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E-grāmata: Community-Built: Art, Construction, Preservation, and Place [Taylor & Francis e-book]

Edited by (Corvinus University of Budapest, Hungary), Edited by , Edited by
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Throughout history and around the world, community members have come together to build places, be it settlers constructing log cabins in nineteenth-century Canada, an artist group creating a waterfront gathering place along the Danube in Budapest, or residents helping revive small-town main streets in the United States. What all these projects have in common is that they involve local volunteers in the construction of public and community places; they are community-built.

Although much attention has been given to specific community-built movements such as public murals and community gardens, little has been given to defining community-built as a whole. This volume provides a preliminary description of community-built practices with examples from the disciplines of urban design, historic preservation, and community art.

Taken as a whole, these community-built projects illustrate how the process of local involvement in adapting, building, and preserving a built environment can strengthen communities and create places that are intimately tied to local needs, culture, and community. The lessons learned from this volume can provide community planners, grassroots facilitators, and participants with an understanding of what can lead to successful community-built art, construction, preservation, and placemaking.
List of Figures and Table
xi
Acknowledgments xiv
1 Introduction: Defining Community-Built
1(20)
Barry L. Stiefel
Kristin Faurest
Katherine Melcher
PART I Participation and Empowerment
21(62)
2 Community-Built as a Professional Practice
23(15)
Katherine Melcher
3 Kalaka: Four Stories about Community Building in a New Democracy
38(13)
Kristin Faurest
4 Reflections on Community Engagement: Making Meaning of Experience
51(15)
Terry L. Clements
C. L. Bohannon
5 Impacts of Participatory Mural Making on Youth Empowerment
66(17)
Tiva Lasiter
PART II Culture and Identity
83(70)
6 Community Eruvin: Architecture for Semi-Public/Private Neighborhood Space
85(17)
Barry L. Stiefel
7 Community-Built and Preserved Material Culture: Square-Log Cabins in the Village of Mont-Tremblant, Quebec
102(19)
Mariana Esponda Cascajares
8 Constructing and Preserving History through Community Art Projects
121(12)
Anastasia L. Pratt
9 Yellow-Star Houses: A Community-Generated Living History Project in Budapest
133(20)
Ildiko Reka Bathory-Nagy
PART III Local Control of Place
153(64)
10 Building Informal Infrastructures: Architects in Support of Bottom-Up Community Services and Social Solidarity in Budapest
155(17)
Daniela Patti
Levente Polyak
11 The Main Street Approach to Community Design
172(18)
Jeremy C. Wells
12 Building Streets and Building Community
190(17)
Katherine Melcher
13 Conclusion: Valuing Community-Built
207(10)
Kristin Faurest
Barry L. Stiefel
Katherine Melcher
List of Contributors 217(2)
Index 219
Katherine Melcher is an Associate Professor of Landscape Architecture at the University of Georgias College of Environment and Design, U.S. Her research focuses on the interaction between design and community developmentin particular, participatory processes in the design of community spaces. Her design work has been featured in Landscape Architecture, Designer/Builder, 1000x Landscape Architecture, and Architecture for Change.









Barry L. Stiefel is an Associate Professor in the Historic Preservation and Communty Planning program at the College of Charleston, U.S. He is interested in how the sum of how local preservation efforts affects regional, national, and multi-national policies within the field of cultural resource management and heritage conservation. Dr. Stiefel has published numerous books and articles.



Kristin Faurest worked as an Associate Professor in the Faculty of Landscape Architecture, Corvinus University of Budapest, Hungary, where she taught and researched in the areas of community-based planning, social justice in spatial planning, and the connections between culture and landscape. Last year she returned to her native U.S. to direct the Portland Japanese Garden's new International Institute for Japanese Garden Arts and Culture in Portland, Oregon.