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E-grāmata: Conspiracy Literature in Early Renaissance Italy: Historiography and Princely Ideology

(Leverhulme Research Fellow, Centre for the Study of the Renaissance, University of Warwick)
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Conspiracy has been a political phenomenon throughout history, relevant to any form of power from antiquity to the post-modern era. This means of resistance against power was prevalent during the Renaissance, and the Italian fifteenth century, in particular, can be regarded as an 'age of plots'. This book offers the first full-length investigation of Italian Renaissance literature on the topic of conspiracy. This literature covered a range of different genres and it enjoyed widespread diffusion during the second half of the fifteenth century, when the development of this literary production was connected with the affirmation of centralized political thought and princely ideology in Italian states. The centrality of conspiracies also emerges in the sixteenth century in Machiavelli's work, where the topic is closely interlaced with problems of building political consensus and management of power.

This volume presents case studies of the most significant humanist texts (representative of different states, literary genres, and of prominent authors--Alberti, Poliziano, Pontano--and minor, yet important, literati), and it also investigates Machiavelli's political and historical works. Through interdisciplinary analysis, this study traces the evolution of literature on plots in early Renaissance Italy. It points out the key function of the classical tradition and the recurring narrative approaches, the historiographical techniques, and the ideological angles that characterize the literary transfiguration of the topic. This volume also offers a reconsideration of the complex facets of humanist political literature that played a crucial role in the development of a new theory of statecraft.
List of Figures
xi
List of Abbreviations
xiii
Introduction 1(28)
1.1 Fifteenth-century literature on conspiracies: a thematic and political genre
1(9)
1.2 The prince in literature on plots: power and resistance in the literary realm
10(6)
1.3 The classical tradition and crossovers between humanist historiography and political literature
16(5)
1.4 Texts on political plots: a multifaceted corpus
21(8)
1 Orazio Romano's Porcaria: Humanist Epic as a Vehicle for Papal-Princely Ideology
29(43)
1.1 Orazio Romano and the composition of the poem
29(8)
1.2 Stefano Porcari and the conspiracy against Nicholas V
37(4)
1.3 Poetry as literary transposition of the topic of conspiracy
41(4)
1.4 Classical legacy and Latin sources in the Porcaria
45(15)
1.5 The `papal prince' and the political perspective in the poem
60(9)
1.6 The eclectic use of the classical legacy and a new political symbolism
69(3)
2 Leon Battista Alberti's Porcaria coniuratio: The Epistle as Unresolved Reflection on the Political Plot
72(41)
2.1 Alberti and the Porcaria coniuratio
72(5)
2.2 The episUe as historical writing: the conflation of literary genres
77(4)
2.3 Classical theoretical models: Alberti's view of history
81(10)
2.4 Thematic and stylistic models: a Sallustian conspiracy
91(6)
2.5 `Eclectic classicism' in Alberti's language
97(3)
2.6 The rhetorical construction of an unsettled political dialogue
100(5)
2.7 The disapproval of res novae and the `iciarchical' image of power
105(8)
3 Giovanni Pontano's De hello Neapolitano: The Historia of the Conspiracy in Political Theory
113(44)
3.1 Pontano the historian, the royal secretary, and the theorist of politics and historiography
113(6)
3.2 Pontano's models and the development of political historiography
119(11)
3.3 Conspiracy, obedience, and kingship in Pontano's political theory
130(2)
3.4 The barons and the crime of disobedience
132(7)
3.5 The loyal noblemen and the repentant traitors
139(4)
3.6 The princeps and his people
143(14)
4 Angelo Poliziano's Coniurationis commentarium: The Conspiracy Narrative as `Official' Historiography
157(33)
4.1 Composition, publication, and circulation of the Coniurationis commentarium
157(9)
4.2 Classical models: varietas in the historical account
166(9)
4.3 The stylistic revision of the text
175(2)
4.4 The Commentarium in Medici cultural politics
177(7)
4.5 The evolution of the political perspective: from the first to the second version
184(6)
5 The Conspiracy Against the Prince: Political Perspective and Literary Patterns in Texts on Plots
190(22)
5.1 The classical legacy: genres, models, symbolism, and political tradition
190(6)
5.2 The centrality of history and its literary forms
196(2)
5.3 Political ideology and narrative strategies: the practical model for an ideal state
198(11)
5.4 Moving towards the sixteenth century
209(3)
6 `Congiure contro a uno principe': Machiavelli and Humanist Literature
212(37)
6.1 The'conspiracy'in Machiavelli's work
212(6)
6.2 The phenomenon of plots, between political theorization and historical narrative
218(2)
6.3 Conspiracy, tyrannicide, and crimen laesae maiestatis
220(4)
6.4 The princely dimension of Machiavelli's thought on plots
224(6)
6.5 The common people as decisive protagonist
230(8)
6.6 Motives and outcomes of plots: the bitter acknowledgement of the `certissimo danno'
238(11)
Conclusions 249(4)
Index of Manuscripts and Archival Documents 253(2)
Bibliography 255(26)
Index 281
Marta Celati is a Leverhulme Research Fellow at the University of Warwick, Centre for the Study of the Renaissance, and part-time Lecturer in Italian literature at the University of Oxford. She has worked as Teaching Fellow at the University of Pisa and in 2018 she was Frances Yates Fellow at the Warburg Institute. She was awarded a PhD in Italian Studies from the University of Oxford and a doctorate in Medieval and Humanist Philology from the University of Pisa. Her main research field is the Italian Renaissance, in particular political and historical literature. She has published a complete edition of Poliziano's Coniurationis commentarium (2015) and articles on various authors and topics, such as the classical legacy in humanist works, the art of printing in fifteenth-century Italy, and the interaction between literature and visual culture.