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E-grāmata: Barbara Honigmann

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«Offering a range of insightful readings of texts by Honigmann, this volume is engaging and compelling. It will resonate strongly with those readers familiar with Honigmann, deepening their understanding of her work, and will constitute, for others, an urgent invitation to explore her challenging, affecting, and humane uvre further.»



(Professor Emily Jeremiah, Royal Holloway, University of London)









«Barbara Honigmann is one of the most incisive and engaging Jewish authors writing in German today. This collection of original essays, many of which illuminate the Jewish dimension of her texts, offers a superb introduction to the writer and raises the analysis of her work to new levels.»



(Katja Garloff, Professor of German and Humanities, Reed College)









This is the first full-length book in English devoted to the work of one of the most widely read and intriguing contemporary German-language writers. Barbara Honigmann, born in East Berlin in 1949 and a resident of Strasbourg since 1986, treats the major themes of our time from the special perspective of a practising Jewish woman. Her seemingly simple language navigates and reveals hidden complexities, an effect mirrored in her masterly use of form. This book covers Honigmanns entire uvre, from her first breakthrough success to her most recent collection of essays and speeches. It includes detailed accounts of form and style, as well as wide-ranging discussions of themes and contexts. Approaching Honigmanns work from a variety of angles, including aesthetic analysis, feminist and memory studies, the literary exploration of space, and the investigation of autofiction, the essays collected here discuss Honigmanns unique voice and her treatment of identity and belonging, Jewishness across generations, migration and multiculturalism, postmemory and trauma, language and transcendence.









The academic chapters in this volume are complemented by Honigmanns translation of an installation text by Chantal Akerman, an interview the books editors conducted with the author in December 2021, and an extensive bibliography.
Contents: Nicht ganz rund im leeren Kühlschrank laufen; translation of
Chantal Akerman, Marcher ą cōté de ses lacets dans un frigidaire vide
Das kann und darf nicht wahr sein [ That cant and mustnt be true]: Barbara
Honigmanns Stage Adaptation of Das singende springende Löweneckerchen
Signed out of the GDR: The Jewish Perspective on the Former German State in
Barbara Honigmanns Writing Originating in Roman von einem Kinde Banal
Words Made Out of Nothing: Exploring the Sophisticated Simplicity of Barbara
Honigmanns Narrative Style Womens Liberation in Honigmanns Soharas Reise
Performances in Language: The Dramaturgy of Voice in Alles, alles Liebe!
and Provinzbriefe Between Distance and Belonging: Space, Time and
Multilingualism in Das überirdische Licht Pictures That Hold Us Captive: A
Rumour of Transcendence in Barbara Honigmanns Bilder von A Pictures in B.:
Unpacking Postmemory in the Work of Barbara Honigmann Damals, dann und
danach: The Place of Intergenerational Communication in Honigmann and Others
Interview with Barbara Honigmann.
Robert Gillett is Professor Emeritus of German and Comparative Cultural Studies at Queen Mary University of London.









Godela Weiss-Sussex is Professor of Modern German Literature at the Institute of Languages, Cultures & Societies, University of London and Fellow of King's College, Cambridge.