Foreword |
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8 | (3) |
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11 | (86) |
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Basic Principles of Freehand Drawing |
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12 | (6) |
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12 | (2) |
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14 | (1) |
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Instrument of communication |
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15 | (1) |
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16 | (2) |
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18 | (31) |
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18 | (8) |
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Lines and the instruments for drawing them |
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26 | (10) |
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Surfaces and the instruments for drawing them |
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36 | (11) |
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Special instruments used in architectural design |
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47 | (2) |
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Freehand Drawing in Architectural Design |
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49 | (22) |
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49 | (16) |
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65 | (4) |
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69 | (2) |
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Architectural Drawing on Site |
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71 | (18) |
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71 | (3) |
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74 | (8) |
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82 | (7) |
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89 | (5) |
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89 | (1) |
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Digitalisation and image editing |
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89 | (5) |
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94 | (3) |
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97 | (66) |
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99 | (5) |
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99 | (1) |
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99 | (1) |
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100 | (1) |
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100 | (2) |
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102 | (2) |
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Principles of Representation |
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104 | (16) |
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104 | (2) |
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Paper formats and paper types |
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106 | (2) |
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108 | (1) |
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109 | (2) |
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111 | (1) |
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112 | (2) |
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114 | (6) |
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120 | (36) |
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120 | (1) |
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Preliminary design drawing |
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120 | (9) |
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129 | (3) |
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132 | (8) |
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140 | (2) |
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142 | (11) |
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153 | (3) |
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156 | (7) |
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156 | (1) |
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156 | (2) |
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158 | (5) |
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163 | (70) |
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165 | (1) |
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166 | (8) |
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Explanation of terms, and their use in detail drawings |
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166 | (1) |
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General requirements for a detail drawing |
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167 | (5) |
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172 | (1) |
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Timing within the Design Process |
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173 | (1) |
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173 | (1) |
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Components of Detail Drawings |
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174 | (19) |
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174 | (1) |
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175 | (5) |
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180 | (1) |
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181 | (5) |
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186 | (4) |
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190 | (3) |
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193 | (11) |
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Selection of area to be detailed |
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193 | (2) |
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195 | (5) |
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Defining the area to be represented |
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200 | (1) |
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Selecting the scale of the drawing |
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200 | (4) |
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Example of the Process of Producing a Detail Drawing |
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204 | (16) |
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Objective-Based Detail Design |
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220 | (4) |
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224 | (9) |
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233 | (76) |
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The Architectural Model as a Means of Representation |
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234 | (3) |
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237 | (10) |
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Conceptual models (without a concrete scale) |
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238 | (1) |
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Urban design and landscape models, site and topography |
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239 | (3) |
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Architectural/building models |
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242 | (1) |
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243 | (2) |
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245 | (2) |
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Design and Concept Development |
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247 | (5) |
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247 | (1) |
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Composition and proportion |
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248 | (1) |
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Abstraction and level of detail |
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249 | (3) |
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Equipment, Tools and Techniques |
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252 | (22) |
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252 | (4) |
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256 | (3) |
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Modelling, shaping and casting |
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259 | (2) |
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Machines in the modelling workshop |
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261 | (5) |
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266 | (1) |
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267 | (7) |
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274 | (24) |
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Paper, paperboard and cardboard |
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275 | (4) |
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Wood and wood-based materials |
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279 | (5) |
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284 | (3) |
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287 | (5) |
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292 | (1) |
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Plaster, clay and modelling clays |
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293 | (2) |
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Accessories: trees, figures and cars |
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295 | (3) |
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From Drawing to Model Steps and Approaches |
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298 | (8) |
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A few preliminary thoughts |
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298 | (1) |
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298 | (2) |
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Making individual building elements |
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300 | (3) |
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303 | (1) |
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Final tasks and accessories |
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304 | (1) |
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305 | (1) |
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306 | (3) |
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Architectural Photography |
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309 | (68) |
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311 | (2) |
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Fundamentals of Photography |
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313 | (8) |
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313 | (1) |
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Principles of representation |
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314 | (4) |
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318 | (3) |
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321 | (12) |
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321 | (1) |
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322 | (2) |
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324 | (3) |
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327 | (5) |
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332 | (1) |
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333 | (18) |
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334 | (6) |
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Image factor: reproduction |
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340 | (5) |
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345 | (6) |
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351 | (11) |
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351 | (1) |
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352 | (1) |
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352 | (3) |
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355 | (1) |
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356 | (1) |
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356 | (3) |
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359 | (1) |
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360 | (2) |
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362 | (2) |
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362 | (1) |
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362 | (1) |
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363 | (1) |
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364 | (9) |
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364 | (1) |
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365 | (1) |
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366 | (1) |
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367 | (1) |
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368 | (1) |
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369 | (1) |
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370 | (1) |
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371 | (2) |
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The Architect and Communications Media |
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373 | (2) |
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375 | (2) |
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377 | |
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378 | (3) |
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Guidelines, Standards and Checklists |
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381 | (8) |
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389 | (6) |
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395 | |