Atjaunināt sīkdatņu piekrišanu

Cambridge Companion to Music in Australia [Hardback]

Edited by (University of Sydney), Edited by (University of Western Australia)
  • Formāts: Hardback, 450 pages, height x width x depth: 250x176x30 mm, weight: 910 g, Worked examples or Exercises
  • Sērija : Cambridge Companions to Music
  • Izdošanas datums: 14-Nov-2024
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 1108845886
  • ISBN-13: 9781108845885
  • Hardback
  • Cena: 113,24 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Hardback, 450 pages, height x width x depth: 250x176x30 mm, weight: 910 g, Worked examples or Exercises
  • Sērija : Cambridge Companions to Music
  • Izdošanas datums: 14-Nov-2024
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 1108845886
  • ISBN-13: 9781108845885
Highlighting the diversity of musical practice that flows though Australia, this book places the music of Aboriginal and Torres Strait Islander people at its heart. It presents the latest research alongside perspectives of current creative artists, whilst acknowledging the fluid nature of music, and the complexity inherent in the term 'Australia'.

As a companion to 'music in Australia', rather than 'Australian music', this book acknowledges the complexity and contestation inherent in the term 'Australia', whilst placing the music of Aboriginal and Torres Strait Islander people at its very heart. This companion emphasizes a diversity of musical experiences in the breadth of musical practice that flows though Australia, including Indigenous song, art music, children's music, jazz, country, popular music forms and music that blurs genre boundaries. Organised in four themed sections, the chapters present the latest research alongside perspectives of current creative artists to explore communities of practice and music's ongoing entanglements between Indigenous and non-Indigenous cultural practices, the influence of places near and far, of continuity, tradition, adaptation, and change. In the final chapter, we pick up where these chapters have taken us, asking what is next for music in Australia for the future.

Papildus informācija

Explores the breadth of musical practice in Australia with Aboriginal and Torres Strait Islander musics at its very heart.
List of Contributors; List of figures, maps and musical examples;
Acknowledgements;
1. Introduction and historiography of music in Australia
Amanda Harris and Clint Bracknell; Part I. Continuities:
2. How Yolu songs
recount deep histories of international trade across the Arafura Sea Aaron
Corn and Brian Djangirrawuy Gumbula-Garawirrtja;
3. Torres Strait Islander
musics: tradition, travel and change Karl Neuenfeldt;
4. Singing country in
the land now known as Australia Clint Bracknell and Lou Bennett;
5. The
spiritual in Australia: practices, discourse, and transformations 18791950
Michael Webb and Christopher Coady; Part II. Encounters:
6. Cultivating a
European concert culture in colonial Sydney and Hobart: 182640 Laura Case
and Amanda Harris;
7. An early Australian musical modernism Kate Bowan;
8.
Country music: Australianizing an American tradition? Toby Martin;
9. The
development of the Australian pop charts and the changing meaning of the
'number one' single Jadey O'Regan and Tim Byron;
10. Artist perspective
didjeridu on the art music stage William Barton; Part III. Diversities:
11.
Exclusion and inclusion in Australian metal Laura Glitsos and Clint
Bracknell;
12. New directions in Australian art music: the curatorial,
creative and conceptual Louise Devenish and Talisha Goh;
13. Artists'
perspectives experimental and electronic music in Australia Aaron Wyatt and
Cat Hope;
14. Artist perspective Australian EDM in the 1990s: finding the
magic between the art and commerce of the dancefloor Paul (Mac) McDermott;
15. Artists' perspectives jazz in Australia-the state of play Jamie
Oehlers;
16. Diverse musics: shaping music through cultural difference Aline
Scott-Maxwell and John Whiteoak;
17. Chinese music performance in Australia
Liu Lu and Catherine Ingram;
18. African musics in Australia Bonnie B
McConnell and Lamine Sonko;
19. Artists' perspectives-Ngarra-Burria
Indigenous composers and their interventions in art music practice
Christopher Sainsbury and Nardi Simpson; Part IV. Institutions:
20. Iconic
musical sites in Australia Amanda Harris;
21. Festivals as a forum for
Indigenous public ceremony from remote Australia Reuben Brown and Sally
Treloyn;
22. The Australian children's TV music phenomenon Elizabeth
Mackinlay and Katelyn Barney;
23. Youth broadcasting and music festivals in
Australia Ben Green and Ian Rogers;
24. Australian multicultural and folk
festivals Michelle Duffy;
25. Learning from music in Australia lint Bracknell
and Amanda Harris.
Amanda Harris is an ARC Future Fellow and Director of PARADISEC Sydney Unit. Her monograph Representing Australian Aboriginal Music and Dance 1930-70 was shortlisted for the 2021 Prime Minister's Literary Prize in Australian History, and Music, Dance and the Archive, co-edited with Linda Barwick and Jakelin Troy, won the 2023 Mander Jones Award. Clint Bracknell FAHA is a Noongar song-maker from the south of Western Australia. He is an ARC Future Fellow and Deputy Chair of AIATSIS. Bracknell received InASA's 2020 Barrett Award for Australian Studies, has co-translated world-first Indigenous language works in film and theatre, and releases music under the name Maatakitj.