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Books and Social Media: How the Digital Age is Shaping the Printed Word [Mīkstie vāki]

  • Formāts: Paperback / softback, 164 pages, height x width: 234x156 mm, weight: 258 g, 1 Tables, black and white; 2 Line drawings, black and white; 1 Halftones, black and white; 3 Illustrations, black and white
  • Izdošanas datums: 30-Jul-2021
  • Izdevniecība: Routledge
  • ISBN-10: 1032001356
  • ISBN-13: 9781032001357
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  • Mīkstie vāki
  • Cena: 53,41 €
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  • Formāts: Paperback / softback, 164 pages, height x width: 234x156 mm, weight: 258 g, 1 Tables, black and white; 2 Line drawings, black and white; 1 Halftones, black and white; 3 Illustrations, black and white
  • Izdošanas datums: 30-Jul-2021
  • Izdevniecība: Routledge
  • ISBN-10: 1032001356
  • ISBN-13: 9781032001357
Citas grāmatas par šo tēmu:

Questioning what we always thought we knew about what makes a book, and traditional publishing channels, this book will be of interest to anyone studying or researching publishing, book history, print cultures, digital and contemporary literatures.



Social media and digital technologies are transforming what, and how, we read. Books and Social Media considers the way in which readers and writers come together in digital communities to discover, and create, new works of fiction.

This new way of engaging with fiction stretches the boundaries of what has been considered a book in the past, by moving beyond the physical, or even digitally, bound object to the consideration of content, containers, and the ability to share. Using empirical data and up-to-date research methods, Miriam Johnson introduces the ways in which these digitally social platforms give rise to a new type of citizen author who chooses to sidestep the industry’s gatekeepers and share their works directly with interested readers on these social platforms. Gender and genre, especially, play a key role in developing the communities in which these authors write. The use of surveys, interviews, and data mining brings to the fore issues of gender, genre, community, and power, which highlight the push and pull between these writers and the industry.

Questioning what we always thought we knew about what makes a book, and traditional publishing channels, this book will be of interest to anyone studying or researching publishing, book history, print cultures, digital and contemporary literatures.

List of Illustrations
viii
Introduction 1(8)
1 What is a book?
9(11)
2 Foucault's archaeology and McLuhan's global village and rear-view mirror as analytic strategies
20(13)
3 The creative possibilities of the book
33(28)
4 The rise of the citizen author
61(9)
5 The role of gender in the digitally social communities
70(20)
6 Genre fiction is leading the way
90(8)
7 The role of community in writing fiction online: Social platforms as places where authors and readers meet
98(16)
8 The power relationships of the book
114(33)
9 Understanding and incorporating the contradictions around the book
147(9)
Index 156
Miriam J. Johnson is a Senior Lecturer in Publishing at Oxford Brookes University, UK. She also maintains the Books are Social website (https://www.booksaresocial.com/).