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E-grāmata: Circus and the Avant-Gardes: History, Imaginary, Innovation [Taylor & Francis e-book]

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"This book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars - from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history - some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time."--

This book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today.

Preface x
Acknowledgements xii
List of illustrations
xiv
1 Arts for all senses: Circus and the avant-gardes -- introduction
1(16)
Anna-Sophie Juiuiens
Mirjam Hildbrand
PART I Historical circus, popular entertainment and avant-gardes: Influences and interrelations
17(56)
2 A treasure trove for avant-garde artists? Metropolitan circus performances around 1900
19(18)
Mirjam Hildbrand
3 The present as a trick or the assault on the spectator's psyche: Circus and the Soviet avant-garde
37(16)
Oksana Bulgakowa
4 Typocircus and the Czech avant-garde
53(20)
Anne Hultsch
PART II Staging circus outside the ring: Avant-garde experiments in the early twentieth century
73(46)
5 Circus, Dada, Vaudeville: Historical avant-garde - between popular and experimental tneatre
75(18)
Martina Grob
6 "Attractive novelties": Spectacular innovation and the making of a new kind of audience within colonial modernity
93(26)
Martyn Jolly
PART III Stages of technology: Circus, avant-gardes and (new) media
119(36)
7 "Like a three-ring circus": The avant-garde appropriates the circus in the battle between distraction and attractions
121(17)
Tom Gunning
8 The animated circus and new arts of motion
138(17)
Kristian Moen
PART IV Circus-avant-garde bodies: Contemporary artistic physicalities
155(58)
9 "Glitter and broken bones": Professional wrestling, circus, avant-garde and the radical participatory body
157(16)
Claire Warden
10 Glam clowning: From Dada to Gaga - a conversation with Le Pustra
173(23)
Anna-Sophie Jurgens
Le Pustra
11 The aesthetics of queer work: Loie Fuller's exhausting life as performance art in Stephanie Di Giusto's The Dancer (2016)
196(17)
Wesley Lim
PART V Circus and avant-gardes reimagined since the late twentieth century
213(46)
12 Political clowns, strong women and animal-free: Circus reimagined through 1970s avant-garde political theatre
215(17)
Jane Mullett
Peta Tait
13 Avant-garde gestures and contemporaneity in today's circus
232(15)
Louis Patrick Leroux
14 "Today for the last time"?: On the cultural meanings of circus and the avant-gardes -- some final provocations
247(12)
Mirjam Hildbrand
Anna-Sophiejurcens
Aiden Essery
Notes on contributors 259(5)
Index 264
Anna-Sophie Jürgens is an Assistant Professor in Popular Entertainment Studies at the Australian National University (ANU), Australia. She is part of the network of the Alexander von Humboldt Foundation. Her research explores the intersections between circus/comic performance, science and technology, and the cultural meanings of science.

Mirjam Hildbrand is a PhD candidate in Theatre Studies at the University of Bern, Switzerland. Her research explores historical circus practice, the intersections between circus/theatre, and the discourse of high/low culture. She also works as a freelance dramaturge and a programmer in the field of contemporary circus.