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Cambridge Companion to African American Theatre 2nd Revised edition [Mīkstie vāki]

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Edited by (Boston University)
  • Formāts: Paperback / softback, 350 pages, height x width x depth: 228x152x19 mm, weight: 530 g, Worked examples or Exercises
  • Sērija : Cambridge Companions to Theatre and Performance
  • Izdošanas datums: 22-Jun-2023
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 100935955X
  • ISBN-13: 9781009359559
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Cambridge Companion to African American Theatre 2nd Revised editionPalielināt
  • Formāts: Paperback / softback, 350 pages, height x width x depth: 228x152x19 mm, weight: 530 g, Worked examples or Exercises
  • Sērija : Cambridge Companions to Theatre and Performance
  • Izdošanas datums: 22-Jun-2023
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 100935955X
  • ISBN-13: 9781009359559
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781009359559.html
Keywords:
This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.

This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day, featuring fresh chapters on the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre.

Recenzijas

'In recent years, African American theatre has surged as a vital force for community, protest, mourning, fury, and hope. This expanded edition examines Black theater's newest developments even as it remains the definitive resource for understanding the deep historical, political, and theoretical traditions that inform this contemporary theater making. An indispensable volume for students, experts, and fans alike.' Shane Vogel, Yale University 'In this second edition of The Cambridge Companion to African American Theatre, Young and his contributors sharpen the historical and contemporary lines of African American theatre across centuries of development. With the inclusion of essays that center black choreographers, black queer theater makers, and black theatrical activism in our current moment, Young cements new areas of deep and critical study within African American Theatre.' Rashida Z. Shaw McMahon, Wesleyan University 'The new edition of this essential text illustrates and anticipates the continued development of African American theatrical writing and performance, especially as it centralizes the significance of the contemporary Black Lives Matter movement and the unsilencing of discussions of Black sexuality and gender identification. Each essay in this volume compellingly showcases the discovery, recovery, and expansion of African American theatre history to intentionally demonstrate inclusivity and truth within annals of African American theatre history.' Ladrica Menson-Furr, The University of Memphis

Papildus informācija

This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to today.
Introduction Harvey Young;
1. Slavery, performance, and the design of
African American theatre Douglas A. Jones, Jr.;
2. Slave rebellions on the
national stage Heather S. Nathans;
3. Early Black Americans on Broadway
Monica White Ndounou;
4. Drama in the Harlem Renaissance Soyica Diggs
Colbert;
5. The Negro Little Theatre Movement Jonathan Shandell;
6. Black
women dramatists, 19301960 Adrienne Macki;
7. Amiri Baraka and the Black
Arts Movement Aimee Zygmonski;
8. Fragmented musicals and 1970s soul
aesthetic Samuel O'Connell;
9. Spectacles of whiteness from Adrienne Kennedy
to Suzan-Lori Parks Faedra Chatard Carpenter;
10. African American
performance and community engagement Nadine George-Graves;
11. Women
playwrights who cross cultural borders Sandra G. Shannon;
12. African
Diaspora drama Sandra L. Richards;
13. Black theatre in the age of Obama
Harry J. Elam, Jr.;
14. Staging Black Lives Matter Khalid Y. Long;
15.
Contemporary Black Queer Drama Leticia Ridley;
16. African American Dance
Theatre Ariel Nereson.
Harvey Young is Dean of the College of Fine Arts and Professor of Theatre at Boston University. He is the author or editor of ten books, including Embodying Black Experience (2010), Theatre & Race (2013) and most recently Theatre after Empire (2021).