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Contemporary African Screen Worlds [Mīkstie vāki]

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  • Formāts: Paperback / softback, 277 pages, height x width: 229x152 mm, weight: 612 g, 28 illustrations
  • Izdošanas datums: 04-Apr-2025
  • Izdevniecība: Duke University Press
  • ISBN-10: 1478031425
  • ISBN-13: 9781478031420
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  • Formāts: Paperback / softback, 277 pages, height x width: 229x152 mm, weight: 612 g, 28 illustrations
  • Izdošanas datums: 04-Apr-2025
  • Izdevniecība: Duke University Press
  • ISBN-10: 1478031425
  • ISBN-13: 9781478031420
Citas grāmatas par šo tēmu:
Contemporary African Screen Worlds brings together a new generation of African screen media scholars who explore and theorize the dynamic, interactive screen worlds that have arisen in contemporary Africa due to dramatic global changes in technology. Drawing on long-term fieldwork, extensive interviews, and specific case studies, the contributors bring to life the complex materialities and entanglements of film spectatorship, fandom, production, and circulation in Africa. They particularly attend to the interfaces among film audiences, actors, makers, platforms, and screens both small and large. Engaging with more than a dozen national contexts across the continent, the book reveals the diversity of African screen media practices and the creativity and agency of the people who passionately generate them, from film craftworkers in Nigeria and film students in Ghana to film fans in Rwanda and Burkina Faso. By focusing on the work of powerful platforms (such as Netflix and MTVShuga) and ordinary people (such as domestic workers watching Nollywood films in rural Kenya), this volume grapples with the effects and affects of digitization, mobile screens, media convergence, and the televisual turn in Africa.

Contributors. Moradewun Adejunmobi, AŃulika Agina, Alexander Bud, Lindiwe Dovey, Femi Eromosele, Pier Paolo Frassinelli, Alexandra Grieve, Jonathan Haynes, Joe Jackson, Alessandro Jedlowski, Dennis-Brook Prince Lotsu, Alison MacAulay, Elastus Mambwe, Asteway M. Woldemichael, Nedine Moonsamy, Elizabeth Olayiwola, Temitayo Olofinlua, Rashida Resario, Estrella Sendra, Robin Steedman, Michael W. Thomas, Stefanie Van de Peer, Solomon Waliaula

Recenzijas

Through the evocative concept of screen worlds, this exciting volume models an ethical, reflexive approach to undertaking African studies with resources from the Global North. The result is an original volume that centers Africa and the experiences of Africans in their relationships to screen worlds. Ambitiously laying out the fascinating dimensions of film practices across the continent, the volume foregrounds the agency of Africans, who appear strongly as participants in rapidly changing screen worlds that exploit the affordances of new media. - Cajetan Iheka, author of (African Ecomedia: Network Forms, Planetary Politics) Contemporary African Screen Worlds is a highly engaging and cutting-edge collection that offers a snapshot in a dynamic slide show about changing technologies and screen worlds across the continent. Toggling back between the global and the local while focusing as much on global platforms like Netflix as it does on practices of domestic workers watching Nollywood films in Kenya, this volume carefully attends to the messy and contradictory ways people engage with all types of screens. - Lindsey B. Green-Simms, author of (Queer African Cinemas)

Foreword / Jonathan Haynes  ix
Acknowledgments  xv
Introduction: Exploring Screen Worlds / Lindiwe Dovey, AŃulika Agina, and
Michael W. Thomas  1
Part I. Mobile Screen Worlds and the Televisual Turn in Africa
1. We Need New Screens: MTV Shuga Naija, Youth Sexual Agency, and the
Mobile Screen / Temitayo Olofinlua  19
2. MaĪtresse dun homme mariÉ: Retracing Womanhood in Senegalese Screen
Worlds / Estrella Sendra  35
3. Netflix: The Enabling Disruptor in Nigeria / AŃulika Agina  53
4. Examining the Opportunities: N-Nets Zambezi Magic Channel and the
Emerging Zambian Film Industry / Elastus Mambwe  75
Part II. Crafting the Production and Circulation of African Screen Worlds
5. From Intrastructures to Treehouses: Circulations in Nollywood
Distribution, Locations, and Craft / Alexander Bud  91
6. Entrepreneurialism and Enterprise: Film Students Redefining Ghanas
Creative Landscape / Dennis-Brook Prince Lotsu  113
7. South Africas Female Only Filmmakers Project: From On-Screen to Calling
the Shots / Lindiwe Dovey  127
8. Female Film Entrepreneurs in Ghana: Shirley Frimpong-Manso and Evelyn
Asampana in Focus / Robin Steedman and Rashida Resario  139
Part III. Engendering Screen Representation, Spectatorship, and Curation
9. Domestic Disturbance: Afro-Feminist Poetics in Dilman Dilas
Ugandan Horror Romances / Nedine Moonsamy  153
10. Fashioning African Screen Worlds: La noire de . . . and Les saignantes /
Alexandra Grieve  167
11. Nollywood Cinema and Its Housemaids Fandom: The Case of Eldoret, Kenya
/ Soloman Waliaula  185
12. Archival Films in Contemporary Archives: Fragmented Legacies of a North
African Womens Film Heritage / Stefanie Van de Peer  201
Part IV. Theatrical Screen Worlds: In the Church, Cinemas, Video Halls, and
Hills
13. Cinema in the Church: The Evangelical Film Worldview in Nigeria /
Elizabeth Olayiwola  217
14. Tezeta in Motion: A Glimpse into a Performative Ethiopian Screen World /
Michael W. Thomas and Asteway M. Woldemichael  233
15. Hillywood and Beyond: Forms of Spectatorship and Screen Worlds in Rwanda
/ Alison Macaulay  245
16. FESPACO @ Fifty: Forms, Formats, Platforms, and African Screen Media /
Pier Paolo Frassinelli  257
Part V. Transnational Screen Worlds: Music Video in Africa, Beyond, and
Back
17. Music Video and the Transnationalism of Nigerian Screen Media: Watching
Falzs This is Nigera /  Femi Eromosele  269
18. Rolling to A-Free-Ka: Seeing and Hearing the Transmedia Screen Worlds
of Kahlil Josephs Cheeba /  Joe Jackson  283
Afterword
1. The Political Worlds of African Screen Media / Alessandro
Jedlowski  297
Afterword
2. Africas Contemporary Screen Media Era and Questions of
Autonomy / Moradewun Adejunmobi  301
Filmography  307
References  311
Contributors  337
Index  343
 
Lindiwe Dovey is Professor of Film and Screen Studies, SOAS University of London.

AŃulika Agina is Associate Professor of Media Studies at the Pan-Atlantic University, Lagos.

Michael W. Thomas is Lecturer in Film and Screen Studies, SOAS University of London.