This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions....Lasīt vairāk
In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary textthe narrative whose production the titles credit....Lasīt vairāk
Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumen...Lasīt vairāk
Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical considerati...Lasīt vairāk
Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics explores the concept of glitch alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model,...Lasīt vairāk
Using a series of highly detailed close readings of title designs through the interpretive lens of theories of cinematic realism, this book engages with issues of indexicality, narrative, and the difference between subjective and objective presentat...Lasīt vairāk
In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the reading-image to model the ways that motion typography dramatizes...Lasīt vairāk
