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List of Examples and Tables |
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xi | |
Preface and Acknowledgments |
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xvii | |
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Introduction: Jazz Composition and Parker as Jazz Composer |
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1 | (34) |
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1 | (21) |
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Improvisations Becoming Jazz Compositions |
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22 | (2) |
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24 | (3) |
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Creating a Chronological List of Parker Compositions |
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27 | (1) |
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Categorizing Parker Compositions |
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28 | (1) |
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Prior Studies and Analytical Approaches |
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29 | (6) |
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1 Music Background and Compositional Overview |
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35 | (20) |
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Early Experiences and Training in Music |
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35 | (7) |
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42 | (1) |
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Roots of Bebop, Hines, Eckstine, and the Partnership with Gillespie |
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43 | (2) |
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Mature Compositional Career |
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45 | (4) |
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49 | (6) |
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2 32-Bar Rhythm Changes Compositions |
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55 | (26) |
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55 | (5) |
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7 Shaw `Nuff (1945, co-composed with Dizzy Gillespie)' |
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60 | (4) |
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18 Moose the Mooche (1946) |
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64 | (4) |
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10 Thriving from a Riff (1945) |
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68 | (1) |
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68 | (1) |
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68 | (13) |
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3 Other 32-Bar AABA Compositions |
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81 | (38) |
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1 Yardbird Suite (1940--1941) |
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81 | (8) |
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89 | (5) |
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94 | (9) |
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67 My Little Suede Shoes (1951) |
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103 | (11) |
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80 Throckmorton the Plumber (1954) |
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114 | (1) |
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114 | (5) |
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4 32-Bar ABAC Compositions |
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119 | (22) |
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17 Ornithology (1945, co-composed with Benny Harris) |
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119 | (9) |
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128 | (5) |
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133 | (3) |
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136 | (5) |
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5 Through-Composed Blues in C |
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141 | (22) |
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21 Relaxin at Camarillo (1947) |
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141 | (5) |
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146 | (2) |
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148 | (1) |
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148 | (1) |
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148 | (3) |
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151 | (2) |
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153 | (2) |
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72 Back Home Blues (1951) |
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155 | (1) |
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155 | (4) |
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159 | (1) |
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159 | (4) |
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6 Through-Composed Blues in Other Keys |
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163 | (32) |
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2 Wichita Blues (1940, co-composed with Jay McShann?) |
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163 | (1) |
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163 | (1) |
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164 | (1) |
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164 | (2) |
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166 | (6) |
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172 | (1) |
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173 | (2) |
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12 Billie's Bounce (1945) |
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175 | (4) |
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179 | (2) |
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181 | (2) |
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69 Blues for Alice (1951) |
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183 | (1) |
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183 | (5) |
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188 | (1) |
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189 | (3) |
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79 Yashitaki-Mikimoko (1954) |
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192 | (1) |
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193 | (2) |
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7 32-Bar Compositions with A Section or Partial A Section |
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195 | (32) |
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195 | (1) |
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23 Chasm' the Bird (1947) |
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196 | (1) |
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196 | (3) |
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199 | (1) |
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32 Klactoveesedstene (1947) |
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200 | (4) |
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33 Scrapple from the Apple (1947) |
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204 | (1) |
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204 | (2) |
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206 | (1) |
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207 | (4) |
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211 | (1) |
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212 | (1) |
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213 | (2) |
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58 An Oscar for Treadwell (1950) |
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215 | (3) |
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63 Ballade (1950, co-composed with Coleman Hawkins) |
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218 | (1) |
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71 Swedish Schnapps (1951) |
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219 | (2) |
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221 | (2) |
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223 | (4) |
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227 | (24) |
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3 Hootie Blues (1940--1941, co-composed with Jay McShann) |
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227 | (1) |
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4 The Jumpin' Blues (1941--1942, co-composed with Jay McShann) |
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228 | (2) |
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230 | (5) |
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235 | (2) |
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237 | (1) |
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39 Another Hair Do (1947) |
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238 | (1) |
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239 | (1) |
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240 | (6) |
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246 | (1) |
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68 Happy Bird Blues (1951) |
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247 | (4) |
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9 Improvisational Frames with Composed Sections and Non-Standard Works |
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251 | (26) |
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251 | (1) |
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8 The Famous Alto Break (1945) |
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252 | (4) |
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256 | (1) |
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11 Warmin' Up a Riff (1945) |
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257 | (1) |
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257 | (7) |
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30 Bird of Paradise (1947) |
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264 | (1) |
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265 | (1) |
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42 Bird Gets the Worm (1947) |
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266 | (1) |
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266 | (4) |
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270 | (1) |
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271 | (1) |
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61 Relaxin with Lee (1950) |
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271 | (1) |
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272 | (1) |
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273 | (4) |
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10 Summary and Assessment |
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277 | (40) |
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"Honeysuckle Rose" and Rhythm Changes |
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278 | (1) |
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The Tunes by Category, Contrafact, Key, and Primary Line |
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279 | (13) |
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Revisions and Adaptations |
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292 | (7) |
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On the Bandstand Calling the Tunes |
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299 | (5) |
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Quotation and Self-Quotation |
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304 | (1) |
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Interest in Twentieth-Century Concert Music |
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305 | (4) |
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309 | (8) |
Bibliography |
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317 | (7) |
Discography |
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324 | (1) |
Musical Example Credits |
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325 | (4) |
Index |
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329 | |