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E-grāmata: Close Harmony: A History of Southern Gospel

4.13/5 (42 ratings by Goodreads)
  • Formāts: 416 pages
  • Izdošanas datums: 01-Feb-2014
  • Izdevniecība: The University of North Carolina Press
  • Valoda: eng
  • ISBN-13: 9798890868220
  • Formāts - PDF+DRM
  • Cena: 25,04 €*
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  • Formāts: 416 pages
  • Izdošanas datums: 01-Feb-2014
  • Izdevniecība: The University of North Carolina Press
  • Valoda: eng
  • ISBN-13: 9798890868220

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Comprehensive and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, recordings, and concert promotions.

Marked by smooth, tight harmonies and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet tradition--had its roots in nineteenth-century shape-note singing. The spread of white gospel music is intricately connected to the people who based their livelihoods on it, and Close Harmony is filled with the stories of artists and groups such as Frank Stamps, the Chuck Wagon Gang, the Blackwood Brothers, the Rangers, the Swanee River Boys, the Statesmen, and the Oak Ridge Boys. The book also explores changing relations between black and white artists and shows how, following the civil rights movement, white gospel was influenced by black gospel, bluegrass, rock, metal, and, later, rap.

With Christian music sales topping the $600 million mark at the close of the twentieth century, Close Harmony explores the history of an important and influential segment of the thriving gospel industry.


Tracing the history of southern gospel--specifically the white gospel quartet tradition--from its roots in the 1870s to the present, Goff examines the social and theological roots of the music, the industry that has grown up around it, and its impact on American music and culture in general.

Recenzijas

"A wonderful book." - Dolly Parton "A good resource book of the music and people that we all dearly love." - Bill Gaither

Preface xi
Introduction 1(12)
Part I. The Roots of a Musical Genre
Alexandria, Indiana, April 3, 1996
13(1)
Gospel Music in the Nineteenth Century
14(21)
Springdale, Arkansas, August 2, 1996
33(2)
Shape Notes and a Musical Tradition
35(27)
Part II. The Birth of an Industry
Springdale, Arkansas, August 3, 1996
61(1)
James David Vaughan, Pioneer
62(19)
Dallas, Texas, July 28, 1996
80(1)
Stamps-Baxter: A Texas Gospel Music Empire
81(30)
Part III. The Emergence of Professional Quartets
Bedford, Texas, July 29, 1996
109(2)
Early Quartets: On The Road the First Time
111(46)
Springdale, Arkansas, August 2, 1996
156(1)
The Boom Years: Gospel Music Promoters and the All-Night Sings
157(44)
Nashville, Tennessee, September 28, 1992, and Durham, North Carolina, August 12, 1996
199(2)
The Golden Age Challenge: Unconventional Groups and Songwriters
201(22)
Part IV. The World of Southern Gospel
Live Oak, Florida, June 15, 1996
221(2)
Quartets and the National Expansion of Gospel Music
223(41)
Belfast, North Carolina, December 24, 1960, and Louisville, Kentucky, September 25, 1998
262(2)
The Emergence of Southern Gospel
264(19)
Conclusion 283(6)
Notes 289(90)
Index 379
JAMES R. GOFF JR. is professor of history at Appalachian State University in Boone, North Carolina. He also serves as the chief historical consultant for the Southern Gospel Music Hall of Fame and Museum in Pigeon Forge, Tennessee, and is a regular columnist for Singing News magazine.