Sixteen essays are gathered together here, on the cinematic representation of New York City. Pomerance (sociology, Ryerson U.) notes that the essays resist the tradition that sees the films as an outgrowth of reality. Instead, they view New York as presented as a situation and an experience in films such as Breakfast at Tiffany's, Gangs of New York, The Warriors, and Rosemary's Baby. The film work of Woody Allen, Alfred Hitchcock, Sidney Lumet, and Spike Lee are discussed, in addition to ethnicity and urban space, specific characters, social and ethnic tensions, and New York as a city of danger and adjustment. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)
New York, more than any other city, has held a special fascination for filmmakers and viewers. In every decade of Hollywood filmmaking, artists of the screen have fixated upon this fascinating place for its tensions and promises, dazzling illumination and fearsome darkness.
The glittering skyscrapers of such films as On the Town have shadowed the characteristic seedy streets in which desperate, passionate stories have played out-as in Scandal Sheet and The Pawnbroker. In other films, the city is a cauldron of bright lights, technology, empire, egotism, fear, hunger, and change--the scenic epitome of America in the modern age.
From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour, the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake Edwards, Alfred Hitchcock, Gregory La Cava, Spike Lee, Sidney Lumet, Vincente Minnelli, Roman Polanski, Martin Scorsese, Andy Warhol, and numerous others.
New York, more than any other city, has held a special fascination for filmmakers and viewers. In every decade of Hollywood filmmaking, artists of the screen have fixated upon this fascinating place for its tensions and promises, dazzling illumination and fearsome darkness.The glittering skyscrapers of such films as On the Town have shadowed the characteristic seedy streets in which desperate, passionate stories have played out-as in Scandal Sheet and The Pawnbroker . In other films, the city is a cauldron of bright lights, technology, empire, egotism, fear, hunger, and change-the scenic epitome of America in the modern age.From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour , the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake Edwards, Alfred Hitchcock, Gregory La Cava, Spike Lee, Sidney Lumet, Vincente Minnelli, Roman Polanski, Martin Scorsese, Andy Warhol, and numerous others.
