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xi | |
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xiii | |
Introduction |
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1 | (28) |
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1.1 Fifteenth-century literature on conspiracies: a thematic and political genre |
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1 | (9) |
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1.2 The prince in literature on plots: power and resistance in the literary realm |
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10 | (6) |
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1.3 The classical tradition and crossovers between humanist historiography and political literature |
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16 | (5) |
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1.4 Texts on political plots: a multifaceted corpus |
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21 | (8) |
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1 Orazio Romano's Porcaria: Humanist Epic as a Vehicle for Papal-Princely Ideology |
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29 | (43) |
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1.1 Orazio Romano and the composition of the poem |
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29 | (8) |
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1.2 Stefano Porcari and the conspiracy against Nicholas V |
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37 | (4) |
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1.3 Poetry as literary transposition of the topic of conspiracy |
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41 | (4) |
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1.4 Classical legacy and Latin sources in the Porcaria |
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45 | (15) |
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1.5 The `papal prince' and the political perspective in the poem |
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60 | (9) |
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1.6 The eclectic use of the classical legacy and a new political symbolism |
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69 | (3) |
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2 Leon Battista Alberti's Porcaria coniuratio: The Epistle as Unresolved Reflection on the Political Plot |
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72 | (41) |
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2.1 Alberti and the Porcaria coniuratio |
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72 | (5) |
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2.2 The episUe as historical writing: the conflation of literary genres |
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77 | (4) |
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2.3 Classical theoretical models: Alberti's view of history |
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81 | (10) |
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2.4 Thematic and stylistic models: a Sallustian conspiracy |
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91 | (6) |
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2.5 `Eclectic classicism' in Alberti's language |
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97 | (3) |
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2.6 The rhetorical construction of an unsettled political dialogue |
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100 | (5) |
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2.7 The disapproval of res novae and the `iciarchical' image of power |
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105 | (8) |
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3 Giovanni Pontano's De hello Neapolitano: The Historia of the Conspiracy in Political Theory |
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113 | (44) |
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3.1 Pontano the historian, the royal secretary, and the theorist of politics and historiography |
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113 | (6) |
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3.2 Pontano's models and the development of political historiography |
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119 | (11) |
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3.3 Conspiracy, obedience, and kingship in Pontano's political theory |
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130 | (2) |
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3.4 The barons and the crime of disobedience |
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132 | (7) |
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3.5 The loyal noblemen and the repentant traitors |
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139 | (4) |
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3.6 The princeps and his people |
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143 | (14) |
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4 Angelo Poliziano's Coniurationis commentarium: The Conspiracy Narrative as `Official' Historiography |
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157 | (33) |
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4.1 Composition, publication, and circulation of the Coniurationis commentarium |
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157 | (9) |
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4.2 Classical models: varietas in the historical account |
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166 | (9) |
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4.3 The stylistic revision of the text |
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175 | (2) |
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4.4 The Commentarium in Medici cultural politics |
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177 | (7) |
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4.5 The evolution of the political perspective: from the first to the second version |
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184 | (6) |
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5 The Conspiracy Against the Prince: Political Perspective and Literary Patterns in Texts on Plots |
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190 | (22) |
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5.1 The classical legacy: genres, models, symbolism, and political tradition |
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190 | (6) |
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5.2 The centrality of history and its literary forms |
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196 | (2) |
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5.3 Political ideology and narrative strategies: the practical model for an ideal state |
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198 | (11) |
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5.4 Moving towards the sixteenth century |
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209 | (3) |
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6 `Congiure contro a uno principe': Machiavelli and Humanist Literature |
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212 | (37) |
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6.1 The'conspiracy'in Machiavelli's work |
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212 | (6) |
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6.2 The phenomenon of plots, between political theorization and historical narrative |
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218 | (2) |
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6.3 Conspiracy, tyrannicide, and crimen laesae maiestatis |
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220 | (4) |
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6.4 The princely dimension of Machiavelli's thought on plots |
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224 | (6) |
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6.5 The common people as decisive protagonist |
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230 | (8) |
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6.6 Motives and outcomes of plots: the bitter acknowledgement of the `certissimo danno' |
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238 | (11) |
Conclusions |
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249 | (4) |
Index of Manuscripts and Archival Documents |
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253 | (2) |
Bibliography |
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255 | (26) |
Index |
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281 | |