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E-grāmata: Consumerism and Prestige: The Materiality of Literature in the Modern Age

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This anthology explores the relationships and interdependencies between literary production and distinctions of taste by examining how the material aspects of literary texts, such as the cover, binding, typography and paper stock, reflect or even determine their cultural status. In many cases, for example, the distinctions between highbrow and lowbrow taste have little to do with the content of the texts themselves, as books often function as markers of socioeconomic status, like clothing or home décor. One might even go so far as to say that the concept of literary taste is more closely related to fashion sense than critical judgment. The anthology seeks to address this claim by examining how the tensions between consumerism and prestige reflect fundamental historical changes with regard to the development of technology, literacy and social power.

Recenzijas

A valuable international contribution to understanding how the materiality of book publishing is closely tied to social systems of taste and prestige. Professor Andrew Piper, Languages, Literatures, and Cultures, McGill University, Canada. Ranging widely across historical periods, genres, and nationalities, the essays collected in Consumerism and Prestige draw nuanced, materialist connections between the circumstances of textual production and the cultural construction of prestige as both a marketing and aesthetic category. Book historians and other scholars focused on materialist literary history will find much of interest in this volume. John Young, Professor of English, Marshall University, USA. The incisive essays in Consumerism and Prestige engage the material aspects of modern literary culture (including the highbrow, the lowbrow and everything in between) as highly suggestive markers of social status. Thoroughly transnational in scope and style, this volume provides fresh methodological impulses for material text studies and comparative literature. Dr. Alexander Starre, John F. Kennedy Institute for North American Studies, Department of Culture, Freie Universität Berlin.

Acknowledgments vii
Contributors viii
Introduction: Consumerism and Prestige 1(30)
Section One MATERIAL FORMS AND LITERARY PUBLISHING
Chapter 1 Devotion and Consumption: Ludwig Tieck, Literary Pocketbooks, and the Novella Craze
31(12)
Christoph Rauen
Chapter 2 Packaging Process: Peter Handke's Writing for Sale
43(20)
Jacob Haubenreich
Chapter 3 Contrasts in the Brazilian Book Market in the Early Twenty-First Century
63(16)
Laura Rivas Gagliardi
Section Two MATERIAL DISTINCTIONS IN POPULAR FICTION
Chapter 4 Only the "Outward Appearance" of a Harem? Reading Memoirs of an Arabian Princess as a Material Text
79(30)
Kate Roy
Chapter 5 Hidden Codes of Love: The Materiality of the Category Romance Novel
109(20)
An Goris
Chapter 6 Stephen King's The Girl Who Loved Tom Gordon: A Rhetorical Reading of the Schneekluth Edition Dust Jackets
129(16)
Thorsten Bothe
Section Three CULTURAL PRESTIGE AND GRAPHIC NARRATIVES
Chapter 7 The Printing of Phantasms: The Illustrations of Nineteenth-Century Serialized Novels and their Appropriation in Max Ernst's Collage Novel Une semaine de bonte
145(18)
Philipp Venghaus
Chapter 8 From Penny Dreadful to Graphic Novel: Alan Moore and Kevin O'Neill's Genealogy of Comics in The League of Extraordinary Gentlemen
163(16)
Jeff Thoss
Chapter 9 Comic Books versus Graphic Novels: Commodity Forms and Cultural Prestige
179(20)
Anthony Enns
Section Four Electronic Publishing And Reading Practices
Chapter 10 The Book and the E-Book: Footnotes, Margins, and Typography in The Brief Wondrous Life of Oscar Wao
199(18)
Bernhard Metz
Chapter 11 E-Book Collections as an Opportunity to Recover Unpublished or Forgotten Texts
217(12)
Laura Hatry
Chapter 12 How Much Does the Symbolic Capital of Books Cost? Operationalizing the Prestige of Books in the Digital Age
229(10)
Pasqualina Sorrentino
Massimo Salgaro
Index 239
Anthony Enns is an associate professor in the Department of English at Dalhousie University.





Bernhard Metz is an associate director of the SNF-funded project Online-Edition der Rezensionen und Briefe Albrecht von Hallers at the University of Bern.