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Building a Character [Mīkstie vāki]

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  • Formāts: Paperback / softback, 304 pages, height x width x depth: 198x129x18 mm, weight: 247 g
  • Sērija : Performance Books
  • Izdošanas datums: 14-Mar-2008
  • Izdevniecība: Methuen Drama
  • ISBN-10: 1408100053
  • ISBN-13: 9781408100059
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 25,05 €*
  • * Šī grāmata vairs netiek publicēta. Jums tiks paziņota lietotas grāmatas cena
  • Šī grāmata vairs netiek publicēta. Jums tiks paziņota lietotas grāmatas cena.
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  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 304 pages, height x width x depth: 198x129x18 mm, weight: 247 g
  • Sērija : Performance Books
  • Izdošanas datums: 14-Mar-2008
  • Izdevniecība: Methuen Drama
  • ISBN-10: 1408100053
  • ISBN-13: 9781408100059
Citas grāmatas par šo tēmu:
In his most famous book, An Actor Prepares, Stanislavski dealt with the imaginative processes. In the second book, Building a Character, he deals with the physical realisation of character on the stage, expressions, movement and speech etc. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers. This edition, now reprinted with a new cover at a more accessible price, has stood the test of time for actors all over the world and was the original English language translation. A classic text for every actors library. "An Actor must work all his life, cultivate his mind, train his talents systematically, develop his character; he may never despair and never relinquish this main pupose - to love his art with all his strength and love it unselfishly." (Constantin Stanislavski)

Papildus informācija

Outlines Stanislavski's physical theories Presented as a drama class lesson An inspirational book intended to challenge the student's imagination
Explanatory Note by the Translator 1(4)
Toward a Physical Characterization
5(6)
Dressing a Character
11(11)
Characters and Types
22(14)
Making the Body Expressive
36(12)
Plasticity of Motion
48(24)
Restraint and Control
72(10)
Diction and Singing
82(27)
Intonations and Pauses
109(40)
Accentuation: the Expressive World
149(24)
Perspective in Character Building
173(10)
Tempo-Rhythm in Movement
183(41)
Speech Tempo-Rhythm
224(21)
Stage Charm
245(4)
Toward an Ethics for the Theatre
249(19)
Patterns of Accomplishment
268(19)
Some Conclusions on Acting
287
Constantin Stanislavski died in 1938 and is the most influential person in actor training to date. As co-founder of the Moscow Art Theatre, he developed his theories of acting. Elizabeth Reynold Hapgood (Translator) - An editor and translator and Head of the Russian Department at Columbia University worked with Stanislavski before he died.