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E-grāmata: Cambridge History of the Gothic: Volume 2, Gothic in the Nineteenth Century

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Edited by (University of Sheffield), (Lancaster University), Edited by (Manchester Metropolitan University)
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This second volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in British, American and Continental European culture, from the Romantic period through to the Victorian fin de sičcle. Here, leading scholars in the fields of literature, theatre, architecture and the history of science and popular entertainment explore the Gothic in its numerous interdisciplinary forms and guises, as well as across a range of different international contexts. As much a cultural history of the Gothic in this period as an account of the ways in which the Gothic mode has participated in the formative historical events of modernity, the volume offers fresh perspectives on familiar themes while also drawing new critical attention to a range of hitherto overlooked concerns. From Romanticism, to Penny Bloods, Dickens and even the railway system, the volume provides a compelling and comprehensive study of nineteenth-century Gothic culture.

Recenzijas

' many readers of The Cambridge History of the Gothic will likely find themselves - and the Gothic - in a similarly transformed and renewed state.' Michael Gamer, Review 19 'One of the great strengths of Townshend and Wright's turn to mode instead of form is that they are able to develop a truly interdisciplinary collection of essays, putting literature, history, art, architecture, and drama into conversation with one another.' Joellen Mary Delucia, Eighteenth-Century Studies

Papildus informācija

This volume provides an interdisciplinary history of the Gothic in nineteenth-century British, American and European culture.
List of Figures
x
List of Tables
xi
Notes on Contributors xii
Acknowledgements xvi
Introduction: Gothic in the Nineteenth Century, 1800-1900 1(18)
Dale Townshend
2.1 Gothic Romanticism and the Summer of 1816
19(22)
Madeleine Callaghan
Angela Wright
2.2 Fantasmagoriana: The Cosmopolitan Gothic and Frankenstein
41(24)
Maximiliaan Van Woudenberg
2.3 The Mutation of the Vampire in Nineteenth-Century Gothic
65(20)
Jerrold E. Hogle
2.4 From Romantic Gothic to Victorian Medievalism: 1817 and 1877
85(33)
Tom Duggett
2.5 Nineteenth-Century Gothic Architectural Aesthetics: A. W. N. Pugin, John Ruskin and William Morris
118(21)
Alexandra Warwick
2.6 Gothic Fiction, from Shilling Shockers to Penny Bloods
139(23)
Anthony Mandal
2.7 The Theatrical Gothic in the Nineteenth Century
162(20)
Kelly Jones
2.8 `spectrology': Gothic Showmanship in Nineteenth-Century Popular Shows and Media
182(22)
Joe Kember
2.9 The Gothic in Victorian Poetry
204(20)
Serena Trowbridge
2.10 The Genesis of the Victorian Ghost Story
224(22)
Scott Brewster
2.11 Charles Dickens and the Gothic
246(19)
John Bowen
2.12 Victorian Domestic Gothic Fiction
265(20)
Tamar Heller
2.13 The Gothic in Nineteenth-Century Spain
285(18)
Xavier Aldana Reyes
Rocio Røtjer
2.14 The Gothic in Nineteenth-Century Italy
303(25)
Francesca Saggini
2.15 The Gothic in Nineteenth-Century Scotland
328(31)
Suzanne Gilbert
2.16 The Gothic in Nineteenth-Century Ireland
359(17)
Christina Morin
2.17 The Gothic in Nineteenth-Century America
376(18)
Charles L. Crow
2.18 Nineteenth-Century British and American Gothic and the History of Slavery
394(22)
Maisha Wester
2.19 Genealogies of Monstrosity: Darwin, the Biology of Crime and Nineteenth-Century British Gothic Literature
416(29)
Corinna Wagner
2.20 Gothic and the Coming of the Railways
445(18)
William Hughes
2.21 Gothic Imperialism at the Fin de siecle
463(19)
Andrew Smith
Select Bibliography 482(38)
Index 520
Dale Townshend is Professor of Gothic Literature in the Manchester Centre for Gothic Studies, Manchester Metropolitan University. He has published widely on Gothic writing of the eighteenth and nineteenth centuries. His most recent monograph is Gothic Antiquity: History, Romance, and the Architectural Imagination, 17601840 (2019). Angela Wright is Professor of Romantic Literature at the University of Sheffield, and a former co-President of the International Gothic Association (IGA). Her books include Britain, France and the Gothic: The Import of Terror, 1764-1820 (Cambridge University Press, 2013), Mary Shelley (University of Wales Press, 2018), and the co-edited volumes Ann Radcliffe, Romanticism and the Gothic (2014, with Dale Townshend) and Romantic Gothic: An Edinburgh Companion (2015, with Dale Townshend).
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