This collection of essays brings together leading musicologists and music theorists working across a range of genres--classical, jazz, and popular--to offer fresh approaches to questions of meaning in music. Rooted in humanistic values, Musical M...Lasīt vairāk
Intended for use in college-level music classes, Modeling Musical Analysis is a volume of essays by minoritized scholars that model analytical essay writing for undergraduate students. The collection marks an important step in making the fie...Lasīt vairāk
Music theory has recently seen burgeoning efforts to make the field more inclusive and diverse. One prominent response involves a concerted effort to collect musical examples by historically marginalized composers for use in the classroom. Less has b...Lasīt vairāk
Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? This, and other related questions, form the central focus of this book with each chapter offering a fresh perspective on a particular topic in m...Lasīt vairāk
(Izdošanas datums: 25-Mar-2025, Hardback, Izdevniecība: Princeton University Press, ISBN-13: 9780691273648)
Of all the repertories of Western Art music, none is as explicitly listener-oriented as that of the late eighteenth and early nineteenth centuries. Yet few attempts to analyze the so-called Classic Style have embraced the semiotic implications of th...Lasīt vairāk
An award-winning account of the importance of semiotic play in Classic instrumental music, including that of Mozart, Haydn, and BeethovenOf all the repertories of Western Art music, none is as explicitly listener-oriented as that of...Lasīt vairāk
Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disc...Lasīt vairāk
Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by c...Lasīt vairāk
This book presents and discusses the fundamental topic of classification of musical objects, such as chords, motifs, and gestures. Their classification deals with the exhibition of isomorphism classes. Our structure types include local and global...Lasīt vairāk
Finding the Beat explores humankinds ability, propensity, and enjoyment in finding the beat in live and recorded experiences of music-making through the lens of entrainment, the human capacity to perceive a beat and to synchronize to it. A...Lasīt vairāk
This volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music anal...Lasīt vairāk
Through provisional, idiosyncratic, and non-normative listening practices, Queer Ear: Remaking Music Theory counters music theorys continuing tendencies towards rationality, unity, unilinearity, teleology, and logical certainty. In this vol...Lasīt vairāk
Through provisional, idiosyncratic, and non-normative listening practices, Queer Ear: Remaking Music Theory counters music theorys continuing tendencies towards rationality, unity, unilinearity, teleology, and logical certainty. In this vol...Lasīt vairāk
Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? To what extent is the act of musical performance coextensive with the act of doing musical research, and vice versa? At what point in the research...Lasīt vairāk
