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Body, the Dance and the Text: Essays on Performance and the Margins of History [Mīkstie vāki]

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  • Formāts: Paperback / softback, 276 pages, height x width x depth: 229x152x14 mm, weight: 367 g, 35 photos, notes, bibliographies, index
  • Izdošanas datums: 07-Feb-2019
  • Izdevniecība: McFarland & Co Inc
  • ISBN-10: 1476671893
  • ISBN-13: 9781476671895
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Body, the Dance and the Text: Essays on Performance and the Margins of HistoryPalielināt
  • Formāts: Paperback / softback, 276 pages, height x width x depth: 229x152x14 mm, weight: 367 g, 35 photos, notes, bibliographies, index
  • Izdošanas datums: 07-Feb-2019
  • Izdevniecība: McFarland & Co Inc
  • ISBN-10: 1476671893
  • ISBN-13: 9781476671895
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781476671895.html
Keywords:
This collection of new essays explores the many ways in which writing relates to corporeality and how the two work together to create, resist or mark the body of the “Other.” Contributors draw on their varied backgrounds to examine different movement practices, with a focus on movement as a meaning-making process—including the choreographic act of writing. The challenges faced by marginalized bodies are discussed, along with ability of a body to question, contest and re-write historical narratives.

Recenzijas

Among this collection's 14 contributionswhich include essays from artist scholars A'Keitha Carey, Ninotchka Bennahum, and Michael Sakamotoare essays that use dance forms such as flamenco, tap, dance hall, and postmodern genres to rewrite historical dancing narratives. An informative collection that can be used in composition, criticism and aesthetics, and pedagogy courses, this collection uses historical and cultural frameworks to interrogate the multiplicity of lived experiences. ...recommendedChoice

Acknowledgments vi
Introduction: Writing the Body, Staging the Other 1(17)
Brynn Wein Shiovitz
Part 1 Writing the Body
Mouth Over Matter: Writing Early Tap Dance in the Margins of the Black Body
18(23)
Brynn Wein Shiovitz
Spain in the Basement: Dancing Race and Nation at the Paris Exposition, 1900
41(27)
Kiko Mora
K. Meira Goldberg
White Dreadlocks: Black Aesthetics in the Work of Louise Lecavalier and La La La Human Steps
68(17)
M.J. Thompson
Flowers of Menace: Stephen Petronio's Rites of Spring
85(19)
Constance Valis Hill
Part 2 Transmissions and Traces
Othering the Religious Right: Ameritude, Whiteness and the USA Freedom Kids
104(13)
Michelle T. Summers
Escape Routes and Roots: Rewriting the Narrative of the Vulgar Body
117(17)
A. Keitha Carey
Lo Que Queda/That Which Remains: Dancing Bodies, Historical Erasure and Cultural Transmission
134(18)
Michelle Heffner Hayes
Screaming Soundscapes: The Sounds of Puerto Rican Contemporary Performance in the Work of Teresa Hernandez and Ivette Roman
152(20)
Lydia Platon Lazaro
Part 3 Staging the Other
Always Already: The Jewish Body as Victim and Victimizer
172(18)
Rebecca K. Pappas
Israel Galvan's Aesthetic Anarchism: An Ethics Instantiated in Motion
190(12)
Nnotchka D. bennahum
Brown and Black: Performing Transmission in Trisha Brown's Locus and Hosoe Eikoh and Hijikata Tatsumi's Kamaitachi
202(17)
Michael Sakamoto
Christopher-Rasheem McMillan
The Bustle, the Body and Stillness: Re-Centering Modernities through the Broadway Musical
219(16)
Gwyneth Shanks
Gradations of Presence: Armida in Nineteenth-Century Italian Dance Librettos
235(18)
Melissa Melpignano
Choreogrammatics: About the Cover of This Book 253(10)
Linda Carreiro
About the Contributors 263(2)
Index 265
Brynn Wein Shiovitz is a lecturer in the department of theatre at UCLA and dance at Chapman University in Orange County, California. Her writing about dance has appeared in Dance Chronicle, Dance Research Journal, Theatre Survey, Jazz Perspectives and Women and Performance.