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E-grāmata: Chances and Choices: Exploring the Impact of Music Education

(Senior Lecturer and Director of Undergraduate Studies, Music Department, University of Sheffield)
  • Formāts: PDF+DRM
  • Izdošanas datums: 12-Jun-2012
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199838769
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  • Formāts: PDF+DRM
  • Izdošanas datums: 12-Jun-2012
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199838769

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Chances and Choices: Exploring the Impact of Music Education considers the aims and impact of formative musical experiences, evaluating the extent to which music education of various kinds provides a foundation for lifelong involvement and interest in music. The discussion draws upon rich qualitative data, in which over 100 adults with an active interest in music reflect upon the influences and opportunities that shaped their musical life histories. Pitts addresses the relationship between the claims made for music education, the practice and policy through which those aims are filtered, and the recollections of the lived experiences of learning music in a variety of contexts. This consideration of school music is set in the broader context of learning in the home and community, and illustrates the circumscribed yet immensely powerful role that music teachers and other potential role models can play in nurturing open-minded, active musicians.

The four central chapters focus on generational change in home and school experiences of music; the locations in which musical learning takes place, including cross-cultural comparisons; the characteristics of teachers, parents and others as musical mentors and role models; and the lifelong outcomes of musical engagement for performers, teachers, listeners and adult learners. This analysis is then used to illuminate the claims made for music education in historical and contemporary debate, and to propose ways in which school music might better prepare young people for lifelong engagement in music. Poised to shed new light on the long-term effects of music education, this book is an important resource to understand how we can encourage lifelong involvement with music and general engagement in cultural activities in every individual.

Recenzijas

Generous in its examples of musical life histories, this hugely important publication is a wonderfully rich guide to understanding the diversity of musical lives within contemporary society. It enlightens and inspires readers to reconsider the many varied aspects of how music education shapes lifelong values, attitudes and skills. * Gary McPherson, Ormond Chair of Music and Director, Conservatorium of Music, University of Melbourne * With this insightful and original contribution to a new and developing area of music-education studies, Stephanie Pitts has once again cast light on neglected issues. This book will engage and challenge all music educators who are concerned about not only their present practices, but the long-term impact of their work. * Lucy Green, Professor of Music Education, Institute of Education, University of London *

Acknowledgements ix
About the Companion Website xi
1 Investigating the Impact of Music Education
3(28)
1.1 Whose Story? Defining and Interpreting Musical Life Histories
3(3)
1.2 Aims, Scope, and Limitations
6(3)
1.3 Approaches to Data Collection and Analysis
9(6)
1.4 Existing Research on Musical Life Histories
15(5)
1.5 Global Perspectives on Music Education
20(3)
1.6 Structures and Voices in This Book
23(8)
Interlude A
25(3)
Interlude B
28(3)
2 Learning across Generations: Musical Childhoods in 20th-Century Britain
31(25)
2.1 Lifelong Learning: A Reasonable Aim for Music Education?
31(3)
2.2 Life Histories in Context: British Music Education in the 20th Century
34(2)
2.3 Generational Trends in Formative Musical Experiences
36(11)
2.3.1 1930s-1950s: Gramophones, Piano Lessons, and School Assemblies
37(4)
2.3.2 1960s-1970s: Encouragement and Independence
41(4)
2.3.3 1980s-1990s: Musical Pluralism and Exploration
45(2)
2.4 Historical Trends, Current Debates
47(9)
2.4.1 Classroom Music
47(1)
2.4.2 Music Outside the Classroom
48(1)
2.4.3 Teacher and Parent Attitudes
49(1)
2.4.4 Music in the Home
49(1)
2.4.5 Lifelong Learning and Involvement
50(1)
Interlude C
51(2)
Interlude D
53(3)
3 Locations for Musical Learning
56(33)
3.1 Where Musical Learning Happens
56(4)
3.2 The Characteristics of Supportive Musical Environments
60(4)
3.3 Extracurricular Music-Making
64(8)
3.4 Musical Self-Education
72(3)
3.5 An Italian Perspective: Music as Specialist Education
75(7)
3.6 Summary: Situated Learning for Music
82(7)
Interlude E
84(2)
Interlude F
86(3)
4 Inspiring, Affirming, Challenging: Significant People in Musical Learning
89(33)
4.1 What Makes a Memorable Classroom Music Teacher?
89(3)
4.2 Instrumental Teachers as Mentors
92(4)
4.3 Parents as Role Models and Mentors
96(9)
4.4 Siblings, Extended Family, and Friendships as Sources of Musical Learning
105(5)
4.5 Learning from Learning: Becoming Teachers and Parents
110(4)
4.6 Summary: Musical Supporters and Role Models
114(8)
Interlude G
116(3)
Interlude H
119(3)
5 Opportunities and Outcomes in Lifelong Musical Engagement
122(37)
5.1 Musical Routes and Roots
122(5)
5.2 Becoming Music Educators
127(7)
5.3 Becoming Music-Makers
134(6)
5.4 Becoming Adult Learners
140(5)
5.5 Becoming Listeners and Concert-Goers
145(4)
5.6 Summary: Foundations for Lifelong Musical Involvement
149(10)
Interlude I
152(4)
Interlude J
156(3)
6 Rhetoric and Reality: The Real Impact of Music Education
159(25)
6.1 Overview: Learning from Life Histories
159(1)
6.2 Historical Rhetoric and Remembered Reality
160(6)
6.3 Contemporary Rhetoric and Future Opportunities
166(7)
6.4 Summary: Relevance and Timelessness in Musical Learning
173(11)
Interlude K
178(2)
Interlude L
180(4)
7 Chances, Choices, and Conclusions
184(15)
7.1 Chances and Choices in Musical Education
184(6)
7.2 The Usefulness of Life History Approaches
190(5)
7.3 Recommendations and Future Directions
195(4)
Postlude 199(4)
Glossary 203(2)
References 205(12)
Index 217
Stephanie Pitts is Senior Lecturer and Director of Undergraduate Studies at the Music Department of the University of Sheffield, and author of Valuing Musical Participation: Case Studies of Music Identity and Belonging (Ashgate Ltd., 2005) and, with Eric Clarke and Nicola Dibben, Music and Mind in Everyday Life (OUP, 2009).