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E-grāmata: Chaucer and the Subversion of Form

Edited by (Washington University, St Louis), Edited by (College of Wooster, Ohio)
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"Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous"--

"The essays collected in this volume, therefore, by no means celebrate unobstructed access to a historical moment of creation via formal analysis, for - as the scholars discussed above and others variously emphasize - material form is not a direct reflection of the form of human thought. And this is not simply an observation about limitations on the human ability to realize forms that they can imagine. Sometimes the form of the created thing actually exceeds the form of human thought. This is, we argue, something that was understood when the medievals thought about texts, for while they referred to the intentio auctoris, it was not what we think of when we refer to the intention that lies behind the work"--

Recenzijas

' original critical engagement with a range of Chaucer's works and the issues they raise.' A. S. G. Edwards, The Times Literary Supplement '... this collection will be warmly received by scholars working on Chaucer, medieval conceptions of form and the literary, and - perhaps especially - the intersection of medieval philosophy and literature. Medievalists interested in the state of New Formalist criticism at present will also want a copy of this handsome volume, as will those curious about how far a formally oriented medieval studies might take us in the future.' Taylor Cowdery, Studies in the Age of Chaucer 'This brilliant and challenging collection of essays shows that form is not static but in itself a principle of animation that requires us to rethink not only how but also why we read literature.' Elizabeth Robertson, Studies in Medieval and Renaissance Teaching (SMART)

Papildus informācija

Brings 'new formalist' approaches to Chaucer, focusing on formal agency, bodies, disability, ethics, poetics, reception, and scale.
List of Contributors
vii
Acknowledgments ix
Introduction: Failure, Figure, Reception 1(20)
Thomas A. Prendergast
Jessica Rosenfeld
PART I THE FAILURES OF FORM
1 "Many a lay and Many a thing": Chaucer's Technical Terms
21(17)
Jenni Nuttall
2 Chaucer's Aesthetic Resources: Nature, Longing, and Economies of Form
38(23)
Jennifer Jahner
3 Against Order: Medieval, Modern, and Contemporary Critiques of Causality
61(24)
Eleanor Johnson
PART II THE CORPOREALITY OF FORM
4 Diverging Forms: Disability and the Monk's Tales
85(14)
Jonathan Hsy
5 Figures for "Gretter Knowing": Forms in the Treatise on the Astrolabe
99(26)
Lisa H. Cooper
6 The Heaviness of Prosopopoeial Form in Chaucer's Book of the Duchess
125(24)
Julie Orlemanski
PART III THE FORMS OF RECEPTION
7 Reading Badly: What the Physician's Tale Isn't Telling Us
149(16)
Thomas A. Prendergast
8 Birdsong, Love, and the House of Lancaster: Gower Reforms Chaucer
165(17)
Arthur Bahr
9 Opening The Canterbury Tales: Form and Formalism in the General Prologue
182(19)
Stephanie Trigg
Bibliography 201(16)
Index 217
Thomas A. Prendergast is Professor of English at the College of Wooster, Ohio. He is the author of Chaucer's Dead Body: From Corpse to Corpus (2004) and Poetical Dust: Poets' Corner and the Making of Britain (2015); he is co-editor of Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 14001602 (1999). Jessica Rosenfeld is Associate Professor of English at Washington University, St. Louis. She is the author of Ethics and Enjoyment in Late Medieval Poetry: Love after Aristotle (Cambridge, 2011).