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E-grāmata: Cinema After Deleuze

3.88/5 (34 ratings by Goodreads)
(Lancaster University, UK)
  • Formāts: 184 pages
  • Sērija : Deleuze and Guattari Encounters
  • Izdošanas datums: 08-Mar-2012
  • Izdevniecība: Continuum Publishing Corporation
  • ISBN-13: 9781441111999
  • Formāts - EPUB+DRM
  • Cena: 36,06 €*
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  • Formāts: 184 pages
  • Sērija : Deleuze and Guattari Encounters
  • Izdošanas datums: 08-Mar-2012
  • Izdevniecība: Continuum Publishing Corporation
  • ISBN-13: 9781441111999

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This title offers a clear and concise overview of and introduction to Deleuze's theories of cinema. "Cinema After Deleuze" offers a clear and lucid introduction to Deleuze's writings on cinema which will appeal both to undergraduates and specialists in film studies and philosophy. The book provides explanations of the many categories and classifications found in Deleuze's two landmark books on cinema and offers assessments of a range of films and directors, including works by John Ford, Sergei Eisenstein, Alfred Hitchcock, Michelangelo Antonioni and Alain Resnais. Richard Rushton also discusses contemporary directors such as Steven Spielberg, Lars von Trier, Martin Scorsese and Wong Kar-Wai in the light of Deleuze's theories and in doing so brings Deleuze's "Cinema" books right up to date. "Cinema After Deleuze" demonstrates why Deleuze is rightly considered today to be one of the great theorists of cinema. The book is essential reading for students in philosophy and film studies alike. "The Deleuze Encounters" series provides students in philosophy and related subjects with concise and accessible introductions to the application of Deleuze's work in key areas of study. Each book demonstrates how Deleuze's ideas and concepts can enhance present work in a particular field.

Papildus informācija

A clear and concise overview of and introduction to Deleuze's theories of cinema.
Acknowledgements vii
1 What Questions does Deleuze's Philosophy of Cinema Answer?
1(12)
2 The Movement-Image (I): Griffith, Eisenstein, Gance, Lang
13(14)
3 The Movement-Image (II): Ford and Kazan
27(14)
4 The Movement-Image (III): Hawks and Hitchcock
41(18)
5 The Time-Image (I): Italian Neorealism and After
59(14)
6 The Time-Image (II): Ophuls and Fellini
73(14)
7 The Time-Image (III): Welles and Resnais
87(14)
8 Thought and Cinema
101(18)
9 Cinema After Deleuze (I): The Persistence of the Movement-Image
119(20)
10 Cinema After Deleuze (II): Recent Elements of the Time-Image
139(18)
Notes 157(2)
Works Cited 159(10)
Index 169
Richard Rushton is Lecturer in Film Studies at Lancaster University, UK. He is the author of What is Film Theory? (McGraw-Hill, forthcoming) and numerous articles on film and cultural theory.