Foreword xiii Anna Freud Introduction xvii Note to Second Edition xxi PART I THE EMERGENCE OF THE FREE DRAWINGS (Firing of the Imagination) What the Eye Likes 3(6) Being Separate and Being Together 9(6) Outline and the Solid Earth 15(7) The Plunge into Colour 22(4) The Necessity of Illusion 26(9) PART II THE CONTENT OF THE FREE DRAWINGS (Crucifying the Imagination) Monsters Within and Without 35(10) Disillusion and Hating 45(10) Preserving What One Loves 55(16) PART III THE METHOD OF THE FREE DRAWINGS (Incarnating the Imagination) Reciprocity and Ordered Freedom 71(6) Refusal of Reciprocity 77(10) Ideals and the Fatal Prejudice 87(8) Rhythm and the Freedom of the Free Drawings 95(11) The Concentration of the Body 106(9) PART IV THE USE OF THE FREE DRAWINGS (The Image as Mediator) The Role of the Medium 115(7) The Role of Images 122(7) PART V THE USE OF PAINTING Painting and Living 129(8) Painting as Making Real 137(30) Postscript: What it Amounts To 145(3) APPENDIX I. The Ordering of Chaos 148(1) II. The Anal Aspect of the Parrots Egg 149(3) III. Infantile Prototypes of Creativity 152(1) IV. Changes in the Sense of Self 153(2) V. Rhythm Relaxation and the Orgasm 155(2) VI. Painting and Symbols 157(3) VII. The Two Kinds of Thinking 160(2) VIII. Painting and Imitation 162(1) IX. A Place for Absent-mindedness 163(4) Bibliography to First Edition 167(2) Bibliography to Second Edition 169(2) Description of Original Drawings 171(2) Index 173
