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E-grāmata: Classical Music Industry

, (Middlesex University, UK)
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This volume brings together academics, executives and practitioners to provide readers with an extensive and authoritative overview of the classical music industry. The central practices, theories and debates that empower and regulate the industry are explored through the lens of classical music-making, business, and associated spheres such as politics, education, media and copyright. The Classical Music Industry maps the industry’s key networks, principles and practices across such sectors as recording, live, management and marketing: essentially, how the cultural and economic practice of classical music is kept mobile and alive. The book examining pathways to professionalism, traditional and new forms of engagement, and the consequences of related issues—ethics, prestige, gender and class—for anyone aspiring to ‘make it’ in the industry today. The classical music industry is a diverse and fast-changing sector that animates deep feelings. The Classical Music Industry acknowledges debates that have long encircled the sector but today have a fresh face, as the industry adjusts to the new economics of funding, policy-making and retail The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.
List of Figures
ix
List of Contributors
x
Foreword xv
Alan Davey
Introduction 1(4)
Chris Dromey
Julia Haferkorn
PART I Principles and Practices
5(72)
1 Classical Music, Copyright, and Collecting Societies
7(25)
Brian Inglis
2 "Growing a Forest": The Changing Business of Classical Music Publishing
32(12)
Sarah Osborn
3 Evolving Business Models in the Classical Record Industry
44(11)
Marius Carboni
4 Managing Artists in the Classical Sector: Definitions and Challenges
55(12)
Atholl Swainston-Harrison
5 On Classical Music Competitions
67(10)
Glen Kwok
Chris Dromey
PART II Identity and Diversity
77(62)
6 Uncertain Capital: Class, Gender, and the "Imagined Futures" of Young Classical Musicians
79(17)
Anna Bull
7 Inequalities in the Classical Music Industry: The Role of Subjectivity in Constructions of the "Ideal" Classical Musician
96(16)
Christina Scharff
8 Lifespan Perspective Theory and (Classical) Musicians' Careers
112(14)
Dawn Bennett
Sophie Hennekam
9 Reimagining Classical Music Performing Organisations for the Digital Age
126(13)
Brian Kavanagh
PART III Challenges and Debates
139(59)
10 Is Classical Music a Living or Heritage Art Form?
141(7)
Susanna Eastburn
11 Dancing to Another Tune: Classical Music in Nightclubs and Other Non-Traditional Venues
148(24)
Julia Haferkorn
12 Curating Classical Music: Towards a Synergetic Concert Dramaturgy
172(11)
Masa Spaan
Brendan Monaghan
13 Talking About Classical Music: Radio as Public Musicology
183(15)
Chris Dromey
Appendix 1 Keyword Survey of Verbal and Online Commentary, BBC Radio 3 and Classic FM, 1 March 2017 198(49)
Bibliography 247(15)
Index 262
Christopher Dromey is Associate Professor in Music at Middlesex University, UK.

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Julia Haferkorn is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK and Director of production company, Third Ear Music.