The Cambridge Guide to Homer traces the influence and meaning of Homeric poetry from its earliest incarnation as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies.
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
Recenzijas
'The entries are very well written Recommended.' H. M. Roisman, Choice
Papildus informācija
Drawing on anthropology, philology, linguistics, history, archaeology, cultural and literary studies, this book presents and synthesizes the best Homeric research available.
| List of Figures |
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xiii | |
| Notes on the Contributors |
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xv | |
| General Introduction |
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xxvii | |
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| Part I Homeric Song And Text |
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3 | (6) |
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Homeric Epic in Performance |
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9 | (12) |
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21 | (15) |
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36 | (13) |
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49 | (13) |
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62 | (8) |
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70 | (10) |
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80 | (19) |
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99 | (4) |
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Ancient Near Eastern Epic |
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103 | (3) |
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Batrakhomuomakhia (The Battle of Frogs and Mice) |
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106 | (2) |
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108 | (2) |
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110 | (2) |
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112 | (4) |
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116 | (2) |
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118 | (2) |
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120 | (3) |
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123 | (3) |
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126 | (3) |
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129 | (4) |
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133 | (2) |
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Homer and Indo-European Myth |
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135 | (5) |
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140 | (2) |
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142 | (3) |
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145 | (4) |
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149 | (3) |
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152 | (3) |
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155 | (4) |
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159 | (2) |
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161 | (4) |
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165 | (2) |
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167 | (2) |
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169 | (2) |
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171 | (2) |
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173 | (3) |
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176 | (3) |
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179 | (4) |
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183 | (4) |
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187 | (3) |
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190 | (3) |
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193 | (3) |
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Rhapsodes and the Homaridai |
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196 | (3) |
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199 | (2) |
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201 | (2) |
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203 | (3) |
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206 | (2) |
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208 | (5) |
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213 | (6) |
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| Part II Homeric World |
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219 | (8) |
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227 | (18) |
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245 | (12) |
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257 | (10) |
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267 | (11) |
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278 | (11) |
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289 | (4) |
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293 | (3) |
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296 | (4) |
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Basileus and Anax in Homer and Mycenaean Greek Texts |
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300 | (3) |
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303 | (2) |
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305 | (2) |
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307 | (5) |
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Catalogue of Ships: Archaeology |
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312 | (3) |
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Catalogue of Ships: Literary Aspects |
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315 | (3) |
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318 | (4) |
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The Literary Tradition of Destruction of Cities |
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322 | (3) |
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325 | (4) |
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Family and Marriage in Homer |
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329 | (3) |
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Feasting and Drinking in Homer |
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332 | (4) |
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Archaeology of Hero Cults |
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336 | (3) |
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Hittite Literary Evidence |
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339 | (2) |
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341 | (2) |
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343 | (3) |
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346 | (6) |
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352 | (5) |
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357 | (4) |
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361 | (2) |
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363 | (2) |
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365 | (4) |
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369 | (3) |
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372 | (3) |
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375 | (3) |
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Religious Festivals in Homer |
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378 | (3) |
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381 | (3) |
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384 | (3) |
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Slavery in Homer and Hesiod |
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387 | (3) |
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390 | (2) |
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392 | (3) |
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395 | (4) |
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399 | (3) |
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402 | (3) |
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405 | (6) |
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| Part III Homer In The World |
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411 | (6) |
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417 | (18) |
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Homer and the Latin West in the Middle Ages |
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435 | (9) |
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Homer in Greece from the End of Antiquity 1: The Byzantine Reception of Homer and His Export to Other Cultures |
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444 | (29) |
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Homer in Greece from the End of Antiquity 2: Homer after Byzantium, from the Early Ottoman Period to the Age of Nationalisms |
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473 | (17) |
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Homer in Renaissance Europe (1488-1649) |
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490 | (15) |
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Homer in Early Modern Europe |
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505 | (12) |
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The Reception of Homer since 1900 |
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517 | (1) |
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517 | (2) |
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519 | (4) |
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Gendered Reception of Homer |
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523 | (3) |
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526 | (2) |
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Homer in Greece: The Inevitable and Impossible Nostos |
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528 | (4) |
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Postcolonial Perceptions of Homeric Epic |
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532 | (4) |
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Homer and Homerica on Screen |
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536 | (5) |
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From the Cinema to Beyond: Homer in Comics, Television, Apps, and New Media |
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541 | (3) |
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Homer in Twentieth (and Twenty-First) Century Scholarship |
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544 | (3) |
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547 | (18) |
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565 | (5) |
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Allegory and Allegorical Interpretation |
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570 | (3) |
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573 | (2) |
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575 | (2) |
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577 | (3) |
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580 | (2) |
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582 | (3) |
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585 | (5) |
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590 | (3) |
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593 | (3) |
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596 | (2) |
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598 | (2) |
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600 | (3) |
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Christian Deloince-Louette |
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603 | (3) |
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Simone Weil and the Iliad |
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606 | (3) |
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| Bibliography |
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609 | (64) |
| Index |
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673 | |
Corinne Ondine Pache is Professor of Classical Studies at Trinity University. Her research focuses on ancient religion, archaic poetry, and the modern reception of ancient epic. Her publications includes Baby and Child Heroes in Ancient Greece (2004) and 'A Moment's Ornament': The Poetics of Nympholepsy in Ancient Greece (2011).
Biežāk uzdotie jautājumi par e-grāmatām