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26 | (1) |
|
|
|
27 | (1) |
|
Homunculus et la Belle Etoile |
|
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27 | (2) |
|
The Comedian as the Letter C |
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29 | (20) |
|
From the Misery of Don Joost |
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49 | (1) |
|
O, Florida, Venereal Soil |
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49 | (2) |
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51 | (1) |
|
The Worms at Heaven's Gate |
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52 | (1) |
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53 | (1) |
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54 | (1) |
|
Anecdote of Men by the Thousand |
|
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54 | (1) |
|
The Apostrophe to Vincentine |
|
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55 | (2) |
|
Floral Decorations for Bananas |
|
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57 | (1) |
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58 | (1) |
|
Of the Manner of Addressing Clouds |
|
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59 | (1) |
|
Of Heaven Considered as a Tomb |
|
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59 | (1) |
|
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60 | (1) |
|
Anecdote of the Prince of Peacocks |
|
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61 | (1) |
|
A High-Toned Old Christian Woman |
|
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62 | (1) |
|
The Place of the Solitaires |
|
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63 | (1) |
|
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64 | (1) |
|
The Curtains in the House of the Metaphysician |
|
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65 | (1) |
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66 | (1) |
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67 | (1) |
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68 | (1) |
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68 | (1) |
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69 | (1) |
|
Disillusionment of Ten O'Clock |
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70 | (1) |
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71 | (4) |
|
The Virgin Carrying a Lantern |
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|
75 | (1) |
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76 | (1) |
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77 | (1) |
|
Six Significant Landscapes |
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78 | (2) |
|
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80 | (1) |
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81 | (2) |
|
Palace of the Babies 82 Frogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs |
|
|
83 | (1) |
|
Jasmine's Beautiful Thoughts Underneath the Willow |
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84 | (1) |
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85 | (2) |
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87 | (1) |
|
The Bird with the Coppery, Keen Claws |
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87 | (1) |
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88 | (1) |
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89 | (1) |
|
Colloquy with a Polish Aunt |
|
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90 | (1) |
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91 | (1) |
|
Two Figures in Dense Violet Night |
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92 | (1) |
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93 | (1) |
|
To the One of Fictive Music |
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93 | (2) |
|
Hymn from a Watermelon Pavilion |
|
|
95 | (1) |
|
Peter Quince at the Clavier |
|
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96 | (3) |
|
Thirteen Ways of Looking at a Blackbird |
|
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99 | (3) |
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102 | (1) |
|
The Man Whose Pharynx Was Bad |
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103 | (1) |
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104 | (1) |
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104 | (1) |
|
The Surprises of the Superhuman |
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105 | (1) |
|
Sea Surface Full of Clouds |
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106 | (4) |
|
The Revolutionists Stop for Orangeade |
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110 | (1) |
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111 | (3) |
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114 | (1) |
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115 | (1) |
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116 | (1) |
|
Sonatina to Hans Christian |
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117 | (1) |
|
In the Clear Season of Grapes |
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118 | (1) |
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119 | (1) |
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120 | (1) |
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120 | (1) |
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121 | (4) |
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125 | (2) |
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127 | (1) |
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128 | (1) |
|
Sad Strains of a Gay Waltz |
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129 | (2) |
|
Dance of the Macabre Mice |
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131 | (1) |
|
Meditation Celestial & Terrestrial |
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131 | (1) |
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132 | (1) |
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133 | (1) |
|
Some Friends from Pascagoula |
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134 | (1) |
|
Waving Adieu, Adieu, Adieu |
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135 | (1) |
|
The Idea of Order at Key West |
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136 | (3) |
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139 | (1) |
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140 | (1) |
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141 | (1) |
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142 | (1) |
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143 | (1) |
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144 | (1) |
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145 | (2) |
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147 | (1) |
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148 | (1) |
|
Gray Stones and Gray Pigeons |
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149 | (1) |
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150 | (1) |
|
Academic Discourse at Havana |
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151 | (3) |
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154 | (1) |
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154 | (1) |
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155 | (1) |
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155 | (1) |
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156 | (1) |
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157 | (2) |
|
The Pleasures of Merely Circulating |
|
|
159 | (1) |
|
Like Decorations in a Nigger Cemetery |
|
|
159 | (9) |
|
A Postcard from the Volcano |
|
|
168 | (2) |
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170 | (1) |
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170 | (1) |
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171 | (1) |
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|
172 | (3) |
|
THE MAN WITH THE BLUE GUITAR & OTHER POEMS |
|
|
|
The Man with the Blue Guitar |
|
|
175 | (20) |
|
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|
195 | (3) |
|
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|
198 | (5) |
|
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|
203 | (1) |
|
Poetry Is a Destructive Force |
|
|
204 | (1) |
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205 | (1) |
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206 | (2) |
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208 | (1) |
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209 | (1) |
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210 | (1) |
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211 | (2) |
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213 | (1) |
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214 | (2) |
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216 | (1) |
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217 | (1) |
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218 | (1) |
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219 | (2) |
|
|
|
221 | (1) |
|
A Rabbit as King of the Ghosts |
|
|
222 | (1) |
|
Loneliness in Jersey City |
|
|
223 | (1) |
|
Anything Is Beautiful If You Say It Is |
|
|
224 | (1) |
|
A Weak Mind in the Mountains |
|
|
225 | (1) |
|
The Bagatelles the Madrigals |
|
|
226 | (1) |
|
|
|
227 | (1) |
|
|
|
228 | (2) |
|
The Blue Buildings in the Summer Air |
|
|
230 | (1) |
|
|
|
231 | (2) |
|
|
|
233 | (1) |
|
|
|
234 | (1) |
|
|
|
235 | (1) |
|
The Sense of the Sleight-of-Hand Man |
|
|
236 | (1) |
|
|
|
237 | (1) |
|
A Dish of Peaches in Russia |
|
|
238 | (1) |
|
Arcades of Philadelphia the Past |
|
|
239 | (1) |
|
Of Hartford in a Purple Light |
|
|
240 | (2) |
|
|
|
242 | (1) |
|
Forces, the Will & the Weather |
|
|
243 | (1) |
|
|
|
244 | (1) |
|
|
|
245 | (1) |
|
Variations on a Summer Day |
|
|
246 | (5) |
|
|
|
251 | (1) |
|
|
|
252 | (1) |
|
|
|
253 | (1) |
|
|
|
254 | (2) |
|
|
|
256 | (1) |
|
|
|
257 | (2) |
|
On the Adequacy of Landscape |
|
|
259 | (1) |
|
|
|
260 | (1) |
|
|
|
261 | (1) |
|
Woman Looking at a Vase of Flowers |
|
|
262 | (1) |
|
The Well Dressed Man with a Beard |
|
|
263 | (1) |
|
Of Bright & Blue Birds & the Gala Sun |
|
|
264 | (1) |
|
|
|
265 | (1) |
|
|
|
266 | (2) |
|
Extracts from Addresses to the Academy of Fine Ideas |
|
|
268 | (8) |
|
|
|
276 | (4) |
|
|
|
280 | (2) |
|
|
|
282 | (1) |
|
|
|
283 | (1) |
|
Phosphor Reading by His Own Light |
|
|
284 | (1) |
|
The Search for Sound Free from Motion |
|
|
285 | (1) |
|
|
|
286 | (1) |
|
|
|
287 | (1) |
|
|
|
288 | (1) |
|
|
|
289 | (1) |
|
Examination of the Hero in a Time of War |
|
|
290 | (11) |
|
|
|
|
God Is Good. It Is a Beautiful Night |
|
|
301 | (1) |
|
Certain Phenomena of Sound |
|
|
302 | (2) |
|
|
|
304 | (1) |
|
|
|
305 | (1) |
|
Dutch Graves in Bucks County |
|
|
306 | (3) |
|
No Possum, No Sop, No Taters |
|
|
309 | (2) |
|
So-And-So Reclining on Her Couch |
|
|
311 | (1) |
|
|
|
312 | (6) |
|
|
|
318 | (1) |
|
|
|
319 | (1) |
|
|
|
320 | (1) |
|
|
|
321 | (1) |
|
Repetitions of a Young Captain |
|
|
322 | (5) |
|
|
|
327 | (1) |
|
|
|
328 | (2) |
|
|
|
330 | (13) |
|
The Bed of Old John Zeller |
|
|
343 | (1) |
|
Less and Less Human, O Savage Spirit |
|
|
344 | (1) |
|
Wild Ducks, People and Distances |
|
|
345 | (1) |
|
|
|
346 | (4) |
|
A Word with Jose Rodriguez-Feo |
|
|
350 | (1) |
|
|
|
351 | (2) |
|
Sketch of the Ultimate Politician |
|
|
353 | (1) |
|
|
|
354 | (1) |
|
|
|
354 | (1) |
|
|
|
355 | (1) |
|
Description Without Place |
|
|
356 | (8) |
|
|
|
364 | (2) |
|
|
|
366 | (1) |
|
Late Hymn from the Myrrh-Mountain |
|
|
367 | (2) |
|
|
|
369 | (1) |
|
|
|
370 | (1) |
|
A Completely New Set of Objects |
|
|
371 | (1) |
|
|
|
372 | (1) |
|
Two Versions of the Same Poem |
|
|
372 | (2) |
|
|
|
374 | (1) |
|
Thinking of a Relation Between the Images of Metaphors |
|
|
375 | (1) |
|
Chaos in Motion and Not in Motion |
|
|
376 | (1) |
|
The House Was Quiet and the World Was Calm |
|
|
377 | (1) |
|
Continual Conversation with a Silent Man |
|
|
378 | (1) |
|
A Woman Sings a Song for a Soldier Come Home |
|
|
379 | (1) |
|
The Pediment of Appearance |
|
|
380 | (1) |
|
|
|
381 | (1) |
|
|
|
382 | (1) |
|
The Good Man Has No Shape |
|
|
383 | (1) |
|
|
|
384 | (1) |
|
From the Packet of Anacharsis |
|
|
385 | (1) |
|
|
|
386 | (1) |
|
Mountains Covered with Cats |
|
|
387 | (1) |
|
The Prejudice Against the Past |
|
|
388 | (1) |
|
|
|
389 | (1) |
|
|
|
390 | (1) |
|
A Lot of People Bathing in a Stream |
|
|
391 | (1) |
|
|
|
392 | (6) |
|
|
|
398 | (1) |
|
|
|
399 | (2) |
|
Notes Toward a Supreme Fiction |
|
|
401 | (34) |
|
|
|
|
|
|
435 | (10) |
|
|
|
445 | (3) |
|
|
|
448 | (1) |
|
This Solitude of Cataracts |
|
|
449 | (1) |
|
In the Element of Antagonisms |
|
|
450 | (1) |
|
|
|
451 | (1) |
|
|
|
452 | (1) |
|
|
|
453 | (1) |
|
The Ultimate Poem Is Abstract |
|
|
454 | (1) |
|
Bouquet of Roses in Sunlight |
|
|
455 | (1) |
|
The Owl in the Sarcophagus |
|
|
456 | (6) |
|
Saint John and the Back-Ache |
|
|
462 | (1) |
|
Celle Qui Fut Heaulmiette |
|
|
463 | (1) |
|
|
|
464 | (1) |
|
|
|
465 | (4) |
|
|
|
469 | (2) |
|
|
|
471 | (1) |
|
|
|
472 | (2) |
|
|
|
474 | (5) |
|
World Without Peculiarity |
|
|
479 | (1) |
|
Our Stars Come from Ireland |
|
|
480 | (1) |
|
|
|
481 | (1) |
|
|
|
482 | (3) |
|
What We See Is What We Think |
|
|
485 | (1) |
|
A Golden Woman in a Silver Mirror |
|
|
486 | (1) |
|
The Old Lutheran Bells at Home |
|
|
487 | (1) |
|
|
|
488 | (1) |
|
|
|
489 | (1) |
|
|
|
490 | (1) |
|
An Ordinary Evening in New Haven |
|
|
491 | (25) |
|
|
|
516 | (8) |
|
Angel Surrounded by Paysans |
|
|
524 | (5) |
|
|
|
|
|
|
529 | (1) |
|
The Irish Cliffs of Moher |
|
|
529 | (1) |
|
The Plain Sense of Things |
|
|
530 | (1) |
|
One of the Inhabitants of the West |
|
|
531 | (2) |
|
|
|
533 | (1) |
|
The Hermitage at the Centre |
|
|
534 | (1) |
|
|
|
535 | (1) |
|
|
|
536 | (1) |
|
To an Old Philosopher in Rome |
|
|
537 | (3) |
|
The Poem That Took the Place of a Mountain |
|
|
540 | (1) |
|
|
|
541 | (1) |
|
Two Illustrations That the World Is What You Make of It |
|
|
542 | (2) |
|
Prologues to What Is Possible |
|
|
544 | (3) |
|
Looking Across the Fields and Watching the Birds Fly |
|
|
547 | (2) |
|
|
|
549 | (1) |
|
|
|
550 | (2) |
|
|
|
552 | (1) |
|
|
|
553 | (1) |
|
The Course of a Particular |
|
|
554 | (1) |
|
Final Soliloquy of the Interior Paramour |
|
|
555 | (1) |
|
|
|
556 | (4) |
|
St. Armorer's Church from the Outside |
|
|
560 | (2) |
|
|
|
562 | (1) |
|
|
|
563 | (1) |
|
The River of Rivers in Connecticut |
|
|
564 | (1) |
|
Not Ideas About the Thing but the Thing Itself |
|
|
565 | (2) |
| Note on the Text |
|
567 | (8) |
| Index of Titles of Poems |
|
575 | |
