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Case Study Houses. The Complete CSH Program 1945-1966. 45th Ed. Multilingual edition [Hardback]

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  • Formāts: Hardback, 512 pages, height x width x depth: 217x156x44 mm, weight: 1135 g
  • Sērija : 40th Edition
  • Izdošanas datums: 16-Jun-2021
  • Izdevniecība: Taschen GmbH
  • ISBN-10: 3836587874
  • ISBN-13: 9783836587877
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  • Formāts: Hardback, 512 pages, height x width x depth: 217x156x44 mm, weight: 1135 g
  • Sērija : 40th Edition
  • Izdošanas datums: 16-Jun-2021
  • Izdevniecība: Taschen GmbH
  • ISBN-10: 3836587874
  • ISBN-13: 9783836587877
Citas grāmatas par šo tēmu:
The Case Study House program is a landmark of American architecture. Its driving force, John Entenza, was a champion of Modernism who gathered some of history’s greatest talents, including Richard Neutra, Charles and Ray Eames, and Eero Saarinen. This retrospective revisits all 36 prototype homes through comprehensive documentation, photography,...

The Case Study House program (1945–1966) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.

The program’s chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture’s greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day.

TASCHEN brings you a retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.

About the series

TASCHEN turns 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program—now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Recenzijas

Once you hold it in your hands, you immediately want to get a martini and sit by one of the pools. * Literaturen * If buildings were people, those in Julius Shulmans photographs would be Grace Kelly: classically elegant, intriguingly remote. * ARTnews * The complete CSH program portrayed in stunning photos, detailed drawings, and clear essays. * Architectural Review *

ESSAY
8(468)
Elizabeth A.T. Smith
CSH#1 1945-48
44(10)
Julius Ralph Davidson
CSH#2 1945-47
54(16)
Sumner Spaulding
John Rex
CSH#3 1945-49
70(22)
William W. Wurster
Theodore Bernardi
CSH#4 1945
92(10)
Ralph Rapson
CSH#5 1945
102(8)
Whitney R. Smith
CSH#6 1945
110(4)
Richard Neutra
CSH#7 1945-48
114(10)
Thornton Abell
CSH#8 1945-49
124(24)
Charles
Ray Eames
CSH#9 1945-49
148(22)
Charles Eames
Eero Saarinen
CSH#10 1945-47
170(12)
Kemper Nomland
Kemper Nomland, Jr.
CSH#11 1945-46
182(16)
Julius Ralph Davidson
CSH#12 1946
198(6)
Whitney R. Smith
CSH#13 1946
204(4)
Richard Neutra
CSH#15 1947
208(4)
Julius Ralph Davidson
CSH#16 1946-47
212(12)
Rodney Walker
CSH#17 1947
224(4)
Rodney Walker
CSH#18 1947-48
228(4)
Rodney Walker
CSH#20 1947-48
232(22)
Richard Neutra
CSH#21 1947
254(2)
Richard Neutra
CSH 1950: 1950
256(14)
Raphael Soriano
CSH#16 1952-53
270(24)
Craig Ellwood
CSH#17 1954-55
294(16)
Craig Ellwood
CSH#18 1956-58
310(18)
Craig Ellwood
CSH#19 1957
328(6)
Don Knorr
CSH#20 1958
334(14)
Buff
Straub
Hensman
CSH#21 1958
348(22)
Pierre Koenig
CSH#22 1959-60
370(18)
Pierre Koenig
CSH#23 1959-60
388(32)
Killingsworth
Brady
Smith
CSH#24 1961
420(6)
A. Quincy Jones
Frederick E. Emmons
CSH#25 1962
426(8)
Killingsworth
Brady
Smith
CSH#26 1962
434(4)
Killingsworth
Brady
Smith
CSH#26 1962-63
438(6)
Beverley David Thorne
CSH#27 1963
444(6)
Campbell
Wong
CSH#28 1965-66
450(16)
Buff
Hensman
CSA#1 1963-64
466(6)
Alfred N. Beadle
Alan A. Dailey
CSA#2 1964
472(4)
Killingsworth
Brady
Biographies of the Architects 476(24)
Epilogue 500(10)
Julius Shulman
Photo Credits 510
Elizabeth A. T. Smith is Executive Director of the Helen Frankenthaler Foundation, based in New York. Previously, she was Executive Director, Curatorial Affairs, at the Art Gallery of Ontario in Toronto; Chief Curator and Deputy Director of Programs at the Museum of Contemporary Art in Chicago, and Curator at the Museum of Contemporary Art in Los Angeles. While at LA MOCA she curated the 1989 exhibition Blueprints for Modern Living: History and Legacy of the Case Study Houses. She has curated, published, and lectured widely on a variety of topics in contemporary art and architecture.

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

American photographer Julius Shulmans images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wrights or Pierre Koenigs remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friend, Richard Neutra, was first brought to light by Shulmans photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a buildings surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst for his pioneering images is stronger than ever before.