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Black Mirror and Critical Media Theory [Mīkstie vāki]

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  • Formāts: Paperback / softback, 274 pages, height x width x depth: 222x155x21 mm, weight: 417 g
  • Izdošanas datums: 06-Feb-2020
  • Izdevniecība: Lexington Books
  • ISBN-10: 149857355X
  • ISBN-13: 9781498573559
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  • Cena: 50,81 €
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  • Formāts: Paperback / softback, 274 pages, height x width x depth: 222x155x21 mm, weight: 417 g
  • Izdošanas datums: 06-Feb-2020
  • Izdevniecība: Lexington Books
  • ISBN-10: 149857355X
  • ISBN-13: 9781498573559
Citas grāmatas par šo tēmu:
Black Mirror is The Twilight Zone of the twenty-first century. Already a philosophical classic, the series echoes the angst of an era, a civilization and consciousness fully engulfed in the 24/7 media spectacle spanning the planet. With clever plots and existential themes, Black Mirror presents near-futures where humans collide with technology and each othertomorrows that might arrive in five years or five minutes. Featuring scholars from three continents and ten nations, Black Mirror and Critical Media Theory is an international collection of critical media theory applied to one of the most intellectually provocative TV shows of our time and the all-too-real conditions that inspire it. Drawing from thinkers such as Michel Foucault, Jean Baudrillard, Guy Debord, Marshall McLuhan, and Paul Virilio, the authors reverse-engineer Black Mirror by probing the ideas, meanings, and conditions embedded in the episodes. This book is organized around six key topics reflected and explored in Black Mirrorhuman identity, surveillance culture, spectacle and hyperreality, aesthetics, technology and existence, and dystopian futures.

Recenzijas

Black Mirror is a television program made to think with and, even to the casual viewer, it feels as though the stories plumb unseen depths at the intersection of human nature and the cutting edge of technology. Coming to grips with the deep currents of the show is difficult for the solo viewer, but Black Mirror and Critical Media Theory provides a set of maps for exploring this media text. Reading the collection is a bit like watching the show with a group of fans who share an interest in the structure of human culture. And like the show itself, each chapter stands well on its own but together they support a strong collection of thematic analyses that pull on the threads of ideas that run through each of the seasons of Black Mirror. Whether read by an interested fan or in the context of a course, there is something for every reader within this collection. -- Alexander Halavais, Arizona State University Nowhere in contemporary popular culture is the near future more scary or visceral or than Charlie Brooker's dystopian series Black Mirror, and nowhere has that vision been more widely scrutinised than the wide-ranging and razor-sharp chapters in Cirucci and Vacker's collection. From the excesses of social media consumption to the panopticon of pervasive surveillance, Black Mirror and Critical Media Theory combines offers a range of theoretical lenses to understand and frame the immanent and pressing questions that Black Mirror so disturbingly raises. -- Tama Leaver, Curtin University

Introduction vii
Section 1 Human Identity
1(40)
1 Race, Cyborgs, and the Pitfalls of Biopolitical Discourse In Black Mirrofs "Men Against Fire"
3(12)
Diana Leon-Boys
Morten Stinus Kristensen
2 Digitally Natural: Gender Norms in Black Mirror
15(12)
Angela M. Cirucci
3 A Virtual Ever-After: Utopia, Race, and Gender in Black Mirror's "San Tunipero"
27(14)
Eleanor Drage
Section 2 Surveillance Culture
41(46)
4 Black Mirror's "Nosedive" as a New Panopticon: Interveillance and Digital Parrhesia in Alternative Realities
43(12)
Francois Allard-Huver
Julie Escurignan
5 All Eyes on Me: Surveillance and the Digital Archive in "The Entire History of You"
55(14)
Derek R. Blackzvell
6 Seeing the "Surveillant Face" of Technology in Black Mirror: Using Futuristic Scenarios for an Interdisciplinary Discussion on the Feasibility and Implications of Technology
69(18)
Pinelopi Troullinou
Mathieu d'Aquin
Section 3 The Spectacle and Hyperreality
87(40)
7 Waldo Wins IRL: Donald Trump, Black Mirror, and the Politics of Jean Baudrillard's Hyperreal
89(14)
Michael Mario Albrecht
8 Why Black Mirror Was Really Written by Jean Baudrillard: A Philosophical Interpretation of Charlie Brooker's Series
103(12)
Manel Jimenez-Morales
Marta Lopera-Marmol
9 Spectacular Tech-Nightmare: Broadcasting Guy Debord
115(12)
Fernando Gabriel Pagnoni Berns
Section Four Aesthetics
127(42)
10 Rhetorical Ethics in Black Mirror. The Aesthetics of Existence in Hyperreality and Posthumanity
129(12)
Hillary A. Jones
11 The Hysterical Sublime: Black Mirror, "Playtest," and the Crises of the Present
141(10)
Matthew Flisfeder
12 Black Mirrors, Hot Media, and Spectral Existence
151(18)
Barry Vacker
Erin Espelie
Section Five Technology and Existence
169(42)
13 Overextended Media: Hashtag Hatred and Domestic Drones
171(14)
Julia M. Hildebrand
14 Unbearable Burden: Discipline, Punishment, and Moral Dystopia in Black Mirror's "White Bear"
185(14)
Osei Alleyne
15 The Entire Evolution of Media: A Media Ecological Approach to Black Mirror
199(12)
Carlos A. Scolari
Section Six Dystopian Futures
211(36)
16 Heterotopias and Utopias in Black Mirror: Michel Foucault on "San Tunipero"
213(10)
Sarah J. Constant
17 Trapped in Dystopian Techno Realities: Nosediving into Simulation through Consumptive Viewing
223(12)
Erika M. Thomas
Romin Rajan
18 The Dystopia of the Spectator: Past Revival and Acceleration of Time in Black Mirror ("The Entire History of You" and "Be Right Back")
235(12)
Macarena Urzua Opaza
Antoine Faure
Conclusion: Connecting Our Themes to Season Four and the Future 247(4)
Index 251(4)
About the Editors 255(2)
About the Contributors 257
Angela M. Cirucci is assistant professor of media studies at Kutztown University.

Barry Vacker is associate professor in the Klein College of Media and Communication at Temple University.