Atjaunināt sīkdatņu piekrišanu

E-grāmata: Charles d'Orleans' English Aesthetic: The Form, Poetics, and Style of Fortunes Stabilnes

Contributions by , Contributions by , Edited by , Contributions by , Edited by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by
  • Formāts: 307 pages
  • Izdošanas datums: 18-Sep-2020
  • Izdevniecība: D.S. Brewer
  • Valoda: eng
  • ISBN-13: 9781787445949
Citas grāmatas par šo tēmu:
  • Formāts - PDF+DRM
  • Cena: 25,04 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: 307 pages
  • Izdošanas datums: 18-Sep-2020
  • Izdevniecība: D.S. Brewer
  • Valoda: eng
  • ISBN-13: 9781787445949
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

The compilation Fortunes Stabilnes, the English poetry Charles d'Orléans wrote in the course of his twenty-five year captivity in England after Agincourt, requires a larger lens than that of Chaucerianism, through which it has most often been viewed. A fresh view from another perspective, one that attends to form and style, as well as to the poet's French traditions, reveals a more conceptually complex and innovative kind of poetry than we have seen until now.
The essays collected here reassess him in the light of recent work in Middle English studies. They detail those qualities that make his text one of the most accomplished and moving of the late Middle Ages: Charles's use of English, his metrical play, his felicity with formes fixes lyrics, his innovative use of the dits structure and lyric sequences, and finally, above all, his ability to write beautiful poetry. Overall, they bring out the underappreciated contribution made by Charles to the canon of English poetry.

MARY-JO ARN is an independent scholar, and editor of Fortunes Stabilnes; R.D. PERRY is Assistant Professor of English and Literary Arts at the University of Denver.

Contributors: B.S.W. Barootes, J.A. Burrow, Andrea Denny-Brown, Simon Horobin, Richard Ingham, Philip Knox, Jenni Nuttall, Ad Putter, Jeremy J. Smith, Elizaveta Strakhov, Eric Weiskott.

Recenzijas

[ T]his is an excellent and very timely contribution to research and scholarship on Charles, which will hopefully form the groundwork for a renewed appreciation and deeper understanding of his unique and exciting English-­language work. * STUDIES IN THE AGE OF CHAUCER * Charles d'Orléans' English Aesthetic enjoyably and usefully advances our knowledge. The book offers new findings and new arguments; [ ...] the editors and chapter authors should pat themselves on their backs. -- THE MEDIEVAL REVIEW (TMR)

List of Illustrations
ix
List of Contributors
x
Acknowledgements xi
Abbreviations xii
Introduction 1(21)
R. D. Perry
1 The Two Dreams of Charles d'Orleans and the Structure of His English Book
22(12)
J. A. Burrow
2 Charles d'Orleans' Cross-Channel Poetics: The Choice of Ballade Form in Fortunes Stabilnes
34(48)
Elizaveta Strakhov
3 The English Roundel, Charles's Jubilee, and Mimetic Form
82(20)
Jenni Nuttall
4 A Grieving Lover: The Work of Mourning in Charles's First Ballade Sequence
102(20)
B.S.W. Barootes
5 Charles d'Orleans' English Metrical Phonology
122(23)
Eric Weiskott
6 The English Poetry of a Frenchman: Stress and Idiomaticity in Charles d'Orleans
145(24)
Ad Putter
7 Verb Use in Charles d'Orleans' English
169(20)
Richard Ingham
8 Charles d'Orleans and His Finding of English
189(32)
Jeremy J. Smith
9 Aureation as Agon: Charles d'Orleans versus John Lydgate
221(24)
Andrea Denny-Brown
10 Charles d'Orleans, Harley 682, and the London Book-Trade
245(20)
Simon Horobin
11 The Form of the Whole
265(23)
Philip Knox
Select Publications, 2007--2020 288(3)
Index 291
R.D. PERRY is Assistant Professor of English and Literary Arts at the University of Denver. The late MARY-JO ARN was an independent scholar, and editor of Fortunes Stabilnes. Ad Putter is Professor of Medieval English at the University of Bristol, UK, co-director of Bristol's Centre for Medieval Studies, and Fellow of the British Academy. He is the author and editor of numerous books, with a particular interest in Medieval Romance texts and the works of the Gawain poet. He is currently leading a research project on the literary heritage of Anglo-Dutch relations. Jenni Nuttall is Lecturer in English at Exeter College, University of Oxford. She has written books on Lancastrian literature and Chaucer's Troilus and Criseyde, as well as articles on Middle English literary language and poetic forms. Jeremy Smith was professor of English philology at Glasgow, where he remains a senior research fellow and emeritus professor, and an honorary professor at St Andrews. His specialisms include English historical linguistics, medieval studies, and book history, combined recently in Transforming Early English (2020). PHILIP KNOX is University Lecturer in the Faculty of English at the University of Cambridge. R.D. PERRY is Assistant Professor of English and Literary Arts at the University of Denver.