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E-grāmata: Beyond the Piazza: Public and Private Spaces in Modern Italian Culture

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  • Formāts: PDF+DRM
  • Sērija : Moving Texts / Testi mobili 4
  • Izdošanas datums: 04-Nov-2013
  • Izdevniecība: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Valoda: eng
  • ISBN-13: 9783035263251
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  • Formāts: PDF+DRM
  • Sērija : Moving Texts / Testi mobili 4
  • Izdošanas datums: 04-Nov-2013
  • Izdevniecība: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Valoda: eng
  • ISBN-13: 9783035263251

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The piazza has long been a central element of Italian public space as the site of mass politics, markets, religious festivals, and fairs, as well as the space in which the private meets the public. As such, it has a key role to play in this collection exploring the role of private and public spaces in 20th and early 21st century Italian culture, which also goes "beyond the piazza" by considering homes, interiors, lieux de memoire (symbols of memorial heritage), and the ways in which spatial practice and representation challenge dichotomies between public and private. In particular, editor Storchi (Italian, U. of Leicester, England) notes, the collection "pays particular attention to spaces where the notions of public and private become blurred, intersect, contaminate each other." She has organized the 12 contributed chapters into sections on: homes and the public sphere, gendered spaces and the interface between public and private, urban spaces between reality and imagination, and public spaces and private lives in relation to sites of memory. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com)
Introduction. Piazzas and Beyond: Public and Private Spaces in Modern Italian Culture 9(14)
Simona Storchi
Part I Homes and the Public Sphere
Chapter 1 Italian Writers' Houses and the Shift from Private to Public
23(16)
Harald Hendrix
Chapter 2 Layers of Intimacy: Openness and Segregation in Narrative Representations of the Colonial House
39(18)
Loredana Polezzi
Chapter 3 "La casa all'italiana": Domus and the Ideology of the Domestic Interior in 1930s Italy
57(22)
Simona Storchi
Part II Gendered Spaces and the Interface Between Public and Private
Chapter 4 From the Drawing Room to the Piazza: Anna Kuliscioff, Margherita Sarfatti and the Salon Tradition in Italy
79(20)
Emily Braun
Chapter 5 The Brothel in Italian Cinema, 1959-1960: Creating a Space for Female Spectators
99(16)
Danielle Hipkins
Chapter 6 Construction and Self-Construction in Elena Ferrante's Gendered Space
115(14)
Patrizia Sambuco
Chapter 7 Queering Spaces in Turin
129(22)
Charlotte Ross
Part III Urban Spaces: Between Reality and Imagination
Chapter 8 Private and Public Spaces. The Anatomy of three Italian Cities: Caserta, Bologna, Milan
151(16)
Laura Rorato
Chapter 9 The Ultimate Public Space: Filming on the Campidoglio
167(14)
Lesley Caldwell
Chapter 10 The Via Veneto by Night: Space and "Unreal Estate" in the Rome of the Dolce Vita
181(18)
Stephen Gundle
Part IV Sites of Memory: Public Spaces and Private Lives
Chapter 11 Sites of Memory? The Superga Disaster and the Myth of II Grande Torino
199(16)
John Foot
Chapter 12 Piazza Alimonda's Open Wound: The Memory Site of Genoa 2001
215(14)
Monica Jansen
Inge Lanslots
Notes on Contributors 229
Simona Storchi is Lecturer in Italian at the University of Leicester. She has published on Italian Modernism and the Avant-garde, the relationship between Fascism and culture, 20th century Italian literature, art criticism, periodicals, and the relationship between classicism and modernity. She co-curated the exhibition Against Mussolini. Art and the Fall of a Dictator (London, 2010).