E-grāmata: Chieftain and the Chair: The Rise of Danish Design in Postwar America

"Centering her study on Finn Juhls Chieftain Chair and Hans Wegners Round Chair, Taft shows how a small segment of the Danish furniture marketsoon folded into a broader Scandinavian aesthetic, cannily developed and marketed for the booming American economycame to rule both sides of the Atlantic." * New Criterion * "The Wegner chair is one of two pieces that Maggie Taft considers in her new book The Chieftain and the Chair: The Rise of Danish Design in Postwar America. The other is the Chieftain chair designed by Finn Juhl. Together, the two seem to capture two different forms of aspiration. . . .The most famous Scandi furniture now comes in flat packs, bought cheaply with a stop-off to the cafeteria for a helping of frozen meatballs with lingonberry jam. But the original appeal of Danish furniture was deeper: It promised craftsmanship at a time of ramped-up assembly line production and the pared-down aesthetic of natural wood when the space age look of new materials was ascendant. As Taft shows, these qualities were closely linked to Danish political culture in the postwar yearsto its progressive thinking, vibrant democratic principles, and above all its emerging welfare state." * New Republic * Danish design (or at least stuff that looks like it) has been a fixture of American interior decoration since it was first imported in the 1950s. Pieces like Hans Wegners Round Chair and Finn Juhls Chieftain are ubiquitous, so its easy to forget that someone had to make people believe they were emblems of middle-class good taste before, you know, they actually were. Taft, an art historian and writer, uses this clear, tight book to trace the origins of these objects and in doing so demolishes some of the many myths about a field you know and (might) love. * Bloomberg *  A prolific author with contributions to national arts and design publications, Taft presents a deeply researched yet thoroughly accessible examination of the multidimensional impact of two reigning chairs and, more broadly, inspired artistic expression.   * Booklist * "Succinct and engaging. . . essential for an understanding of post-war Danish and American design." * Art Newspaper * "[ Taft's] story is not one of heroic artistic choices, but of compromises made for manufacturing at scale, successive counterfeits, the dispersal of a once-original style. . . . Taft tells the story with quick, fluid prose and a plethora of period texts, photographs, and scenes, taking us from the craftsmanship of the Copenhagen Museum of Industrial Arts Cabinetmaker Day School, where Wegner trained as a joiner in the thirties, to the TV appearance of a pair of Wegners chairs in the Kennedy-Nixon debate in 1960." * Book Post * "How did Danish Modern become a byword for mid-century cool in the United States? This study of two chairs made in 1949The Chieftain by Finn Juhl and Round Chair by Hans Wegnerexplores this tale of transcontinental tastemaking." * Apollo * "We may take Danish Modern for granted. But as Taft shows in her absorbing story, the furniture aesthetic was less an expression of national spirit than a complex product of colonial relationships, protectionism, state intervention, and transatlantic salesmanship." -- Edward Tenner * Milken Institute * "This fascinating book makes a great addition to the literature of modern design and the small scale of the book makes it possible to carry." * Daniella on Design * "Taft explores the history of Danish modern design through two pieces of furniture: Hans Wegners Round Chair, better known as simply the Chair, and Finn Juhls Chieftain reading chair. The former is a basic dining chair, designed as part of a set, whose defining element is a single, semicircular wooden form that serves as both back and armrestshence the Round in its moniker. The latter is a cushioned chair upholstered in leather, with wide armrests and a high, regal back rising above its seat. Their differencesthe Chairs slight size and the Chieftains heftiness; the Chairs huge popularity in America and the Chieftains relative lack thereof; Juhls architectural education and Wegners training in cabinetmakingallow Taft to develop a succinct but multilayered history of Danish Modernism." * Nation * "The Chair and the Chieftain, designs now over seventy years old, remind us that designed objects can transcend their origins, the marketing narratives applied to them, their initial reception, vacillations in style, normative notions, and the fickle public eye. Abetted by historical and lovely illustrations, Tafts thoroughly engaging text provides some thought-provoking explanations for why that is." * Winterthur Portfolio * "In this thorough exploration of two iconic Danish chairs, Taft looks to debunk old myths and makes a convincing case for a reexamination of Danish design and how it shaped the story of not only Danish modern, but also the evolution of modern design from New York to Chicago, North Dakota to Los Angeles, in post-war America."   -- Zoė Ryan, Daniel W. Dietrich, II Director of the Institute of Contemporary Art, University of Pennsylvania "This book is a clever conceitit uses two exceedingly famous chairs, Finn Juhls the Chieftain and Hans Wegners the Chair, to narrate a specific history about the creation, consumption, marketing, and reception of Danish Modern in the United States. These chairs are diplomatic actors in the drama that unfolds surrounding the small, but mighty country of Denmark making furniture for an export market in the United States, in which one could not exist without the other. The Chieftain and the Chair is a fresh and succinct contribution to Nordic design studies." -- Monica Obniski, curator of decorative arts and design, High Museum In The Chieftain and the Chair, Taft provides a rich backstory to two fundamentally familiar mid-century furniture forms. By mining Danish-language archives and obscure American repositories, Taft makes the history of these chairs accessible to an English-speaking audience. Danish design was constructed to appeal to American consumers and American taste, as The Chieftain and the Chair deftly demonstrates. -- Bobbye Tigerman, Marilyn B. and Calvin B. Gross Curator for Decorative Arts and Design, Los Angeles County Museum of Art "Using concise and accessible language, The Chieftain and the Chair shows how the Danish furniture industry was directed to serve the American market, being also reshaped along the way." * Journal of Design History *