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E-grāmata: Collaborative Art in the Twenty-First Century

Edited by , Edited by , Edited by (Victoria University of Wellington, New Zealand)
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Collaborative Art in the Twenty-First CenturyPalielināt
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Collaboration in the arts is no longer a conscious choice to make a deliberate artistic statement, but instead a necessity of artistic survival. In today’s hybrid world of virtual mobility, collaboration decentralizes creative strategies, enabling artists to carve new territories and maintain practice-based autonomy in an increasingly commercial and saturated art world. Collaboration now transforms not only artistic practices but also the development of cultural institutions, communities and personal lifestyles.

This book explores why collaboration has become so integrated into a greater understanding of creative artistic practice. It draws on an emerging generation of contributors—from the arts, art history, sociology, political science, and philosophy—to engage directly with the diverse and interdisciplinary nature of collaborative practice of the future.

List of Table and Figures
ix
Acknowledgments xiii
Introduction: Collaborative Art in the Twenty-First Century 1(10)
Sondra Bacharach
Jeremy Neil Booth
Siv B. Fjaerestad
SECTION I Collaboration in the Age of Technological Innovation
1 Pirate Film Societies: Rearranging Traditional Apparatus with Inappropriate Technology
11(14)
Gabriel Menotti
2 Digital Street Art
25(10)
Gemma Arguello Manresa
Sondra Bacharach
3 Hybrid Modes of Collaborations in the Post-Socialist Context: The Socio-Politically Engaged Art Practices of Big Hope and Matei Bejenaru
35(18)
Izabel Galliera
4 Turkish Contemporary Art and the Emergent Off-Space Artist Collectives
53(12)
Tijen Tunali
SECTION II Collaboration and the Identity Crisis
5 The Solitary Author as Collective Fiction
65(12)
K. E. Gover
6 Collaboration's Gesture at the Impossible
77(9)
Tim Corballis
7 Technological Impacts on Musical Collaboration: Can the Postal Service Survive?
86(8)
Henry John Pratt
8 Empathy, Surviving, Collective Reflexivity
94(11)
Timothy Murray
Tobey Albright
Egle Obcarskaite
9 Collective Action and the Reciprocity of Friendship
105(12)
Katerina Reed-Tsocha
SECTION III Rethinking Collaborations
10 Sisterly Love: The Collaborative Art of Sisters
117(15)
Louise R. Mayhew
11 Future Calls the Dawn
132(9)
Jenny Gillam
Eugene Hansen
12 Unsettling Action and Text: A Collaborative Experience
141(11)
Bartram O'Neill
13 The Politics of Collaboration: Robin Rhode and the Drowned Piano
152(14)
Leora Maltz-Leca
14 Wedge: A Cross-Disciplinary Collaboration by Janine Antoni and Jill Sigman
166(13)
Sherri Irvin
15 Combination, Collaboration, and Creation: The Case of Jasper Johns
179(8)
Peter Murphy
16 Gathering: Artistic Collaborations in Glass
187(10)
Daniella Ramos Barroqueiro
List of Contributors 197(6)
Index 203
Sondra Bacharach is Senior Lecturer in Philosophy at Victoria University of Wellington, New Zealand



Siv B. Fjęrestad is a Norwegian-born artist and curator, living in New Zealand. She holds an MA in Visual Arts from Goldsmiths College in London.

Jeremy Neil Booth is an artist, writer, and publisher currently based in Germany. He holds an MFA from Bauhaus Universität, Weimar, Germany.
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