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Being and the Screen: How the Digital Changes Perception. Published in one volume with A Short Treatise on Design [Hardback]

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Translated by (MIT Libraries), (University of Nīmes)
  • Formāts: Hardback, 280 pages, height x width x depth: 229x152x24 mm, 1 b&w photo; 2 Illustrations
  • Sērija : Design Thinking, Design Theory
  • Izdošanas datums: 12-Nov-2019
  • Izdevniecība: MIT Press
  • ISBN-10: 0262043165
  • ISBN-13: 9780262043168
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  • Hardback
  • Cena: 37,81 €
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  • Formāts: Hardback, 280 pages, height x width x depth: 229x152x24 mm, 1 b&w photo; 2 Illustrations
  • Sērija : Design Thinking, Design Theory
  • Izdošanas datums: 12-Nov-2019
  • Izdevniecība: MIT Press
  • ISBN-10: 0262043165
  • ISBN-13: 9780262043168
Citas grāmatas par šo tēmu:
How digital technology is profoundly renewing our sense of what is real and how we perceive.
Series Foreword xi
Preface to the US Edition xvii
I Being and the Screen: How the Digital Changes Perception
1(146)
Foreword to the First Edition: Critic and Visionary: The Double Gaze of the Humanities 3(4)
Pierre Levy
Introduction: What Is the Digital Revolution Revolutionizing? 7(142)
1 Technology as a System
11(16)
2 The Digital Technological System
27(14)
3 The Technological Structures of Perception
41(24)
4 The Life and Death of the Virtual
65(16)
5 Digital Ontophany
81(30)
6 The (Digital) Design of Experience
111(36)
Conclusion: On the Radical Aura of Things 125(6)
Supplement 1 Otherphany and Otherness 131(6)
Supplement 2 Ontophanic Feeling 137(4)
Supplement 3 Against Digital Dualism: A Phenomenological Critique of Judgment 141(56)
II A Short Treatise on Design
147(50)
Foreword to the First Edition: Raising the Question of Design 149(4)
Mads Nygaard Folkmann
1 The Paradox of Design: Wherein We Show That Design Thinks but Does Not Reflect upon Itself
153(2)
2 The Disorder of Speech: Wherein We Deconstruct and Rebuild the Word Design
155(8)
3 Design, Crime, and Marketing: Wherein We Talk about the Very Horrific Alliance between Design and Capital
163(6)
4 Beyond Capital: Wherein We State the Moral Law of the Designer
169(4)
5 The Design Effect: Wherein We Reduce the Quiddity of Design to Three Criteria
173(6)
6 Drafting a Project: Wherein We Show That the Designer Is Not an Artist
179(4)
7 Design as "A Thing That Thinks": Wherein We Defend the Concept of "Design Thinking"
183(4)
8 Toward Digital Design: Wherein We Look into the Consequences of the Interactive Revolution
187(10)
Postscript: The Design System: Wherein the Author Orders His Principles in Geometric Style 197(4)
Notes 201(30)
Bibliography 231(10)
Index 241