologies for Aspiring Destroyers of Worlds.- Concluding Remarks: Today"s Vision of an Art Form of the Future.
Part I Emerging Augmented Reality Technology and the Birth of Augmented Reality Art
1 Augmented Reality Activism
3(28)
Mark Skwarek
2 Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials
31(30)
Tamiko Thiel
3 Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Weil-Being
61(20)
Gregory L. Ulmer
John Craig Freeman
4 Augmented Interventions: Re-defining Urban Interventions with AR and Open Data
81(18)
Conor McGarrigle
Part II Augmented Reality as a Novel Artistic Medium
5 The Aesthetics of Liminality: Augmentation as an Art Form
99(28)
Patrick Lichty
6 Augmented Reality in Art: Aesthetics and Material for Expression
127(12)
Geoffrey Alan Rhodes
7 Digital Borders and the Virtual Gallery
139(10)
Jacob Garbe
8 Immersive Art in Augmented Reality
149(12)
Todd Margolis
9 Skin to Skin: Performing Augmented Reality
161(14)
Kim Vines
Alison Bennett
John McCormick
Jordan Beth Vincent
Stephanie Hutchison
10 Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Sale
175(14)
Vladimir Geroimenko
11 Augmented Reality Graffiti and Street Art
189(12)
Ian Gwilt
Part III Cultural, Social, Spatial and Cognitive Facets of Augmented Reality Art
12 Why We Might Augment Reality: Art's Role in the Development of Cognition
201(14)
Judson Wright
13 Augmenting Wilderness: Points of Interest in Pre-connected Worlds
215(22)
Nathan Shafer
14 An Emotional Compass: Emotions on Social Networks and a New Experience of Cities
237(18)
Salvatore Iaconesi
Oriana Persico
15 Augmenting the Archaeological Record with Art: The Time Maps Project
255(22)
Dragos Gheorghiu
Livia Stefan
16 Spatial Narratives in Art
277(18)
Simona Lodi
17 Shifting Perceptions -- Shifting Realities
295(10)
Margaret Dolinsky
18 Wearable Apocalypses: Enabling Technologies for Aspiring Destroyers of Worlds
305(8)
Damon Loren Baker
Concluding Remarks: Today's Vision of an Art Form of the Future 313
Vladimir Geroimenko