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E-grāmata: Cambridge Companion to American Theatre since 1945

Edited by (University of Central Florida), Edited by (Michigan State University)
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The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.

Provides an overview and analysis of practices of American theatre since the end of the World War II, tracing major shifts in Broadway and off-Broadway theatres, the emergence of key theatre movements and the regional theatre, and the growing influence of popular entertainments and digital technologies.

Recenzijas

'For an up-to-date chronicle of American theater history from 1945 to the advent of the COVID-19 pandemic, which shuttered theaters nationwide in March 2020, there is no better choice than this companion Each essay includes extensive notes and a select bibliography to direct readers to deeper studies Highly recommended.' M. S. LoMonaco, Choice Connect

Papildus informācija

Provides an overview and analysis of developments in the organization and practices of American theatre since the end of World War II.
Notes on Contributors ix
Acknowledgments xiii
Introduction 1(16)
Julia Listengarten
Stephen Di Benedetto
PART I COMMERCIAL AND MAINSTREAM THEATRE
17(116)
1 Broadway Post-1945 to 1960: Shifting Perspectives
19(26)
Susan C. W. Abbotson
2 Bridging the Gap: Broadway and the Experimental from the 1960s to 2020
45(32)
Cindy Rosenthal
3 What's Inside? Collaborative Relationships at the Heart of the American Musical
77(27)
Laura Macdonald
4 Shaping Broadway and Off-Broadway Plays through Collaborations: Playwrights, Directors, Designers, and Companies
104(29)
Jessica Silsby Brater
PART II REGIONAL THEATRE MOVEMENT
133(72)
5 Money Matters: Dismantling the Narrative of the Rise of Regional Theatre
135(21)
Elizabeth A. Osborne
6 When and Where They Enter: Black and Brown Voices in American Theatre
156(23)
Faedra Chatard Carpenter
7 El Jardin Magico: Commissions, Collaboration, and New Play Development in American Regional Theatre
179(26)
David A. Crespy
PART III EXPERIMENTAL THEATRE AND OTHER FORMS OF ENTERTAINMENT
205(71)
8 Experimental Collectives of the 1960s and Their Legacies
207(21)
Timothy Youker
9 Post-Avant-Garde Theatre
228(24)
Arnold Aronson
10 Populist Provocations and Commercial Cavalcades: Popular Entertainments and the Rise of Mass Mediated Performance
252(24)
Chase Bringardner
Index 276
Julia Listengarten is Pegasus Professor and Artistic Director of Theatre at University of Central Florida's School of Performing Arts. Her books include Russian Tragifarce: Its Cultural and Political Roots, Theater of the Avant-Garde, 1950-2000, Playing with Theory in Theatre Practice, and Modern American Playwriting: 2000-2009. Stephen Di Benedetto is Professor and Chair of the Department of Theatre at Michigan State University. Among his numerous publications are The Provocation of the Senses in Contemporary Theatre, An Introduction to Theatre Design, and the co-edited Designer's Shakespeare.