Atjaunināt sīkdatņu piekrišanu

B. Ingrid Olson: History Mother, Little Sister [Mīkstie vāki]

Text by , Text by , Text by , Text by , Text by , Text by , Text by , Text by , By (artist) , Text by
  • Formāts: Paperback / softback, 184 pages, height x width x depth: 273x216x13 mm, weight: 612 g, 134 Illustrations
  • Izdošanas datums: 22-Jun-2023
  • Izdevniecība: Carpenter Center for the Visual Arts
  • ISBN-10: 1735230529
  • ISBN-13: 9781735230528
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 45,61 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 184 pages, height x width x depth: 273x216x13 mm, weight: 612 g, 134 Illustrations
  • Izdošanas datums: 22-Jun-2023
  • Izdevniecība: Carpenter Center for the Visual Arts
  • ISBN-10: 1735230529
  • ISBN-13: 9781735230528
Citas grāmatas par šo tēmu:

A sculptural and photographic dialogue with embodiedness and Le Corbusier's Carpenter Center

This first monograph on the Chicago-based multimedia artist B. Ingrid Olson (born 1987) accompanies two simultaneous exhibitions: History Mother and Little Sister, each on a separate floor of the Carpenter Center for the Visual Arts. Informed by notions of doubling and mirroring, unexpected uses of footnotes and architectural fixtures as well as the work of figures such as Madeline Gins and Eileen Gray, the exhibitions insinuate her own objects and images into a sometimes tense, playfully knowing relationship with Le Corbusier’s famous building, probing the normative, gendered and material experiments of the structure’s modular elements of concrete, glass, plywood and primary colors. The book’s innovative design brings together documentation of the site-specific installation, sketches and reproductions of other works made over the last decade, putting them into conversation with a selection of poetry and criticism that informs Olson’s practice.

Recenzijas

In the handsome exhibition catalog...Olson reflects on her art, which is at once cerebral and physical: ...'How close can I get? Can I touch it?' In this tactile publication, you certainly can. -- Michael Famighetti * Aperture *

Touring The Exhibitions 8(9)
Dan Byers
HISTORY MOTHER
Installation Views A--G
17(41)
List of Works
58(7)
A Maria Fusco, "Legend of She, the Grid System," in Legend of the Necessary Dreamer (Vanguard Editions, 2017)
48(11)
B Kim Hyesoon, "Manhole Humanity," in I'm OK, I'm Pig!, trans. Don Mee Choi (Bloodaxe Books, 2014)
59(129)
C--F Olga Tokarczuk, "A dream," "A dream," "A dream from the Internet," "Two little dreams from the Internet," in House of Day, House of Night, trans
Antonia Lloyd-Iones (Northwestern University Press, 2003)
188
G Lily Bea Moor, "An Hourglass" (December 2002), African American Performance Art Archive
As Structure Is To Body, So Body Is To Form
65(15)
Leah Pires
In Conversation
80(11)
Gordon Hall
B. Ingrid Olson
Fingered Eyed
91(3)
Andrew Blackley
Cloud, Frame, Framing
94(3)
Renee Gladman
Installation Views H--N
97(43)
Little Sister
List of Works 140(5)
Bibliography 145(3)
Contributors 148(2)
Acknowledgments 150(4)
Lenders 154(1)
Image Credits 155