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E-grāmata: Building A Character [Taylor & Francis e-book]

  • Formāts: 352 pages
  • Izdošanas datums: 07-Jan-1987
  • Izdevniecība: Routledge
  • ISBN-13: 9781315059402
Citas grāmatas par šo tēmu:
  • Taylor & Francis e-book
  • Cena: 124,51 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 177,87 €
  • Ietaupiet 30%
  • Formāts: 352 pages
  • Izdošanas datums: 07-Jan-1987
  • Izdevniecība: Routledge
  • ISBN-13: 9781315059402
Citas grāmatas par šo tēmu:
Building a Character is one of the three volumes that make up Stanislavskis The Acting Trilogy.

An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director found time to explain a thousand things that have always troubled actors and fascinated students.

Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control.

Creating a Role describes the preparation that precedes actual performance, with extensive discussions of Gogols The Inspector General and Shakespeares Othello. Sir Paul Scofield called Creating a Role immeasurably important for the actor.

These three volumes belong on any actors short shelf of essential books.
Chapter 1 Toward a Physical Characterization;
Chapter 2 Dressing a Character;
Chapter 3 Characters and Types;
Chapter 4 Making the Body Expressive;
Chapter 5 Plasticity of Motion;
Chapter 6 Restraint and Control;
Chapter 7 Diction and Singing;
Chapter 8 Intonations and Pauses;
Chapter 9 Accentuation: The Expressive Word;
Chapter 10 Perspective in Character Building;
Chapter 11 Tempo-Rhythm in Movement;
Chapter 12 Speech Tempo-Rhythm;
Chapter 13 Stage Charm;
Chapter 14 Toward an Ethics for the Theatre;
Chapter 15 Patterns of Accomplishment;
Chapter 16 Some Conclusions on Acting;
Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.