Atjaunināt sīkdatņu piekrišanu

E-grāmata: Authentic Secondary Art Assessment: Snapshots from Art Teacher Practice [Taylor & Francis e-book]

Edited by , Edited by (at Northern Illinois University, USA.)
  • Formāts: 272 pages, 33 Tables, black and white; 60 Halftones, black and white; 60 Illustrations, black and white
  • Izdošanas datums: 11-Sep-2023
  • Izdevniecība: Routledge
  • ISBN-13: 9781003397946
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 272 pages, 33 Tables, black and white; 60 Halftones, black and white; 60 Illustrations, black and white
  • Izdošanas datums: 11-Sep-2023
  • Izdevniecība: Routledge
  • ISBN-13: 9781003397946
"Offering a contemporary overview of how visual art teachers assess learning in their classrooms, this book provides an outline of the role of assessment in not only reporting student achievement, but also how student assessment ties to the intrinsic andexternal assessment of teacher performance. Compiled using stories from the classrooms of sixteen visual art high school teachers who share their approaches to benchmarking student success, the text encourages teachers to consider assessment both for guiding their students to achieve artistic goals, and for re-envisioning their own curriculum and instruction. The featured assessment snapshots fall along four strands: Visual Narratives and Visual Literacy; Capturing Empathic Understandings and Social Engagement; Measuring Risk-taking and Ingenuity; and Assessing Collaborative and Integrated Learning Outcomes. Across these sections, teacher contributors offer different perspectives for student assessment, capturing a snapshot of the work of skilled practitioners, and focusing on various aspects of what can be evidenced and analyzed through formative and summative evaluation. The voices of university level art educators are also included to expand the range of context from curriculum and instruction contentthat is covered in pre-service art methods courses. All sections also conclude with a summary, questions, and discussion points. Including both diverse teacher voices as well as presenting assessment perspectives with an eye to the National Core Art Standards (NCAS), this book is ideal for pre-service and in-service secondary art educators; as well as for use in art education teacher certification courses that focus on secondary methods, and art education graduate classes in assessment"--

Offering a contemporary overview of how visual art teachers assess learning in their classrooms, this book provides an outline of the role of assessment in reporting not only student achievement but also how student assessment ties to the intrinsic and external assessments of teacher performance.

Compiled using stories from the classrooms of 19 visual art high school teachers who share their approaches to benchmarking student success, the text encourages teachers to consider assessment both for guiding their students to achieve artistic goals and for re-envisioning their own curriculum and instruction. The featured assessment snapshots fall along four strands: Visual Narratives and Visual Literacy; Capturing Empathic Understandings and Social Engagement; Measuring Risk-taking and Ingenuity; and Assessing Collaborative and Integrated Learning Outcomes. Across these sections, teacher contributors offer different perspectives for student assessment, capturing a snapshot of the work of skilled practitioners and focusing on various aspects of what can be evidenced and analyzed through formative and summative evaluation. The voices of university level art educators are also included to expand the range of context from curriculum and instruction content that is covered in pre-service art methods courses. All sections also conclude with a summary, questions, and discussion points.

Including diverse teacher voices as well as presenting assessment perspectives with an eye to the National Core Art Standards (NCAS), this book is ideal for pre-service and in-service secondary art educators, as well as for use in art education teacher certification courses that focus on secondary methods, and art education graduate classes in assessment.



Offering a contemporary overview of how visual art teachers assess learning in their classrooms, this book provides an outline of the role of assessment in not only reporting student achievement, but also how student assessment ties to the intrinsic and external assessment of teacher performance.

Introduction: Authentic Secondary Arts Assessment: Snapshots from Art
Teacher Practice SECTION I: Overview of Assessment
1. Art Education
Assessment and the Industrial Educational Complex
2. Educational Aims, Goals
and Objectives: Balancing Instructional Objectives and Expressive Outcomes
3.
Contemporary Dilemmas in the Assessment of Art Learning: Promoting
Creativity, Assessing Teachers, and Doing the Standards SECTION II: Models
of Assessment
4. Commentary Section IIStandards and the Assessment of
Competencies
5. Cant You Just Give Them a Quiz? Resistance as a Means to
Promote Authentic Assessment
6. The End Justifies the Means: Assessment and
Backward Design
7. Advanced Placement in Studio Art: Assessment and Advocacy
8. International Baccalaureate: Art Educators as Leaders in Models of Student
Thinking and Assessing What Matters
9. Studio Thinking and Assessment in High
School Visual Art
10. Assessment Literacy and edTPA: Seeing the Bigger
Picture
11. The Danielson Framework for Teacher Evaluation and Student
Assessment
12. Section II Summary Section II Questions and Discussion Points
SECTION III: Assessing Visual Narratives and Visual Literacy
13. Commentary
Section IIIVisual Narrative: Assessing How We Tell Our Stories
14. Beyond
the Color Wheel: Assessing for Habits of Mind in the art classroom
15.
Authentic Assessment Through a Summative Bookmaking Unit
16. Expressive
Portraits: Visual Narratives of Affective and Technical Assessment
17. Drawn
Personalities
18. Section III SummaryThe Role of Context in Assessment
Section III: Questions and Discussion Points SECTION IV: Measuring
Risk-taking and Ingenuity
19. Commentary Section IVNurturing and Assessing
Risk-Taking in the Art Room: A Framework for Teachers
20. Assessing the
Student Over the Work: Grading with Studio Habits of Mind
21. Holistic
Assessment through the Photographic Lens
22. Risk and Chance: Portrait
Lessons for Advanced Students from Rural and Suburban Communities
23.
Risk-Taking and Empowering Students with Interdependent Artmaking
24. Section
IV Summary Section IV Questions and Discussion Points SECTION V: Capturing
Empathic Understandings and Social Engagement
25. Commentary Section
VEmpathy and Socially Engaged Art
26. Starting a Conversation:
Student-Directed Projects Designed to Engage the Community
27. An Evolution
of Assessment in the Wake of a Cultural Revolution
28. Building School
Community with Artist Trading Cards
29. What Breaks Your Heart? Socially
Engaged Artwork in the High School Art Classroom
30. Section V Summary
Assessing Socially Engaged Art Education Section V Questions and Discussion
Points SECTION VI: Assessing Collaborative and Integrated Learning Outcomes
31. Commentary Section VIIntegrated and Collaborative Assessments
32.
Sculptured Landscapes: Art Lesson and Assessments
33. Ceramic Whistle
Sculpture
34. Critique as Assessment
35. The Art Throwdown: Process and
Production in Interscholastic Competition
36. Summary Section VAn
Assessment: Art Integrated Instruction and Collaborative Learning Section VI
Questions and Discussion Points SECTION VII: Closing Thoughts
37. Conclusion
38. Afterword: Addressing Social Issues and Mental Health as Contemporary
Culture
39. Afterward: Rethinking Assessment Post-Pandemic
Cathy Smilan is a Professor of Art Education and the Master of Art Education Graduate Program Director at the University of Massachusetts Dartmouth. She serves a reviewer for the International Journal of Education through Art, and the Journal of Visual Culture and Gender. Dr. Smilan served as a member of the NAEA Professional Materials Committee and as a permanent editor of the IJETA IMAG.

Richard Siegesmund is a Professor Emeritus of Art+Design Education at Northern Illinois University. An elected Distinguished Fellow of the National Art Education Association, he is also a recipient of the organization's Manuel Barkan Memorial Award for significance of his published research on the 1997 NAEP Arts assessment.