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China's Lost Imperial Garden: The World's Most Exquisite Garden Rediscovered [Hardback]

  • Formāts: Hardback, 256 pages, height x width: 298x229 mm, weight: 1446 g, 200 Chinese paintings, architectual plans, 3D drawings; garden designs
  • Izdošanas datums: 03-May-2016
  • Izdevniecība: Shanghai Press
  • ISBN-10: 1602200211
  • ISBN-13: 9781602200210
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  • Cena: 42,94 €
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  • Formāts: Hardback, 256 pages, height x width: 298x229 mm, weight: 1446 g, 200 Chinese paintings, architectual plans, 3D drawings; garden designs
  • Izdošanas datums: 03-May-2016
  • Izdevniecība: Shanghai Press
  • ISBN-10: 1602200211
  • ISBN-13: 9781602200210
Citas grāmatas par šo tēmu:
Built in 1707, the Old Summer Palace (Yuan Ming Yuan) is a masterpiece integrating the classic garden-building arts of China. It is reputed as the "Garden of all Gardens," due to its rich and incomparable landscaping. The beautiful and expansive gardens were known to the world, and triggered the craze of Chinese gardens in 18th century Europe. Victor Hugo, one of the best and greatest known French writers, described it as "Achievements generated from the imagination of a super nation." The Old Summer Palace was also the second political center in addition to the Forbidden City in the Qing Dynasty (1636–1911). Five emperors chose the Old Summer Palace as their venue for administrative governance. They felt it expressed an ideal of state governing and an appeal of aesthetics. Meanwhile, it was the base for turning out important national policies while serving as an important venue for the exchange between Chinese and foreign envoys. Having gone through a span of over 150 years, the Old Summer Palace reflects the history of the rise and fall of the Qing Dynasty.

Deserving its honor as the largest royal art museum, the Old Summer Palace contained calligraphic works and paintings of many noted artists, numerous rarities such as secret and valuable books, ancient bells, tri-pots, precious articles, gold and silver wares, jewelry and jade as well as rare flowers and trees of that time. In 1860, the Old Summer Palace was destroyed by British-French Allied Forces and all the collections inside were looted, resulting in a terrible disaster in the history of international culture. Today, the Older Summer Palace represents an important piece of cultural history for human civilization.

At the end of the 20th century, Guo Daiheng, the author of this book, led over 80 experts, scholars and professionals in starting a project of Digital Reconstruction of the Old Summer Palace, an unprecedented task in the history of international historic parks. Over the past 15 years, the project has included an orderly development in 3D molding, digital restoration, and digital experience. Scenes of the Old Summer Palace in this book are the exact results from a digitalized Old Summer Palace, which reveals the magnificence of the garden in its prime.
Preface 9(2)
PART I MASTERS OFTHEYUAN MINGYUAN
11(24)
Chapter I A Garden Granted by the Emperor to Yinzhen His Fourth Son
13(4)
Chapter II The Early Period of the Yuan Ming Yuan as an Imperial Garden
17(4)
Chapter III Middle Period of the Yuan Ming Yuan as an Imperial Garden---the Five Gardens
21(6)
Chapter IV The Late Period of the Yuan Ming Yuan---the Three Gardens
27(4)
Chapter V The Inferno of 1860
31(4)
PART II SCENERY OFTHEYUAN MING YUAN
35(186)
Chapter VI Public Business in Front and Private Residence in the Rear
37(24)
1 Zhengda Guangming Complex (Complex of Rectitude and Honor)
38(4)
2 Danhuai Hall (Simple Needs Hall) of the Changchun Garden (Garden of Eternal Spring)
42(2)
3 Qinzheng Qinxian Complex (Complex of Diligent Government)
44(3)
4 Jiuzhou Qingyan Complex (Complex of Nine Continents Clear and Calm)
47(4)
5 Hanjing Hall (Tripataka Hall)
51(7)
6 The Imperial Apartments of the Qichun Garden (Garden of Elegant Spring)
58(3)
Chapter VII Heaven and Earth and Ren Lun (Human Ethics)
61(20)
1 Louyue Kaiyun Complex (Complex of the Engraved Moon and Unfolding Clouds)
63(4)
2 Hongci Yonghu Complex (Complex of Vast Compassion and Eternal Blessing)
67(4)
3 Changchun Xianguan Complex (Complex of Eternal Spring Immortals Hall)
71(4)
4 Tianran Tuhua Complex (Complex of the Nature's Own Painting)
75(6)
Chapter VIII Shenfo Huyou (Protection and Blessing by the Gods and Buddha)
81(14)
1 Ciyun Puhu Complex (Complex of Merciful Clouds Protect All)
84(1)
2 Ritian Linyu Complex (Complex of Dazzling Eaves under Heaven)
85(1)
3 Yuedi Yunju Complex (Complex of Dwelling of the Moon, Earth, and Clouds)
86(2)
4 Shewei City (Sravasti)
88(2)
5 Guangyu Temple (Fertility Temple)
90(1)
6 Zhengjue Temple (Temple of Supreme Perfect Enlightenment)
91(1)
7 Fahui Temple (Dharma Wisdom Temple)
92(1)
8 Baoxiang Temple (Jeweled Image Temple)
93(2)
Chapter IX Culture and Education
95(25)
1 Huifang Library (Library of Collected Fragrance)
97(5)
2 Bitong Library (Green Wutong Tree Library)
102(3)
3 Wuling Chunse (Spring Color at Wuling)
105(3)
4 Siyi Library (Library of the Four Seasons)
108(3)
5 Lianxi Lechu Complex (Complex of Happy Place of Lianxi)
111(2)
6 Wenyuan Pavilion (Pavilion of the Source of Literature)
113(4)
7 Dongtian Shenchu Complex (Deep in the Grotto Complex)
117(3)
Chapter X Observing Farming Activities and Monitoring the Agricultural Cycle
120(13)
1 Xinghuachun Pavilion (Apricot Blossom Spring Pavilion)
123(4)
2 Beiyuan Mountain Village (Mountain Village in the Distant North)
127(1)
3 Danbo Ningjing Complex (Complex of Detachment and Serenity)
128(1)
4 Yingshui Lanxiang Complex (Complex of Water Reflections and Orchid Fragrance)
129(1)
5 Shuimu Mingse Complex (Complex of Sounds of Trees and Water)
130(1)
6 Gengyun Hall (Hall of Crop Cultivation)
131(2)
Chapter XI Theatrical Buildings
133(24)
1 Shangao Shuichang Complex (Complex of High Hills and Long Waters)
134(2)
2 Tongle Garden (Garden of Shared Pleasure)
136(10)
3 Zhanshi Yinglu Complex (Complex of Verse and Rhyming)
146(1)
4 Tantan Dangdang Complex (Complex of Clear Conscience and Broad Mind)
147(5)
5 Wanfang Anhe Complex (Complex of Universal Peace and Harmony)
152(5)
Chapter XII Landscape Architecture
157(36)
1 Pengdao Yaotai Complex (Complex of the Jade Terrace of Paradise Island)
158(4)
2 Fanghu Shengjing Complex (Complex of the Beautiful Scene of the Square Pot)
162(7)
3 Bieyou Dongtian Complex (Complex of a Whole New World within a Grotto)
169(4)
4 Kuoran Dagong Complex (Complex of Boundless Impartiality)
173(3)
5 Jiexiu Mountain House (Mountain House Greeted by the Beauty of the Hills)
176(1)
6 Qian Garden in the Changchun Garden (Garden of Eternal Spring)
177(3)
7 Shizi Grove (Lion Grove) in the Changchun Garden
180(4)
8 Jian Garden (Garden of Mirror) in the Changchun Garden
184(2)
9 Qingxia Study of the Qichun Garden (Garden of Elegant Spring)
186(1)
10 Chengxin Hall (Hall of Cleansing the Mind) of the Qichun Garden
187(2)
11 Ten Scenes of the West Lake in the Yuan Ming Yuan
189(4)
Chapter XIII Xiyang Building Complex (Complex of European Buildings)
193(16)
1 Xie Qiqu Pavilion (Pavilion Harmonizing Surprise and Delight)
194(5)
2 Wanhua Zhen Complex (Complex of the Maze)
199(1)
3 Haiyan Hall (Hall of Calm Seas)
200(2)
4 Fangwai Observatory (Observatory of Lands Beyond)
202(2)
5 Yuanying Observatory (Immense Ocean Observatory) and Da Shuifa Fountain (Great Fountain)
204(5)
Chapter XIV Market and Pleasure Grounds
209(12)
1 Market Street
210(4)
2 Qushui Liushang Complex (Complex of Wine Cups Floating on a Winding Channel)
214(3)
3 Viewing Lotus Blossom in the Imperial Garden
217(1)
4 Floating River Lanterns on Zhongyuan Festival
218(1)
5 Dragon Boat Racing on Dragon Boat Festival
219(2)
PART III THE DESIGN APPROACH OFTHE GARDEN CREATORS
221(12)
Chapter XV Recreating Landscape Spaces
223(1)
Chapter XVI Control of the Architectural Layout with a Grid System
224(2)
1 Building Groups Whose Courtyards Spread Transversely
224(1)
2 Building Groups that Extend in One Direction
224(1)
3 Large Building Groups that Extend Longitudinally
224(1)
4 Cluster Type Building Groups
225(1)
5 Shaped Building Groups
225(1)
6 Building Groups that Surround a Large Courtyard or a Pond
225(1)
Chapter XVII Water Courses as the Dominant Means of Transport
226(7)
PART IV AN ART OF GARDEN DESIGN ROOTED IN TRADITIONAL CHINESE CULTURE
233(8)
Chapter XVIII Configuration of Building Groups that Conforms to a Culture Based on Ethics
235(1)
Chapter XIX Planning the Garden with an Eye to "Centrality"
236(1)
Chapter XX Objectification of the Vision of Governance
237(1)
Chapter XXI From Aesthetic Pursuit to Net Sheng Wai Wang
238(1)
Chapter XXII An Unusual Sight Removed from the Realm of Reality
239(2)
Conclusion 241(1)
Appendices 242(1)
Glossary 242(8)
Bibliography 250(2)
Dates of the Chinese Dynasties 252(1)
Index 253
As a graduate from Qinghua University in 1960, Guo Daiheng was a student of Professor Liang Sicheng. She is now a professor and PhD tutor of Qinghua University, the first-grade national registered architect, and concurrently the director of Beijing Old Summer Palace Research Society. She has won such awards as the First Class Award of the National Natural Science Awards and the Grand Architectural Creation Award.

She has had over 70 academic papers published in China and abroad, in addition to having completed more than 10 academic works such as The History of Ancient Chinese Architecture, Illustration of Model Housesthe Heritage and Memory of the Old Summer Palace, and The Royal Old Summer Palace under the Reign of Qianlong Emperor.