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Basics Creative Photography Box Set [Multiple-component retail product]

(University of Gloucestershire, UK), (University of the Creative Arts, UK), (Independent practitioner and scholar, UK), (University of the Creative Arts, UK), (University of Brighton, UK)
  • Formāts: Multiple-component retail product, weight: 2363 g, 800 colour illus, 4 Items, Contains 4 paperbacks
  • Sērija : Basics Creative Photography
  • Izdošanas datums: 16-Oct-2014
  • Izdevniecība: Fairchild Books
  • ISBN-10: 1472567528
  • ISBN-13: 9781472567529
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  • Multiple-component retail product
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  • Formāts: Multiple-component retail product, weight: 2363 g, 800 colour illus, 4 Items, Contains 4 paperbacks
  • Sērija : Basics Creative Photography
  • Izdošanas datums: 16-Oct-2014
  • Izdevniecība: Fairchild Books
  • ISBN-10: 1472567528
  • ISBN-13: 9781472567529
Citas grāmatas par šo tēmu:

The Creative Photography Box Set, originally published by AVA Publishing contains all four books from the Basics Creative Photography series, providing photography students with a complete guide to understanding photography and creating meaningful images.


Striking visual examples from a range of genres and periods are used to illustrate the text and engaging case studies delve deeper into the topics raised within each chapter. Each book includes a range of practical exercises designed to develop the readers understanding of the ideas presented.

Recenzijas

Beginning with fundamental building blocks and moving to case studies and creative strategies, Design Principles, with its combination of text and images, provides readers with authoritative principles and superb photographic examples ... Images by Ernst Haas, Martine Franck, Henri Cartier-Bresson, Angus Fraser, Alexander Rodchenko, and dozens of other featured contributors are among the best photographs ever made. They brilliantly illustrate the ideas discussed in the text. Summing Up: Highly recommended. All levels, all libraries. -- R. M. Labuz, Mohawk Valley Community College (Reprinted with permission of Choice, copyright 2011, American Library Association) [ Context and Narrative] is one of a series of practical texts for the undergraduate college student in the applied visual arts. It uses an attractive magazine-like layout with concise, often bulleted text and striking color photographs. Each themed chapter is accompanied by creative exercises designed to help the student incorporate the concepts presented. Case studies that profile the work of a contemporary photographer, additional readings, and relevant websites are also included for each section ... useful for arts instructors and their students. -- Nancy B. Turner, Syracuse University Library, New York, USA Caruana and Fox have written an important and timely book. Broad in scope, with focused examples, this is an effective and engaging introduction to the convergences of practice and theory; spontaneity and systematic enquiry; critical engagement and creative exploration that research in photography involves. -- Fergus Heron, Artist and Senior Lecturer in Photography, University of Brighton, UK

Papildus informācija

Packed with stunning full-colour images from students and professionals, the Basics Creative Photography Box Set is an inspiring guide to planning and making successful photography projects.
Design Principles (9782940411368)
Introduction.
Chapter 1: Basic design theory: The role of the viewfinder in photography;The
use of space; Positional decisions; Case study 1 - Points of view; The rules
and when to break them; Exercise 1 Cropping.
Chapter 2: The elements of
design: Line; Shape or form; Space; Texture; Case study 2 - Light and time;
Light; Colour; Exercise 2 - Design limitations.
Chapter 3: First design
principles; Pattern; Repetition; Interruption; Variety and unity; Case study
3 - Depth and light; Rhythm; Contrast; Exercise 3 - Form and structure.
Chapter 4: Depth and scale: Overcoming limitations; Actual and illusory
depthl; Scale and proportion; Case study 4 - Style and setting; The absence
of scale; Abstraction; Exercise 4 - Abstract images.
Chapter 5: Movement and
flow; Directional forces; Case study 5 - Lines and shapes; Containment; Flow
direction; Exercise 5 Observation.
Chapter 6: Emphasis and emotion; Point
of interest; Focus areas vs areas of de-focus; Juxtaposition; Case study 6
Juxtaposition; Incongruity; Mood and emotion; Exercise 6 Themes.
Chapter 7:
Putting it all together: Expressing views and visions; Symbolism as visual
shorthand; Case study 7 - The vernacular; Creative strategies; Exercise 7 -
Concepts and ideas. Conclusion; Glossary; Bibliography and webography; Index;
Acknowledgements and picture credits; Working with ethics.

Context and Narrative (9782940411405)
Introduction.
Chapter 1: The photograph: The function of the photograph; The
photographic brief; Context and the photograph; Case study 'The Regency
Project'- Richard Rowland; Exercises and summary.
Chapter 2: Subject:Choosing
your subject; Concept; Equipment and materials; External factors; Case study
'Homeless Ex-service' - Stuart Griffiths; Exercises and summary.
Chapter 3:
Audience; Audience and intention; Statement of intent; The response of the
audience; Intention, interpretation and context; Case study 'The King Alfred'
- Simon Carruthers; Exercises and summary.
Chapter 4: Narrative: What is
narrative?; A series or set of photographs; The single image; Case study
'Average Subject' - Kim Sweet; Exercises and summary.
Chapter 5: Signs and
symbols: Basic theory; Negotiating signs and symbols; Enigmas and
truths;Practical techniques; Case study 'Les Moguichets' - Betsie Genou;
Exercises and summary.
Chapter 6: Text: Using text; Integrated text; Text
within the image; Accompanying information; Case study 'Uncertainty' - Trevor
Williams; Exercises and summary.
Conclusion; Recommended reading; Online resources; Picture credits; Index;
Acknowledgements; Working with ethics.

Behind the Image (9782940411665)
Introduction: What is research in photography?
Chapter 1: Planning: A
research proposal; Being informed: History; Being informed: Practice; Being
informed: Theory; Case study 1: Aberfan; Activity 1: Recording ideas.
Chapter
2: Developing ideas through research; Where to do background research?; The
Internet; Archives; Other interactive forms of research; How research informs
practice; Case study 2: Flora; Activity 2: An illustrated story.
Chapter 3:
Practice as research: What to do and why; Studios; Street photography; Style,
genre, medium and technique; Post production; Applying research to practice;
Editing; Evaluation as part of the research process; Making judgements; Case
study 3: Helen Goodin; Activity 3: Pioneers of photography.
Chapter 4:
Compiling your research: Keeping a workbooks/sketchbook; Blogging; Storing
your archive; Case study: Putting On; Activity 4: Start your own blog.
Chapter 5: Research and practice: Testing the relevance of what you are
doing; Audience and context; Revisiting past research; Thinking time;
Modifying a plan; Final production; Case study 5: Clare Strand; Activity 5:
Context and meaning.
Chapter 6: The impact of research: The bigger picture;
Reflection; Photographers' archives; Putting research into context; Case
study 6: Hashem el Madani; Activity 6: Booklet. Conclusion; Glossary;
Bibliography and webography; Index; Picture credits; Acknowledgements;
Working with ethics.

Reading Photographs (9782940411894)
Chapter 1: What is a photograph?; Invention: the marriage of chemistry and
optics; Time and light; Uses and application; The democratic image; A small
history of photography; The camera: an evolution; Case study
1.
Chapter 2:
Reading the signs; Where do meanings come from?; Semiotics: the study of
signs; Ideology: ideas, practices and beliefs; Case Study
2.
Chapter 3: Truth
and lies; The camera never lies; Representation and reality; The camera
always lies; Case study
3.
Chapter 4: Identity: People and portraits; Looks
and gazes; The body; A note on psychoanalysis; Case study
4.
Chapter 5: Big Brother is watching you: Surveillance and control; Propaganda
and advertising; Public space - private lives; Case study
5.
Chapter 6:
Aesthetics: But is it art?; The 'painter' of modern life; The iconic image;
Case study
6. Conclusion; Bibliography; Index; Working with Ethics.
Jeremy Webb teaches workshops with Creative Partnerships and North Walsham Junior School, and the City of Norwich School, running the Coast Watch Photography. Anna Fox is professor of photography at the University for the Creative Arts, Farnham, UK. Natasha Caruana is a practising artist, lecturer of photography and founding director of the London-based Studio Strike artists' studios. Richard Salkeld is senior lecturer in the Art and Design department at the University of Gloucestershire, teaching undergraduate students of photography. Maria Short is a photographer, educator and writer.