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Brian O'Doherty: Collected Essays [Hardback]

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  • Formāts: Hardback, 360 pages, height x width x depth: 254x178x25 mm, weight: 1089 g, 45 color images
  • Izdošanas datums: 29-Jun-2018
  • Izdevniecība: University of California Press
  • ISBN-10: 0520286545
  • ISBN-13: 9780520286542
  • Hardback
  • Cena: 106,73 €
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  • Formāts: Hardback, 360 pages, height x width x depth: 254x178x25 mm, weight: 1089 g, 45 color images
  • Izdošanas datums: 29-Jun-2018
  • Izdevniecība: University of California Press
  • ISBN-10: 0520286545
  • ISBN-13: 9780520286542
This long-awaited volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic Inside the White Cube. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick Ireland—and a reflection on his seminal “Highway to Las Vegas” from 1972, penned after a return visit in 2012. The beautifully written texts, many of which have been unavailable in print, are insightfully introduced by art historian Anne-Marie Bonnet and complemented by forty-five color illustrations of artwork discussed in the essays as well as documentary photographs of O’Doherty and other major art-world figures. Adventurous, original, and essentially O’Doherty, this collection reveals his provocative charm and enduring influence as a public intellectual.

Recenzijas

"ODoherty shifts between active participant and detached speculative mind with a fluidity and stylistic grace that propels you forward, even as it tugs at your sleeve and asks you to stop, reread, and give it more thought. ODoherty wants us to inhabit what we perceive, to be an acute looker while fully engaging in the conundrums and contradictions that art puts to us. It is not an easy task, but it is one that he has managed admirably these many years."  * Art in America * "The present volume of this polymaths criticism is perhaps most notable for its collection of ODohertys writings on Edward Hopper and Mark Rothko, two painters whom the writer befriended and knew well. It also contains his latest word on the white cube (he coined the now-ubiquitous phrase) from 2009, an update to his influential 1976 Inside the White Cube, an early critique of institutional Modernism." * The New Criterion * "ODoherty is a gifted writer whose Irish-honed literary skills are placed at the service of New Yorks cosmopolitan visual culture." * artcritical.com *

Acknowledgments ix
Preface: Field Notes from the Crossroads xi
Liam Kelly
Introduction: A Ship's Log of/to Modernism 1(6)
Anne-Marie Bonnet
On the Nature of Masquerade 7(6)
Brian O'Doherty
Hopper/Rothko
Hopper's Look
13(15)
Word and Image: A Reciprocal Arrangement
28(9)
Windows and Edward Hopper's Gaze
37(12)
Edward Hopper, Early Sunday Morning: A Forensic Examination
49(6)
Rothko's Dark Paintings: Tragedy and Void, with Barbara Novak
55(17)
The Rothko Chapel
72(8)
Rothko's Endgame
80(9)
Chamber Music in the Next Room
89(10)
Art-Like
The Politics and Aesthetics of Heart Transplants
99(8)
The Microscopic Vision
107(7)
Highway to Las Vegas
114(8)
Las Vegas Revisited
122(6)
Miami and the Iconography of the Pompadour Style
128(11)
Photography / Film / Video
Kane's Welles: The Phantom of the Opus
139(9)
Et in Arkadin Ego
148(10)
Barzyk: Electronic Visionary
158(10)
The Worlds of Nam June Paik
168(4)
Hans Richter
172(12)
FACEtime: Katharina Sieverding and (Maybe) Oscar Wilde
184(6)
Narcissus in Hades
190(3)
Development Errors: Michener's Photographs
193(3)
James Coleman: What Waiting Can Do, Given Time
196(5)
Terrible Beauty: On Steve McQueen's Hunger
201(3)
Nigel Rolfe: Two Drums
204(7)
Dispatches From The Sixties And Beyond
Stella and Hesse: Dispatches from the Sixties
211(11)
Segal's Metropolis
222(11)
Warhol: The Medium as Cultural Artifact
233(8)
Taking Duchamp's Portrait
241(9)
Morton Feldman: The Burgacue Years
250(13)
Divesting the Self: A Striptease
263(11)
Rauschenberg/Counter-Rauschenberg
274(7)
Wesley's Hip-Pop
281(5)
William Scharf: The Long and the Short Eye
286(6)
Chamberlain: Projective Sculpture
292(11)
Peter Hutchinson: A Green Thought in a Green Shade
303(14)
Joseph Cornell: Innocence and Experience
317(10)
White Cube / Black Box
Boxes, Cubes, Installations, Whiteness and Money
327(6)
List of Illustrations 333(2)
Index 335
Brian ODoherty is an acclaimed artist and writer. Formerly an art critic for the New York Times and editor in chief of Art in America, he has lectured widely in Europe and America. He is the author of many essays and several books, including the renowned critical essay Inside the White Cube: The Ideology of the Gallery Space, first published in 1976. ODoherty is a recipient of the prestigious Clark Prize for Excellence in Arts Writing and the College Art Association's Mather Award for Criticism. His novel The Deposition of Father McGreevy was shortlisted for the Man Booker Prize in 2000.

Liam Kelly is Professor of Irish Visual Culture at the School of Art, University of Ulster, Belfast. His publications include Thinking Long: Contemporary Art in the North of Ireland and Art and the Disembodied Eye: Collective Histories of Northern Irish Art.

Anne-Marie Bonnet is Professor and Director of the Institute of Art History, Friedrich-Wilhelms University, Bonn.