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ix | |
Abbreviations |
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x | |
A Note on the Texts |
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x | |
Introduction |
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1 | (6) |
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The Art of Poetry: Vida to Pope |
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7 | (55) |
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The Education of the Poet: Setting the Cultural Scene |
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11 | (10) |
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The Virgilian Ars: Disposition of the Poet's Material |
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21 | (15) |
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The rules of art and poetic inspiration |
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21 | (3) |
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Disposition: clarity, variety, and unity |
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24 | (2) |
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Decorum, nature, and verisimilitude |
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26 | (3) |
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The comparison of Virgil and Homer |
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29 | (7) |
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The Virgilian Ars: Language and Style |
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36 | (23) |
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41 | (4) |
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45 | (10) |
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55 | (4) |
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59 | (3) |
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The Augustan Ideal: Rhyme and Refinement |
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62 | (85) |
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62 | (16) |
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62 | (4) |
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The early argument over rhyme |
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66 | (2) |
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The closed couplet: English and Latin |
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68 | (1) |
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The Latin elegiac couplet |
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68 | (4) |
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72 | (2) |
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The poetic ideal of Augustan Rome |
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74 | (4) |
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The Early Augustan Aesthetic in English |
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78 | (30) |
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Waller and Denham: sweetness and strength |
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81 | (20) |
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Waller, Denham, and Dryden |
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101 | (5) |
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106 | (2) |
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The Full Augustan Aesthetic |
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108 | (20) |
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Dryden and Denham on the death of Priam compared |
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108 | (7) |
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Ornament of words: poetic diction |
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115 | (11) |
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How Dryden's Virgil represents the Latin ideal |
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126 | (2) |
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Mastery of the Medium: The Continuing Debate about Rhyme |
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128 | (16) |
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Dryden and Addison: rhyme versus blank verse |
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131 | (9) |
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140 | (4) |
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Appendix: The Continuing Debate about Rhyme |
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144 | (3) |
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Augustan Translation of Silver Latin |
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147 | (81) |
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Dryden's Translation of Persius and Juvenal: Dryden's Critical Assessment |
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147 | (27) |
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153 | (5) |
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The method and purpose of Dryden in translation |
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158 | (4) |
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162 | (12) |
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174 | (35) |
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Introduction: Augustan regularization of Lucan |
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174 | (7) |
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Comparison with Marlowe: limitations |
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181 | (5) |
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Augustan strengths: Johnsonian virtues |
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186 | (8) |
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Liberty and tyranny: the moral argument |
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194 | (8) |
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The effectiveness of the mature Augustan couplet |
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202 | (7) |
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209 | (19) |
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212 | (5) |
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217 | (5) |
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222 | (6) |
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228 | (109) |
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Heroic Beginnings: The Episode of Sarpedon |
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230 | (16) |
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The Main Fable: The Anger of Achilles |
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246 | (11) |
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257 | (53) |
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257 | (2) |
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Imitation and refinement: tradition and method |
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259 | (13) |
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272 | (10) |
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282 | (19) |
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The final polish: the labour of the file |
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301 | (9) |
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The challenge of the Odyssey |
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310 | (27) |
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310 | (12) |
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`Proportioning the style':-the plain and the natural |
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322 | (2) |
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Painting the manners: the `just moral' |
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324 | (5) |
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Painting the manners: `partly in the nature of a comedy' |
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329 | (4) |
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333 | (4) |
Epilogue: Augustans and Moderns |
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337 | (16) |
Select Bibliography |
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353 | (8) |
Index |
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361 | |