Atjaunināt sīkdatņu piekrišanu

Chernobyl Prayer: Voices from Chernobyl [Mīkstie vāki]

4.40/5 (63104 ratings by Goodreads)
Translated by , Translated by ,
  • Formāts: Paperback / softback, 304 pages, height x width x depth: 198x130x17 mm, weight: 227 g
  • Sērija : Penguin Modern Classics
  • Izdošanas datums: 21-Apr-2016
  • Izdevniecība: Penguin Classics
  • ISBN-10: 0241270537
  • ISBN-13: 9780241270530
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 11,76 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Standarta cena: 15,69 €
  • Ietaupiet 25%
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 304 pages, height x width x depth: 198x130x17 mm, weight: 227 g
  • Sērija : Penguin Modern Classics
  • Izdošanas datums: 21-Apr-2016
  • Izdevniecība: Penguin Classics
  • ISBN-10: 0241270537
  • ISBN-13: 9780241270530
Citas grāmatas par šo tēmu:
Winner of the Nobel Prize in Literature

'Desperately important and impossible to put down. It is timeless. . . what shines clear from the testimonies is love - love which can make you do the most spectacular things ' Sheena Patel, Observer

'- A new translation of Voices from Chernobyl based on the revised version -

In April 1986 a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love.

A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget.

'Beautifully written. . . heart-breaking' - Arundhati Roy, Elle

'One of the most humane and terrifying books I've ever read' - Helen Simpson, Observer

Recenzijas

Absolutely essential and heartbreaking reading. There's a reason Ms. Alexievich won a Nobel Prize -- Craig Mazin, creator of the HBO series Chernobyl Desperately important and impossible to put down. It is timeless and has sparked so much thought about infinity, sacrifice, love and unspeakable grief. . . what shines clear from the testimonies is love - love which can make you do the most spectacular things -- Sheena Patel * Observer * A beautifully written book, it's been years since I had to look away from a page because it was just too heart-breaking to go on. Give me beautiful prose and I'll follow you anywhere -- Arundhati Roy * Elle * A collage of oral testimony that turns into the psycho­biography of a nation not shown on any map... The book leaves radiation burns on the brain -- Julian Barnes * Guardian * Absolutely fantastic -- Karl Ove Knausgaard A searing mix of eloquence and wordlessness... From her interviewees' monologues she creates history that the reader, at whatever distance from the events, can actually touch -- Julian Evans * Daily Telegraph * One of the most humane and terrifying books I've ever read -- Helen Simpson * Observer * Alexievich's documentary approach makes the experiences vivid, sometimes almost unbearably so - but it's a remarkably democratic way of constructing a book... When you consider the extent to which she has been traversing the irradiated landscape, you realise she has put herself on the line in a way very few authors ever do -- Nicholas Lezard * Guardian * A moving piece of polyphony, skilfully assembled from what must have been a huge mass of material... We are living in Alexievich's 'age of disasters'. This haunting book offers us at least some ways of thinking about that predicament -- Lucy Hughes-Hallett * New Statesman * This masterly new translation by Anna Gunin and Arch Tait retains the nerve and pulse of the Russian * TLS *

Papildus informācija

The devastating history of the Chernobyl disaster by Svetlana Alexievich, the winner of the Nobel prize in literature 2015
Some historical background 1(5)
A lone human voice 6(18)
The author interviews herself on missing history and why Chernobyl calls our view of the world into question 24(11)
1 Land of the Dead
35(59)
Monologue on why people remember
35(2)
Monologue on how we can talk with both the living and the dead
37(7)
Monologue on a whole life written on a door
44(2)
Monologue of a village on how they call the souls from heaven to weep and eat with them
46(14)
Monologue on how happy a chicken would be to find a worm. And what is bubbling in the pot is also not forever
60(4)
Monologue on a song without words
64(1)
Three monologues on ancient fear, and on why one man stayed silent while the women spoke
65(8)
Monologue on how man is crafty only in evil, but simple and open in his words of love
73(21)
The Soldiers' Choir
76(18)
2 The Crown of Creation
94(97)
Monologue on the old prophecies
94(3)
Monologue on a moonscape
97(2)
Monologue of a witness who had toothache when he saw Christ fall and cry out
99(6)
Three monologues on the `walking ashes' and the `talking dust'
105(8)
Monologue on how we can't live without Tolstoy and Chekhov
113(5)
Monologue on what St Francis preached to the birds
118(9)
Monologue without a title: a scream
127(1)
Monologue in two voices: male and female
128(8)
Monologue on how some completely unknown thing can worm its way into you
136(7)
Monologue on Cartesian philosophy and on eating a radioactive sandwich with someone so as not to be ashamed
143(14)
Monologue on our having long ago come down from the trees but not yet having come up with a way of making them grow into wheels
157(6)
Monologue by a capped well
163(8)
Monologue about longing for a role and a narrative
171(20)
The Folk Choir
180(11)
3 Admiring Disaster
191(90)
Monologue on something we did not know: death can look so pretty
191(3)
Monologue on how easy it is to return to dust
194(6)
Monologue on the symbols and secrets of a great country
200(3)
Monologue on the fact that terrible things in life happen unspectacularly and naturally
203(6)
Monologue on the observation that a Russian always wants to believe in something
209(4)
Monologue about how defenceless a small life is in a time of greatness
213(4)
Monologue on physics, with which we were all once in love
217(5)
Monologue on something more remote than Kolyma, Auschwitz and the Holocaust
222(4)
Monologue on freedom and the wish to die an ordinary death
226(5)
Monologue on a freak who is going to be loved anyway
231(2)
Monologue on the need to add something to everyday life in order to understand it
233(5)
Monologue on a mute soldier
238(5)
Monologue on the eternal, accursed questions: `What is to be done?' and `Who is to blame?'
243(5)
Monologue of a defender of Soviet power
248(2)
Monologue on how two angels took little Olenka
250(5)
Monologue on the unaccountable power of one person over another
255(9)
Monologue on sacrificial victims and priests
264(17)
The Children's Choir
272(9)
A lone human voice 281(12)
In place of an epilogue 293
Svetlana Alexievich was born in Ivano-Frankivsk in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own, distinctive non-fiction genre which brings together a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Boys in Zinc (1991), Chernobyl Prayer (1997) and Second-Hand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature for 'her polyphonic writings, a monument to suffering and courage in our time'.