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In the Beginning was the Deed: Reflections on the Passage of Faust [Mīkstie vāki]

  • Formāts: Paperback / softback, 342 pages, height x width x depth: 229x152x20 mm, weight: 499 g
  • Izdošanas datums: 14-Aug-2018
  • Izdevniecība: University of California Press
  • ISBN-10: 0520303148
  • ISBN-13: 9780520303140
  • Mīkstie vāki
  • Cena: 46,91 €
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  • Formāts: Paperback / softback, 342 pages, height x width x depth: 229x152x20 mm, weight: 499 g
  • Izdošanas datums: 14-Aug-2018
  • Izdevniecība: University of California Press
  • ISBN-10: 0520303148
  • ISBN-13: 9780520303140
Now that the collective death of mankind has become a possibility, no other thought can remain unimpaired. Harry Redner traces historically the onset of this acute state of Nihilism from what might be called the Faustian revolution, symbolized by Faust's pronouncement “In the beginning was the Deed.” Redner reflects on the passage of the three main Fausts, from Marlowe’s to Goethe’s to Thomas Mann’s, and this reflection serves as the dramatic metaphor for a review of the relationship of Progress to Nihilism in modern civilization.
 
Starting with an exposition of the key Faustian thinkers—Marx, Nietzsche, Wittgenstein, and Heidegger—the book proceeds by examining the dominant modern ideas on Man, Time, and Nihilism with reference to Foucault, Derrida, and Althusser. It focuses on Language, which is a key preoccupation of all these thinkers but has not yet been taken far enough to afford a basis for the explanation of fundamental changes in civilization. Language in its creative and destructive functions, as constituting both the conscious and unconscious of a culture, is reconceived so as to account for the hidden link between Progress and Nihilism. The author then explores sociologically the dominant aspects of Progress in terms of the ideas of Weber, Adorno, and Marcuse on Technology, Subjectivity, and Activism. Finally, an extensive literary study of the three main Fausts concludes with a coda on the future of music.
 
In the Beginning Was the Deed is lucid and direct, tinged with wry humor. Redner represent Man in the nuclear age and reflects on that representation, seeking to comprehend our era, draw ethical and political conclusions, and explore action as a response to the threat of annihilation.
 
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
 
 
Dedication vii
Prelude ix
Epilogue in Heaven 1(38)
Act I Faust The Philosopher
39(40)
Scene I Word, Thought, and Deed
41(21)
Scene II Word, Thought, and Deed--once again
62(17)
Act II Man, Time, And Nothing
79(66)
Scene I Dialectics of the Deed (quasi una fantasia)
81(35)
Scene II The Language of Nihilism
116(29)
Act III The Deed In Deed
145(36)
Scene I The Origins of the Deed
147(17)
Scene II The Equivocations of Progress
164(17)
Act IV The End Of Faust
181(80)
Scene I Beginning and End
183(3)
Scene II Dr. John Faustus--the first Faust
186(9)
Scene III Heinrich Faust--the middle Faust
195(21)
Scene IV Adrian Leverkiihn--the last Faust
216(25)
Scene V Faust the Musician
241(20)
Prologue on the Endangered Earth 261(30)
Appendix I The Story of Faust 291(2)
Appendix II Brief Overview of Acts I-IV of Faust Part II 293(6)
Notes 299(12)
Index 311
Harry Redner was Reader at Monash University and has been visiting professor at Yale University; the University of California, Berkeley; and Harvard University.