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E-grāmata: Beckett's Dantes: Intertextuality in the fiction and criticism

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  • Formāts: 232 pages
  • Izdošanas datums: 19-Jul-2013
  • Izdevniecība: Manchester University Press
  • Valoda: eng
  • ISBN-13: 9781847793652
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  • Formāts: 232 pages
  • Izdošanas datums: 19-Jul-2013
  • Izdevniecība: Manchester University Press
  • Valoda: eng
  • ISBN-13: 9781847793652

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Beckett's Dantes: Intertextuality in the Fiction and Criticism is the first study in English on the literary relation between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality. It is an informative intertextual reading of Beckett's work, detecting previously unknown quotations, allusions to, and parodies of Dante in Beckett's fiction and criticism. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett's published works in English and French, and on manuscripts (which use English, French, German and Italian). Through a close reading of Beckett's fiction and criticism, the book will argue that Dante is both assumed as an external source of literary and cultural authority in Beckett's work, and also participates in Beckett's texts' sceptical undermining of authority. Moreover, the book demonstrates that the many references to various 'Dantes' produce 'Mr Beckett' as the figure of the author responsible for such a remarkably interconnected oeuvre. The book is aimed at the scholarly communities interested in literatures in English, literary and critical theory, comparative literature and theory, French literature and theory and Italian studies. Its jargon-free style will also attract third-year or advanced undergraduate students, and postgraduate students, as well as those readers interested in the unusual relationship between one of the greatest writers of the twentieth century and the medieval author who stands for the very idea of the Western canon. -- .

Recenzijas

'Caselli proves her ability to summarise the established critical positions succinctly and clearly - in itself no mean feat ... Caselli's study reaches its aims to a very great extent - [ she] writes lucidly throughout. Reading her results is a pleasure, and the book is destined to become a 21st-century classic of Beckett criticism.' Merle Tonnies, Archiv (refers to hardback edition)

Acknowledgements vii
Introduction 1(9)
Dantes in Limbo
10(25)
Detecting Dante in Joyce
10(12)
Recycling Dante in Proust
22(13)
Belacqua does not observe `the rule of the road'
35(22)
There is no real Belacqua in Dream
36(9)
Dante and Mr Beckett
45(5)
Sordello is in the shade
50(7)
Strata and mysteries: intratextuality in More Pricks Than Kicks
57(24)
Quick deaths
58(4)
Screechy flatfooted Tuscany peacocks
62(19)
Fatigue and disgust: Murphy and Watt
81(21)
Dante is kept out of sight: Murphy and the manuscripts
81(7)
Addenda and excorporations
88(14)
Who is the third beside you? Authority in Mercier and Camier
102(18)
Vague shadowy shapes
105(7)
No quotes at any price
112(8)
Deja vu beyond reach: from the Novellas to the Three Novels
120(28)
The calmative effects of one's classics
120(12)
Odds and ends
132(6)
Bits and scraps flickering on and off
138(10)
Staging the Inferno in How It Is
148(35)
A voice comes to one in the dark
149(5)
`E fango e il mondo': the Inferno performed
154(8)
Geometries of passion
162(7)
The witness and the scribe
169(14)
`In the words of the poet': The Lost Ones
183(23)
Ravening eyes
184(4)
Closed places
188(6)
The sun and other stars would still be shining
194(7)
Conclusion: farewell to the old lutist
201(5)
Bibliography 206(20)
Index 226
Daniela Caselli is Senior Lecturer in Twentieth-Century Literature and Culture at the University of Manchester.