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Colouring the Past: The Significance of Colour in Archaeological Research [Hardback]

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  • Formāts: Hardback, 276 pages, height x width x depth: 234x156x17 mm, 50 illus, 8pp colour section, biblio, index
  • Izdošanas datums: 01-Jul-2002
  • Izdevniecība: Berg Publishers
  • ISBN-10: 1859735428
  • ISBN-13: 9781859735428
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  • Formāts: Hardback, 276 pages, height x width x depth: 234x156x17 mm, 50 illus, 8pp colour section, biblio, index
  • Izdošanas datums: 01-Jul-2002
  • Izdevniecība: Berg Publishers
  • ISBN-10: 1859735428
  • ISBN-13: 9781859735428
Citas grāmatas par šo tēmu:
Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify, form opinions, and make aesthetic and emotional judgements. Colour operates in every culture as a symbol, a metaphor, and as part of an aesthetic system. Yet archaeologists have traditionally subordinated the study of colour to the form and material value of the objects they find and thereby overlook its impact on conceptual systems throughout human history.

This book explores the means by which colour-based cultural understandings are formed, and how they are used to sustain or alter social relations. From colour systems in the Mesolithic, to Mesoamerican symbolism and the use of colour in Roman Pompeii, this book paints a new picture of the past. Through their close observation of monuments and material culture, authors uncover the subtle role colour has played in the construction of past social identities and the expression of ancient beliefs. Providing an original contribution to our understanding of past worlds of meaning, this book will be essential reading for archaeologists, anthropologists and historians, as well as anyone with an interest in material culture, art and aesthetics.


Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify, form opinions, and make aesthetic and emotional judgements. Colour operates in every culture as a symbol, a metaphor, and as part of an aesthetic system. Yet archaeologists have traditionally subordinated the study of colour to the form and material value of the objects they find and thereby overlook its impact on conceptual systems throughout human history.This book explores the means by which colour-based cultural understandings are formed, and how they are used to sustain or alter social relations. From colour systems in the Mesolithic, to Mesoamerican symbolism and the use of colour in Roman Pompeii, this book paints a new picture of the past. Through their close observation of monuments and material culture, authors uncover the subtle role colour has played in the construction of past social identities and the expression of ancient beliefs. Providing an original contribution to our understanding of past worlds of meaning, this book will be essential reading for archaeologists, anthropologists and historians, as well as anyone with an interest in material culture, art and aesthetics.

Recenzijas

'Until recently archaeologists were remarkably insensitive to the importance of colour in ancient societies. This book changes the situation. It offers a series of provocative and persuasive studies which will surely influence a new generation of research. It will help to stimulate a more imaginative approach to fieldwork and richerinterpretations of the past. All archaeologists should read it and learn from what it has to say.'Richard Bradley, Reading University

Papildus informācija

Also available in paperback, 9781859735473 GBP17.99 (July, 2002)
Preface vii
List of Illustrations
ix
Notes on Contributors xiii
Introduction: Wonderful Things - Colour Studies in Archaeology from Munsell to Materiality 1(22)
Andrew Jones
Gavin MacGregor
Apotropaism and the Temporality of Colours: Colourful Mesolithic-Neolithic Seasons in the Danube Gorges
23(22)
Dusan Boric
Colourful Prehistories: The Problem with the Berlin and Kay Colour Paradigm
45(28)
John Chapman
White on Blonde: Quartz Pebbles and the Use of Quartz at Neolithic Monuments in the Isle of Man and Beyond
73(20)
Timothy Darvill
So Many Shades of Rock: Colour Symbolism and Irish Stone Axeheads
93(16)
Gabriel Cooney
The Flashing Blade: Copper, Colour and Luminosity in North Italian Copper Age Society
109(18)
Stephen Keates
Munselling the Mound: The Use of Soil Colour as Metaphor in British Bronze Age Funerary Ritual
127(14)
Mary Ann Owoc
Making Monuments Out of Mountains: The Role of Colour and Texture in the Constitution of Meaning and Identity at Recumbent Stone Circles
141(18)
Gavin MacGregor
A Biography of Colour: Colour, Material Histories and Personhood in the Early Bronze Age of Britain and Ireland
159(16)
Andrew Jones
The Composition, Function and Significance of the Mineral Paints from the Kurgan Burial Mounds of the South Urals and North Kazakhstan
175(20)
Alexander Tairov
Anatoli Filippovich Bushmakin
Colour and Light in a Pompeian House: Modern Impressions or Ancient Perceptions
195(14)
Penelope M. Allison
The Colours of Light: Materiality and Chromatic Cultures of the Americas
209(18)
Nicholas J. Saunders
Epilogue: Colour and Materiality in Prehistoric Society
227(16)
Chris Scarre
Index 243


Andrew Jones Lecturer in Archaeology,University of Southampton Gavin MacGregor Project Officer, Archaeological Research Division, University of Glasgow