This challenging and insightful book, creatively edited by Du, Crespi and Wang, urges readers to focus on dynamic multiplicities that have been in motion for a long time and to abandon fruitless searches for a dominant form of Chineseness and a single form of animation. -- Journal of Chinese History * Paul G. Pickowicz * Chinese Animation is a much-needed intervention in one of the worlds under-disclosed cinemas. The volumes searching chapters, mobilized adeptly by three of the fields leading scholars, open passages not only across Chinese cinema and animation, but also onto a broader cultural and intellectual history that situates Chinese animation within a global epistemology. -- Akira Mizuta Lippit, University of Southern California This inspiring transnational collaboration adopts a kaleidoscopic approach to a daunting but much-needed project, opening the vast and diverse realm of Chinese animation up for collective thought and dialogue across generations, methodologies, and fields. The result is capacious, illuminating, challenging, and thrilling: a transformative volume. -- Karen Redrobe, University of Pennsylvania Filled with copiously researched technical, cultural, and historical information, this immensely rich volume is an indispensable resource on the state of the art of Chinese animation studies. It will likely usher in a new era of scholarly interest, debate, and productivity in this emergent field. -- Rey Chow, Duke University
