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E-grāmata: Book Presence in a Digital Age

Edited by (University of Utrecht, The Netherlands), Edited by (San Diego State University, USA), Edited by (Utrecht University, The Netherlands)
  • Formāts: 280 pages
  • Izdošanas datums: 28-Jun-2018
  • Izdevniecība: Bloomsbury Academic USA
  • Valoda: eng
  • ISBN-13: 9781501321207
  • Formāts - PDF+DRM
  • Cena: 38,31 €*
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  • Formāts: 280 pages
  • Izdošanas datums: 28-Jun-2018
  • Izdevniecība: Bloomsbury Academic USA
  • Valoda: eng
  • ISBN-13: 9781501321207

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Contrary to the apocalyptic pronouncements of paper media's imminent demise in the digital age, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewski's House of Leaves, Steven Hall's The Raw Shark Texts) to accordion books (Anne Carson's Nox), from cut ups (Jonathan Safran Foer's Tree of Codes) to collages (Graham Rawle's Woman's World), from erasures (Mary Ruefle's A Little White Shadow) to mixups (Simon Morris's The Interpretations of Dreams), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially.

Starting from this idea of media plurality, Book Presence in a Digital Age explores the resilience of print literatures, book art, and zines in the late age of print from a contemporary perspective, while incorporating longer-term views on media archeology and media change. Even as it focuses on the materiality of books and literary writing in the present, Book Presence also takes into consideration earlier 20th-century "moments" of media transition, developing the concepts of presence and materiality as analytical tools to perform literary criticism in a digital age. Bringing together leading scholars, artists, and publishers, Book Presence in a Digital Age offers a variety of perspectives on the past, present, and future of the book as medium, the complex relationship of materiality to virtuality, and of the analog to the digital.

Recenzijas

Book Presence in a Digital Age is that rare volume that reads as both the culmination and anticipation of a field. It reflexively brings together some of the most compelling critics and artists thinking about the book as medium and cultural artifact and the individual conversations, explorations, and interventions that result would have alone made for a worthy volume. But the cumulative effect is much more than this, for collectively they articulate the questions that will inform scholarship and artistic practice for some years to come. * Rita Raley, Associate Professor of English, University of California, Santa Barbara, USA * Operating in the force field between literary theory, comparative media studies, and new materialism, Book Presence in a Digital Age brims over with fresh, insightful, and nuanced explorations of the shifting contours of bookishness in the information age. By means of richly variegated points of entry, it demonstrates how print artifacts, far from hovering at the margins of the digital media ecology, have emerged as one of the defining laboratories for the elaboration of contemporary cultural forms. * Jeffrey Schnapp, Faculty Director of metaLAB, Harvard University, USA *

Papildus informācija

This comprehensive examination of the future of print media examines how the digital is not obliterating print literature, but rather producing it anew.
List of Plates
vii
List of Illustrations
viii
Notes on Contributors x
1 Book Presence: An Introductory Exploration
1(26)
Kiene Brillenburg Wurth
Part 1 Theory and Overview
2 Pagina Abscondita: Reading in the Book's Wake
27(17)
John T. Hamilton
3 From Codex to Codecs
44(16)
Garrett Stewart
4 Bookwork and Bookishness: An interview with Doug Beube and Brian Dettmer
60(11)
Jessica Pressman
Part 2 Media Changes and Materiality
5 Infrathin Platforms: Print on Demand as Auto-Factography
71(19)
Hannes Bajohr
6 Genre and Materiality: Autobiography and Zines
90(19)
Anna Poletti
7 Doing Things with Literature in a Digital Age: Italo Calvino's If on a Winter's Night a Traveler and the Material Turn in Literary Studies
109(18)
Liedeke Plate
8 "Book for Loan": S. as Paradox of Media Change
127(18)
Emma de Vries
Yra van Dijk
9 Book Presence and Feline Absence: A Conversation with Mark Z. Danielewski
145(18)
Kari Driscoll
Inge van de Ven
Part 3 Conceptual Possibilities of the Book
10 Learn to Read Differently
163(32)
Simon Morris
11 Emoji Dick and the Eponymous Whale
195(16)
Lisa Gitelman
12 The Demediation of Writing in Memory Palace and Fugitive Sparrows
211(14)
Kiene Brillenburg Wurth
13 Revisiting the Book-as-World: World-Making and Book Materiality in Only Revolutions and The Atlas
225(22)
Inge van de Ven
14 Books as Archives: An Interview with Ernst van Alphen
247(8)
Kiene Brillenburg Wurth
Index 255
Kiene Brillenburg Wurth is Professor of Literature and Comparative Media at the University of Utrecht, the Netherlands, and project leader of the VIDI project Back to the Book funded by the Dutch Research Council. She is the author of Musically Sublime: Infinity, Indeterminacy, Irresolvability (2009) and the editor of Between Page and Screen: Remaking Literature Through Cinema and Cyberspace (2012).

Kįri Driscoll is Assistant Professor of Comparative Literature at the University of Utrecht, the Netherlands.

Jessica Pressman is Associate Professor of English and Comparative Literature at San Diego State University, USA. She is the author of Digital Modernism: Making It New in New Media (2014), co-author (with Mark C. Marino and Jeremy Douglass) of Reading Project: A Collaborative Analysis of William Poundstones Project for Tachistoscope {Bottomless Pit} (2015), and co-editor (with N. Katherine Hayles) of Comparative Textual Media: Transforming the Humanities in a Postprint Era (2013).