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E-grāmata: Broadway Song: A Singer's Guide

(Director of Opera and Musical Theatre, University of Louisiana-Monroe, Monroe, LA)
  • Formāts: 328 pages
  • Izdošanas datums: 02-Mar-2015
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199351695
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Broadway Song: A Singer's GuidePalielināt
  • Formāts: 328 pages
  • Izdošanas datums: 02-Mar-2015
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199351695
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Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out inThe Broadway Song, powerful performance communicates the central function of a song within the context of the surrounding narrative, or the "truth" of a song. Because unstaged performances of a song, such as auditions, are key to the success of all aspiring singers, Clark provides here the essential practical manual that will help performers choose the right pieces for their vocal abilities and identify the key truths of them.

Clark begins by walking readers conceptually through how a song's truth is based in contexts: what show is a song from? Which character sings it? When in the show does it occur? Answering these questions will lead readers to more convincing performances that are grounded in the text, music, character, context, and larger environment (setting, time frame, and circumstances).The Broadway Song provides a comprehensive guide to the formal characteristics of key Broadway songs on a song-by-song basis, including main voice type, secondary voice qualities (such as soprano-lyric or alto-comic), range and tessitura, as well as larger contextual materials about the source -- from the musical's background, information about the character singing, and synoptic narrative information for the song -- that provide the performer a way into the character. Clark moreover brings his wide-ranging and extensive experience as a director, performer, and teacher to bear in his performance notes on the individual pieces. Additionally, he includes excerpts from short interviews with artists that provide insight into the song from the perspective of those who first created (or re-created) it. The interviews, conducted with composers, lyricists, performers, and -- in one case -- book collaborators, are snapshots into the creative process, and act as conduits to further study of the selected songs.

Recenzijas

A helpful aid for the aspiring singer-actor. * From the Foreword by Kristin Chenoweth * This guide is for the active singer, the student and the library serving active music-making at amateur and professional/conservatoire levels. * Stuart Hannabuss, Reference Reviews *

Foreword xi
Kristin Chenoweth
Acknowledgments xiii
Introduction 1(8)
PART ONE Soprano/High Mezzo
"Falling in Love with Love," from The Boys from Syracuse
9(3)
"Waitin' for My Dearie," from Brigadoon
12(3)
"If I Were a Bell," from Guys and Dolls
15(3)
"I Have to Tell You," from Fanny
18(3)
"Somebody, Somewhere," from The Most Happy Fella
21(3)
"Warm All Over," from The Most Happy Fella
24(3)
"My White Knight," from The Music Man
27(3)
"Love, Look Away," from Flower Drum Song
30(4)
"When Did I Fall in Love?" from Fiorello!
34(3)
"Ice Cream," from She Loves Me
37(4)
"Far from the Home I Love," from Fiddler on the Roof
41(3)
"What Makes Me Love Him?" from The Apple Tree
44(3)
"Moonfall," from Drood
47(4)
"Another Suitcase in Another Hall," from Evita
51(4)
"It Hurts to Be Strong," from Carrie
55(3)
"Anytime (I Am There)," from Elegies
58(3)
"Some Things Are Meant to Be," from Little Women
61(3)
"The Light in the Piazza," from The Light in the Piazza
64(4)
"Will You?" from Grey Gardens
68(5)
PART TWO Mezzo-Alto
"Anything Goes," from Anything Goes
73(3)
"So Far," from Allegro
76(3)
"An English Teacher," from Bye Bye Birdie
79(3)
"Is It Really Me?" from 110 in the Shade
82(3)
"Old Maid," from 110 in the Shade
85(3)
"Not a Day Goes By," from Merrily We Roll Along
88(3)
"Aldonza," from Man of La Mancha
91(3)
"Cabaret," from Cabaret
94(3)
"Applause," from Applause
97(3)
"Time Heals Everything," from Mack and Mabel
100(3)
"Crossword Puzzle," from Starting Here, Starting Now
103(3)
"You Can Always Count On Me," from City of Angels
106(3)
"Trina's Song," from March of the Falsettos
109(3)
"The Story Goes On," from Baby
112(3)
"Children of the Wind," from Rags
115(3)
"Since You Stayed Here," from Brownstone
118(3)
"I'm Not Alone," from Carrie
121(3)
"Heaven Help My Heart," from Chess
124(3)
"Hold On," from The Secret Garden
127(4)
"It Might As Well Be Spring," from State Fair
131(3)
"I Will Be Loved Tonight," from I Love You, You're Perfect, Now Change
134(3)
"A New Life," from Jekyll and Hyde
137(4)
"Raise the Roof," from The Wild Party
141(3)
"Through the Mountain," from Floyd Collins
144(4)
"A Part of That," from The Last Five Years
148(3)
"Still Hurting," from The Last Five Years
151(2)
"I'm Not That Girl," from Wicked
153(3)
"Astonishing," from Little Women
156(3)
"Don't Ever Stop Saying I Love You," from A Catered Affair
159(4)
"I Miss the Mountains," from Next to Normal
163(3)
"Fly, Fly Away," from Catch Me If You Can
166(5)
PART THREE Tenor/High Baritone
"Come with Me," from The Boys from Syracuse
171(3)
"Kansas City," from Oklahoma!
174(3)
"Younger Than Springtime," from South Pacific
177(3)
"No Other Love," from Me and Juliet
180(3)
"What Kind of Fool Am I," from Stop the World---I Want to Get Off
183(3)
"I Believe in You," from How to Succeed in Business without Really Trying
186(4)
"On the Street Where You Live," from My Fair Lady
190(4)
"The Only Home I Know," from Shenandoah
194(3)
"Anthem," from Chess
197(3)
"Marta," from Kiss of the Spider Woman
200(3)
"Your Eyes," from Rent
203(3)
"This Is the Moment," from Jekyll and Hyde
206(3)
"I'd Rather be Sailing," from A New Brain
209(3)
"Old Red Hills of Home," from Parade
212(3)
"Tell My Father," from The Civil War
215(3)
"You Walk with Me," from The Full Monty
218(3)
"At the Fountain," from Sweet Smell of Success
221(3)
"I Miss the Music," from Curtains
224(3)
"All That's Known," from Spring Awakening
227(3)
"Absalom," from The Glorious Ones
230(3)
"Beautiful City," from Godspell
233(3)
"Goodbye," from Catch Me If You Can
236(3)
"Santa Fe (Prologue)," from Newsies
239(6)
PART FOUR Baritone
"If I Loved You," from Carousel
245(3)
"There but for You Go I," from Brigadoon
248(3)
"Luck Be a Lady," from Guys and Dolls
251(3)
"If Ever I Would Leave You," from Camelot
254(3)
"Once Upon a Time," from All American
257(3)
"Rain Song," from 110 in the Shade
260(3)
"It Only Takes a Moment," from Hello, Dolly!
263(3)
"Dulcinea," from Man of La Mancha
266(3)
"Being Alive," from Company
269(3)
"I Won't Send Roses," from Mack and Mabel
272(3)
"All I Care About Is Love," from Chicago
275(3)
"I've Heard It All Before," from Shenandoah
278(3)
"The Pickers Are Comin'," from Shenandoah
281(3)
"Funny," from City of Angels
284(3)
"Lullaby of Broadway," from 42nd Street
287(4)
"There Is a Sucker Born Ev'ry Minute," from Barnum
291(3)
"Colors of My Life," from Barnum
294(3)
"Don't Go, Sally," from Cabaret
297(3)
"You Should Be Loved," from Side Show
300(3)
"Shouldn't I Be Less in Love with You?" from I Love You, You're Perfect, Now Change
303(3)
"It's Hard to Speak My Heart," from Parade
306(3)
"Love Who You Love," from A Man of No Importance
309(3)
"I Was Here," from The Glorious Ones
312(5)
Index of Songs 317(2)
Index of Shows 319(2)
General Index 321
Mark Ross Clark is Director of Opera and Musical Theater at the University of Louisiana--Monroe and the artistic director of the Louisiana Lyric Opera. He has performed, taught, and directed nationally and internationally in opera, operetta, music theater, and concert, and is the author of Guide to the Aria Repertoire (Indiana University Press, 2007) and Singing, Acting, and Movement in Opera: A Guide to Singer-getics (Indiana University Press, 2009).
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